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Sony PXW-Z90 S-Log3, Live streaming XAVC 4K camcorder in Box, Zeiss T*

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https://www.youtube.com/watch?v=UH6bpwjpha0
English / Thai + menu.
Excellent condition used camera with hand strap,
Supplied Accessories:
Lens cap (1)
Accessory shoe kit (1)
Rechargeable battery pack (NP-FV50) (1)
AC Travel Adaptor (1)
Operating Guide (2)
CD-ROM “Manuals for Solid-State Memory Camcorder” (1)
Box

VIDEO:
Live Streaming to major public website | HXR-NX80/PXW-Z90 | Sony: https://www.youtube.com/watch?v=BXF5_aq5XsA
How to use the Auto Focus | Part2 Subject Track Set | PXW-Z90/HXR-NX80 | Sony: https://www.youtube.com/watch?v=YcNmJq88h_E
Sony | How to set up the Z90 & NX80 Pro Camcorders for Simple Live Streaming: https://www.youtube.com/watch?v=uw-O8oxNrow
Up Close And Personal - Sony PXW-Z90: https://www.youtube.com/watch?v=6YkUGvTy0Sc
Doug Jensen’s Sony PXW-Z90, NX80, and AX700 Master Class - CHAPTER 1 FREE: https://www.youtube.com/watch?v=IjzYaSBaD1U
5 Reasons our customers choose the Sony Z90/ NX80: https://www.youtube.com/watch?v=t2BOgpUzV8k
Brochures: PXW-Z90 and HXR-NX80 Simple Live Streaming Quick Guide: https://pro.sony/s3/2019/12/13135404/Live-Streaming-Quick-Guide1.pdf

