SONY HDR-CX270V Built-In GPS Receiver & NAVTEQ Maps and USB 2.0 cable

Shutter counter: 8xxx https://www.youtube.com/watch?v=HF2GOmsOr40 Review: https://www.kenrockwell.com/sony/a9.htm Electronic shutter evolution: Sony A9, Olympus OM-D E-M1 II and Lumix G9: https://mirrorlesscomparison.com/in-depth/sony-a9-vs-olympus-omd-em1-ii/ Very good condition body with Body cap, battery, Wall charger, USB cable, Sony Eye cap, User Manual, Docs, Box. Cosmetically, it has a lot of traces and scratches on body (look at photos) that don't affect quality of photos. Mint condition of sensor and LCD screen. Can be used normally with all functions. The first Sony mirrorless with two card slots, complete silence and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used — better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall. New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor. 693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image. Calculates exposure and autofocus at up to 60 frames per second. Two card slots. New thumb-nubbin controller on rear. Three memory recalls on the top mode dial, with four more presets almost as easy to recall. Drive mode dial. Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7. C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7. New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots). In-camera 5-axis sensor-shift stabilization claims 5 stops improvement. Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye. Shoots 4K video using the entire 36mm width of the image sensor. Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode). XAVC S high-bitrate video formats for 50~100 MBPS video. Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound). Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night. Two card slots. Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy. Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter. Solid mostly metal construction. Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA! Excellent high ISO performance. Facial recognition works well, but only after you find it and turn it on. In-finder 2-axis level works great for keeping horizons and vertical lines as they should be. In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction. Almost any lens of any brand or age can be adapted to work - but with no lens corrections. Stereo microphone built-in. 3.5mm powered mic and headphone jacks. Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS. Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong. Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length. Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials.

Professional dust / moisture resistant magnesium-alloy body, Bright XGA OLED Tru-Finer viewfinder and Sharp 3" multi-angle LCD 4K Video, DSC-RX10M3, Cyber-shot RX10 Mark 3 1. Excellent condition camera, battery, charger, Sony Lens Cap, Sony Lens Hood, Sony RX10 Strap, User Manual, docs, Box. - 34000 baht. Photos on request. 2. Very good working condition camera, battery, charger, Lens Cap, Sony Strap, User Manual, Box. (Photos 1-6) - 29900 baht. VIDEO: Sony RX10 III Review — After Owning for 3 Months: https://www.youtube.com/watch?v=sl6Ma4g6vEM Tech Chill ตอนที่ 183 Review Sony RX10 III: https://www.youtube.com/watch?v=dfgwlCr-Ug4 RX10 III - Super Slow Motion with super telephoto- "SuperFormula" | Cyber-shot | Sony: https://www.youtube.com/watch?v=xAiddjPH7o8 RX10 III - Pro-grade precise 4K movie | Cyber-shot | Sony: https://www.youtube.com/watch?v=snuGwWTLmqw RX10 III - Super Slow Motion with super telephoto- "Ski" | Cyber-shot | Sony: https://www.youtube.com/watch?v=-tYhNIgi-SE The Sony RX10 III - Best All Around Camera Ever?: https://www.youtube.com/watch?v=hzt6Oow4mWI How to transfer photos from your Alpha camera to your mobile phone or smart device:  https://www.youtube.com/watch?v=qOlbRqP2lEo About this item ● High zoom 24-600mm (25x) F2.4-4.0 ZEISS Vario-Sonnar T* lens, 20.1 MP 1" Exmor RS stacked back illuminated CMOS sensor w/ DRAM, 4K movie recording w/ direct pixel readout and no pixel binning ● Super slow-motion movie HFR (High frame rate) up to 960 fps (40x), Fast Intelligent AF achieves autofocus as quick as 0.09-sec., Fast response up to 14fps and 1/32000 sec. Anti-Distortion Shutter ● Enhanced operability w/ independent focus, zoom and aperture rings, Professional dust/moisture resistant magnesium-alloy body, Bright XGA OLED Tru-Finder viewfinder and Sharp 3" multi-angle LCD ● Simple connectivity to smartphones via Wi-Fi and NFC w/ camera apps ● BIONZ X engine for superior detail reproduction and noise reduction. ● Wi-Fi: Yes (IEEE802.11b/g/n (2.4 GHz band)) Blending fast performance with long reach, the Cyber-shot DSC-RX10 III from Sony is a versatile digital camera optimized for multimedia image-makers working in a broad variety of situations. Featuring a large 20.1MP 1" Exmor RS CMOS sensor, which utilizes both back-illuminated and stacked technologies, a high degree of image quality can be attained, with notable clarity, reduced noise, and sensitivity to ISO 12800. The sensor's design also integrates a dedicated DRAM chip to provide faster readout speeds that, when combined with the BIONZ X image processor, avail fast continuous shooting up to 14 fps. This also helps to reduce unwanted distortion caused by rolling shutter, and permits recording UHD 4K30 video internally, as