Share the moment now with Simple Live Streaming
With the PXW-Z90, it’s easy to share high-quality video in real time with your online audience. Stream live footage directly to major online platforms with easy setup.*
*Free upgrade available now.
Ultimate mobility with high-speed autofocus
The PXW-Z90 is palm-sized and ultra-lightweight for shooting in any situation, and its advanced Fast Hybrid AF system is designed to provide pin-sharp image quality at all times with complete creative control.
First professional palm camcorder with 4K HDR
The PXW-Z90 is the first professional palm-sized camcorder to deliver stunning 4K High Dynamic Range (HDR) content with Hybrid Log-Gamma (HLG) file-based workflows. S-Log3 is also supported, enabling you to create beautiful imagery with a wide color gamut and color range.
● 3840 x 2160 pixels. Connect this product to a HDR (HLG) compatible TV via a HDMI cable and turn to HDR (HLG) mode by TV when displaying 4K QFHD movies
Stream directly to major online platforms
Live streaming instantly connects you with your audience, wherever you are. From weddings and live events to interviews and seminars—capture high-quality images and share them in real time on major online video platforms. Set up your own streaming channel with your smartphone or tablet, connect via Wi-Fi—and you’re ready to go.
● Free upgrade available now
● For Ethernet connection, separate accessories (VMC-UAM2, CBK-NA1) are required
Revolutionary imaging performance with Exmor RS
To deliver imaging performance previously impossible for a compact camcorder, a large 14.2-megapixel (effective) 1.0-type stacked CMOS image sensor delivers beautiful background bokeh defocus effects and superior sensitivity for capturing high-quality images with less noise, even under dark or bright conditions. This sensor integrates up to 273 phase-detection AF points that densely cover approx. 84% of the image area, for precise tracking of subjects throughout the shooting frame.
The sensor gives you low noise and less blur, because more light reaches the sensor, offering clear and steady pictures even in a dark scene with minimum illumination 1.7 lux.*
*LOW LUX mode.
Enhanced Fast Hybrid auto focus captures action
Enhanced Fast Hybrid auto focus (AF) is comprised of a number of features: Phase-detection AF with up to 273 reference points covering approximately 84% of the image area, face detection and lock-on auto focus technology to estimate subject movement. They all work together seamlessly to capture fast-moving subjects with amazing sharpness.
Auto Focus Creative Control
AF Drive Speed means you set the speed at which focus switches—rapid for a sports event and slow for a drama production. It’s easy to get the results you need. AF Track Depth allows you to choose a Wide depth of field when a subject is fast moving, while Narrow fine tunes performance for a subject at a consistent distance. AF Switching Sensitivity lets you lock tight to a single subject or fluidly switch focus—such as when shooting a line of runners.
Instant HDR workflows
Shoot, edit, and view HDR content in HLG without the need for additional color grading.
As the expanding need for HDR content continues, Internet video platforms and professionals producing corporate or event content are paying more attention to the added value of HDR. They need to deliver content quickly, without compromising on imaging expression and quality of content. To meet this demand, the PXW-Z90 offers Hybrid Log-Gamma (HLG) recording, in addition to S-Log3, for easy file-based workflows, while achieving the image quality of HDR. This simple workflow enables the shooting, editing, and viewing of HDR content in HLG, without devoting a lot of time to post-production work and additional color grading.
Express your vision beyond realtime motion
● High Frame Rate shots can turn everyday actions into slow motion ballet, and the PXW-Z90 delivers a stunning 120 frames* per second (fps) in Full HD XAVC 10bit 4:2:2, giving you continuous five-times slow motion expression. Higher frame rates** are also possible for even greater creative flexibility.
● *50 Hz: 100fps. 60 Hz: 120fps
● **50 Hz: 250, 500, 1000fps. 60 Hz: 240, 480, 960fps
Broadcast-quality 4K (QFHD) and HD
The PXW-Z90 allows you to record a wide range of 4K (QFHD) and HD formats for maximum flexibility from this stunning palm-sized camcorder. The Z90 supports XAVC QFHD 100-Mbps recordings at 30p/25p/24p, XAVC HD Long GOP 422 50 Mbps, MPEGHD422 50 Mbps,* MPEGHD420 35 Mbps, and AVCHD.
*MPEG HD recording requires optional license (CBKZ-SLMP) upgrade.
Networked for high mobility
The PXW-Z90 comes with 5-GHz* and 2.4-GHz Wi-Fi as standard—simply turn on and log onto your preferred network to enable a host of advanced wireless production features:
*5 GHz support dependent on country/regional regulation. Only PXW-Z90V supports 5 GHz.
● QoS Streaming to XDCAM air allows images to be streamed live from the camcorder for viewing at a remote location
● FTP Transfer allows content files recorded with MPEG HD 422/420 proxy feature (CBKZ-SLMP required) and other content files shot in XAVC (QFHD/FHD) and AVCHD formats to be sent over the Internet for remote storage on an FTP server
● XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting’s still going on, saving even more valuable time when a story’s breaking.
● Wi-Fi/NFC (Near Field Communication) with Content Browser Mobile™ allows the PXW-Z90 to be remotely controlled from a smartphone or tablet computer (iOS 9.0–10.3 or Android 4.4 through 7.1) via a Wi-Fi connection.* One-touch authentication is also possible with smartphones that offer NFC connectivity
● Wired LAN connection allows the PXW-Z90 to be connected to the Internet over a wired connection via the separately available VMC-UAM2 USB adapter cable and network adaptor kit (CBK-NA1), allowing files to be streamed or transferred by FTP
*The Content Browser Mobile™ application can be downloaded from the Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers.
Wide-angle zoom lens with great control
The PXW-Z90 is supplied with a fixed 29-mm wide-angle ZEISS Vario-Sonnar T lens, ideal for capturing panoramic landscapes. The 12x optical zoom can be increased to 18x with Clear Image Zoom, maintaining QFHD resolution using Super Resolution Technology or 24x in HD. In addition, the digital extender can double this range again, up to 48x zoom.
The camcorder’s lens ring enables smooth, natural adjustment of focusing or zooming, depending on which mode is selected, while the manual dial and buttons on the side of the body allow swift and easy adjustment of IRIS (aperture), ISO/GAIN, and shutter speed.
Optical Zoom
Clear Image Zoom (QFHD)
Superb quality monitoring with enhanced OLED viewfinder
You have superb monitoring options with the Z90, an enhanced 0.39-type 2359K dot OLED viewfinder and 3.5-type 1550K dot LCD. The super-high-resolution OLED viewfinder offers excellent quality brightness, contrast, and response, giving you better precision of manual focus operations and eliminating any color-breaking phenomenon. The LCD gives you further flexible composition options.
Dual XLR inputs
Robust XLR inputs on the removable handle support professional-standard stereo audio recording. Switchable phantom power supports mics that need it, while independent channel input dials provide precision control.
Remote operation
The PXW-Z90 has a featured remote interface (2.5-mm stereo mini-mini jack) wired interface. Using a wired remote controller such as the RM-1BP or RM-30BP, the focus, zoom, rec start/stop, and rec review can be controlled remotely.
Dual media slots
To extend recording time and workflow flexibility, the PXW-Z90 is equipped with two memory-card slots and is compatible with SDXC and SDHC cards as well as Memory Stick PRO Duo (Mark 2) / PRO-HG Duo.*
Relay mode automatically switches recording from the first to the second memory card when the first is full; Simul mode allows simultaneous recording to two memory cards (for example, to create an immediate back-up version). The PXW-Z90’s two start/stop buttons on the handle grip and camcorder body can independently start and stop recording on different memory cards while recording in Simul mode.
*Memory Card Slot 1 only.
Multi-Interface (MI) Shoe
The PXW-Z90 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections, and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (sold separately). Please note that to use the MI Shoe, the XLR handle must be removed.
Wide choice of connections
The PXW-Z90 offers numerous connections to suit the broadcast workflow, including 3G HD-SDI, HDMI®, Multi/Micro USB jack, and composite output. The Rec Trigger signal can be sent through SDI and HDMI to link an external recording device. HDMI/SDI/composite output is possible during QFHD recording.*
*HDMI supports up to QFHD resolution, 3G-SDI supports up to HD resolution. Composite is SD-only.
Easily synchronize multiple camcorders
When shooting with multiple camcorders, you can synchronize the timecode of each camcorder using Content Browser Mobile™ (CBM) smartphone application* with optional CBKZ-WTCL upgrade. With this feature, all camcorders can synchronize to the primary camcorder you select or to a manually set time—whichever you prefer.
*Version 3.0 Content Browser Mobile™ required, which is compatible with iOS 9.0–10.3 or Android 4.4 through 7.1.

จุดเด่นผลิตภัณฑ์
● เซ็นเซอร์ Single 1″ Exmor RS CMOS
● UHD 4K (3840 x 2160) สูงสุด 30p
● 4K HDR พร้อม Hybrid Log-Gamma (HLG)
● เอาต์พุต 3G-SDI,  การไลฟ์สตรีม 2.4/5 GHz
● โฟกัสอัตโนมัติแบบPhase-Detection
● ซูม Zeiss 12x Optical / 18x Clear Image
● บันทึก MPEG-2 HD พร้อมOptional License
● การบันทึก XAVC HD / QFHD
● Optionsการถ่ายภาพ S-Log3/S-Gamut3
● 2 x ช่องเสียบการ์ด SD, รีเลย์ & โหมด Simul
รายละเอียดสินค้า
กล้องวีดีโอ Sony PXW-Z90 คุณภาพระดับการใช้งานออกอากาศ ขนาดเล็ก ตระกูล XDCAM 1 เซ็นเซอร์รับภาพขนาด 1 นิ้ว Exmor RS CMOS พร้อมระบบ Auto Focus แบบใหม่ Fast Hybrid AF และ การบันทึกวิดีโอแบบ HDR )
PXW-Z90 กล้องวิดีโอ 4K คุณภาพระดับออกอากาศ พร้อมด้วยคุณสมบัติขั้นสูง ระบบโฟกัสอัตโนมัติความเร็วสูง (Fast Hybrid AF), ฟังก์ชั่นการบันทึกวิดีโอ HDR , การบันทึกวิดีโอเฟรมเรตสูงถึง 960fps (HFR), การเลือกความถี่ใช้งานเครือข่าย 2.4GHz หรือ 5GHz พร้อมรองรับระบบสตรีมมิ่ง QoS จาก Sony และรองรับการทำ Youtube Live / Facebook Live ได้ในตัวกล้อง
จำหน่ายกล้องวีดีโอ Sony PXW-Z90 4K HDR XDCAM Single 1" Exmor RS CMOS Sensor
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Panasonic DC-FZ1000 II (Mark 2) Superzoom Compact Hi-End camera Wi-Fi

  • 03 Oct 2024 : 02:01 am

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Benefitting the long reach of the lens is a 5-axis HYBRID Optical Image Stabilizer that compensates for a variety of camera movements for sharper handheld shooting in difficult lighting conditions. This image stabilization system also enables a unique Level Shot function that automatically detects the horizontal line of the recording image and keeps it level during shooting, regardless of camera tilt, helping to achieve greater shooting stability. 4K Video and 4K PHOTO Modes The sensor and processor combination also enables 4K video recording at 30p in the MP4 format at 100 Mb/s. Full HD 1080p and HD 720p recording is also possible, as well as high-speed Full HD recording with 120-fps slow-motion playback. Besides video, the 4K capabilities also permit recording 8MP stills at 30 fps in a trio of ways: ● 4K Burst: Just as with video recording, this mode will allow you to continuously record 8MP images at 30 fps for up to 15 minutes, making it ideal for instances where you need a fast frame rate in order to capture the best moment. ● 4K Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record 8MP images at 30 fps one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from. ● 4K Burst (S/S): This mode most closely follows the 4K video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8MP frame. 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Shutter counter: 8xxx https://www.youtube.com/watch?v=HF2GOmsOr40 Review: https://www.kenrockwell.com/sony/a9.htm Electronic shutter evolution: Sony A9, Olympus OM-D E-M1 II and Lumix G9: https://mirrorlesscomparison.com/in-depth/sony-a9-vs-olympus-omd-em1-ii/ Very good condition body with Body cap, battery, Wall charger, USB cable, Sony Eye cap, User Manual, Docs, Box. Cosmetically, it has a lot of traces and scratches on body (look at photos) that don't affect quality of photos. Mint condition of sensor and LCD screen. Can be used normally with all functions. The first Sony mirrorless with two card slots, complete silence and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used — better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall. New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor. 693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image. Calculates exposure and autofocus at up to 60 frames per second. Two card slots. New thumb-nubbin controller on rear. Three memory recalls on the top mode dial, with four more presets almost as easy to recall. Drive mode dial. Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7. C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7. New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots). In-camera 5-axis sensor-shift stabilization claims 5 stops improvement. Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye. Shoots 4K video using the entire 36mm width of the image sensor. Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode). XAVC S high-bitrate video formats for 50~100 MBPS video. Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound). Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night. Two card slots. Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy. Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter. Solid mostly metal construction. Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA! Excellent high ISO performance. Facial recognition works well, but only after you find it and turn it on. In-finder 2-axis level works great for keeping horizons and vertical lines as they should be. In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction. Almost any lens of any brand or age can be adapted to work - but with no lens corrections. Stereo microphone built-in. 3.5mm powered mic and headphone jacks. Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS. Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong. Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length. Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials.

Sony Handycam

Sony Handycam

  • 21 Sep 2024 : 15:19 pm

Sony Handycam 6000 baht 4GB internal memory plus 6BG (4GB + 2GB) memory sticks, carry case, charger and cables included Specifications AUDIO FORMAT Stereo (2ch.) FACE INDEX Yes RECORDING FORMAT Memory Stick MEMORY STICK DUO SLOT Yes IMAGE SENSOR 1/8" CCD ZOOM MIC Yes FILM ROLL INDEX Yes LCD SCREEN SIZE & TYPE 2.7" Wide LCD (123K / 16:9) with Touch Panel DIMENSIONS (W X H X D) 53 x 59 x 113mm MASS (W/O TAPE, BATTERY, ETC.) Approx. 200g HYBRID HYBRID (4GB Built-in Flash Memory) IMAGE STABILISATION SteadyShot SD VIDEO CODEC MPEG-2 OPTICAL / DIGITAL ZOOM 60x / 2000x MAXIMUM STILL IMAGE RESOLUTION (PHOTO MODE) VGA (640 x 480 / 4:3) MEDIA STORAGE TYPE Memory Stick Pro-Duo / Pro-HG Duo / Duo USB TERMINAL Yes (USB 2.0 High Speed) CARL ZEISS LENS / FILTER DIAMETER Vario-Tessar QUICK STARTUP Yes Supplied Accessories USB CABLE Yes RECHARGEABLE BATTERY PACK NP-FH30 APPLICATION SOFTWARE Picture Motion Browser AC ADAPTOR AC-L200 AV CABLE Yes

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