well as slow motion Full HD 1080p video at 960 fps. Equally as impressive as the imaging capabilities, the RX10 III is also characterized by its 25x Zeiss Vario-Sonnar T* zoom lens, which spans an impressive 24-600mm equivalent focal length range and uses Optical SteadyShot image stabilization to minimize the effects of camera shake. Its optical design incorporates eight extra-low dispersion elements and six aspherical elements to control a variety of aberrations throughout the zoom range, and its f/2.4-4 maximum aperture range benefits working in low-light conditions. Mixing speed and reach, the RX10 III is well-suited to the photographer or videographer looking for the all-in-one camera to handle a variety of working situations. Beyond the imaging capabilities, the camera is also notable for its robust physical design that includes both a 2.36m-dot OLED electronic viewfinder along with a tilting 3.0" 1.228m-dot LCD monitor. The intuitive design also features three dedicated control rings on the lens-a zoom ring, a manual focus ring, and an aperture ring-and the aperture ring can be de-clicked for smooth, silent aperture adjustments. The magnesium alloy body is also weather-sealed to permit working in trying environments. Additionally, for sharing and control flexibility, built-in Wi-Fi with NFC is also available for wireless image sharing and remote camera control from a linked smartphone or tablet. 20.1MP 1" Exmor RS BSI CMOS Sensor and BIONZ X Image Processor A large 1" 20.1MP Exmor RS CMOS sensor pairs with the BIONZ X image sensor to realize a high degree of image clarity with reduced noise levels to support working in a wide array of environments with sensitivities up to ISO 12800. The Exmor RS sensor employs a unique stacked structure with a back-illuminated design for efficient light gathering abilities, as well as faster performance. The design also incorporates a dedicated DRAM chip on the back of the sensor to facilitate quick image processing in order to boost signal capacity and readout speeds for quick continuous shooting, up to 14 fps with reduced blackout, and slow motion video recording at up to 960 fps. An Anti-Distortion Shutter is also a product of the fast readout speeds, and helps to greatly reduce unwanted distortion caused by rolling shutter effects. The sensor and processor also contribute to fast autofocus performance that benefits both stills shooting and video recording. This Fast Intelligent AF system is able to achieve precise focus in as little as 0.09 seconds to suit working with quickly moving subjects. By continuously tracking and assessing subjects, the focusing system is able to quickly lock onto subjects prior to half-pressing the shutter button and a subject detection algorithm then intelligently predicts the proper point of focus to aid in acquiring sharp imagery of moving subjects. Zeiss Vario-Sonnar T* 25x Zoom Lens Pairing with the imaging assets, the RX10 III is most distinctly characterized by its expansive 25x zoom lens. This Zeiss Vario-Sonnar T* lens spans a 24-600mm equivalent focal length range, and has a variable maximum aperture of f/2.4-4 for adept performance from wide-angle to super telephoto. The optical design incorporates five extra-low dispersion elements, two extra-low dispersion aspherical elements, and one Super ED element to control a range of chromatic aberrations throughout the zoom range for increased clarity and color accuracy. An advanced aspherical (AA) element and five aspherical elements are also featured to reduce spherical aberrations for improved sharpness and resolution. Additionally, the esteemed Zeiss T* anti-reflective coating has been applied to individual elements to reduce flare and ghosting for increased contrast when working in strong lighting conditions. Complementing the lens' reach, Optical SteadyShot image stabilization also helps to minimize the appearance of camera shake by up to 4.5 stops for sharper handheld shooting. The lens also sports a rounded nine-blade diaphragm to produce smooth bokeh, and, despite its long reach, can also focus as closely as 1.2" with a 0.42x maximum magnification for working with close-up subjects. UHD 4K Video Recording Internal video recording is possible in a range of resolutions up to UHD 4K30 as well as high-speed recording in Full HD 1080p at 120 fps. Recording is done using full pixel readout, without pixel binning, in order to avoid the occurrence of moiré and jaggies, and the fast readout speeds of the sensor help to avoid moving subject distortion due to the effects of rolling shutter. Both 4K and Full HD recording is possible in the 100 Mbps XAVC S format, which is contained within an MP4 wrapper, with 4:2:0 color sampling when recording internally, or 4:2:2 sampling with the use of an optional external recorder via HDMI output. Making use of the back-illuminated sensor design, customizable picture profiles, color settings, and gamma controls are also available to effectively extend the possible dynamic range. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility. Multiple timecode recording and user bit options are also provided to suit different editing workflows. Beyond UHD 4K recording, the RX10 III also makes use of the fast readout speeds by way of availing a range of high frame rate (HFR) recording settings, with the ability to record Full HD movies at up to 960 fps for 40x slow motion playback. Body Design and Built-In Wi-Fi ● A bright, high-resolution XGA OLED Tru-Finder sports a 2.36m-dot resolution for clear eye-level monitoring of the scene, as well as the ability to preview exposure adjustments prior to shooting. ● Alternatively, a rear 3.0" 1.228m-dot Xtra Fine TFT LCD is available for monitoring and review, and features a 107° upward, 42° downward tilting design to benefit working from high and low angles. The screen also uses WhiteMagic technology for improved visibility in bright conditions. ● A robust magnesium-alloy body design is both dust- and moisture-resistant to support use in harsh environments. ● The manually-operated aperture ring permits intuitive tactile control over exposure settings, and the ring can be de-clicked for smooth, silent performance to suit video applications. Manual focus and zoom rings are also incorporated in the lens' design. ● A top LCD panel can be used to quickly check key exposure and other settings. ● A range of customizable function buttons can be assigned to any one of 58 different custom functions. ● The included NP-FW50 rechargeable lithium-ion battery offers approximately 420 shots per charge when working with the LCD monitor, or 370 shots per charge when working with the EVF. ● Both an external microphone jack and a headphone jack are available for using optional external mics and monitoring your audio in real time. ● Built-in Wi-Fi with NFC permits wirelessly sharing imagery to a linked mobile device for instant sharing online, and also allows a smartphone or tablet to remotely control the camera or display a live view image. Mobile devices can be paired via NFC or via a QR code displayed on the camera for non NFC-enabled phones or tablets. ● PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery. Other Camera Features ● Zoom Assist can be assigned to a custom function button and used to automatically zoom out from the scene in order to re-locate a subject, and then released to quickly return to the zoomed-in position. ● Step Zoom lets you configure the zoom ring to only cycle through fixed popular focal lengths as the ring is rotated, including 24, 28, 35, 50, 70, 85, 100, 135, 200, 300, 400, 500, and 600mm. Quick Zoom, on the other hand, can be assigned to a custom function button and lets you move throughout the zoom range in a fluid, seamless manner by rotating the zoom ring. ● A Silent Shooting mode makes use of an electronic shutter function for completely silent performance that is ideal for photographing in noise-sensitive areas. This electronic shutter also permits working with shutter speeds up to 1/32,000 sec. for photographing in bright conditions. ● Clear Image Zoom can be used to magnify the center of scenes by 2x to effectively extend the reach of the lens. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images. ● Eye AF is a dedicated autofocus mode that bases focus on recognized subjects' eye for portraits, and can be configured to prioritize either the subject's right or left eye. ● White balance adjustment can be finely controlled using detailed sliders that span the amber-blue and magenta-green axes for more precise control over how color tones appear in various lighting conditions. ● Benefitting manual focus operation, Manual Focus Assist can be used to magnify a portion of the scene for making more precise, detailed adjustments. Peaking is also available to highlight strong edges of contrast for more objective determining over sharp focus. ● A Dual Rec mode allows you to record 17MP stills, without pixel binning, while simultaneously recording video. Auto Dual Rec takes this process further by automatically recording stills at a chosen frequency or when a new composition or subject is recognized. ● When recording in UHD 4K, 8MP still frame grabs can be saved during playback for use as a still image. If working in Full HD, 2MP stills can be taken from video files. ● Scene Selection: Portrait, Sports Action, Macro, Landscape, Sunset, Night Scene, Handheld Twilight, Night Portrait, and Anti Motion Blur. ● Picture Effect: Toy Camera, Pop Color, Posterization, Retro Photo, Soft High-Key, Partial Color, High Contrast Mono, Soft Focus, HDR Painting, Richtone Monochrome, Miniature, Watercolor, and Illustration. ● Creative Style: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, and Style Box. Sony RX10 III Now, nothing is beyond reach. Aim for more dramatic stills and movies from wide-angle to ultra-telephoto. The 24-600mm1 (25x) ZEISS Vario-Sonnar T* lens offers a bright F2.4-4 max aperture that can take full advantage of the large 1” 20.1 MP image sensor. See subjects stand out beautifully in all kinds of scenes from wide-angle landscapes to ultra-telephoto sports action. High zoom 24-600mm1 (25x) F2.4-4.0 ZEISS Vario-Sonnar T* lens The RX10 II features an astonishing 24-600mm1 (25x) zoom range in a bright F2.4-4 lens that can take full advantage of the large 1” (1.0-type) image sensor. See subjects stand out beautifully in all kinds of scenes from wide-angle landscapes to ultra-telephoto sports action. The 9-blade circular aperture unit creates a nearly perfect circle throughout the aperture range of F2.4 to F11 which creates beautiful bokeh, for background defocus that amplifies dimensionality and ensures that point light sources appear as circles in images. Eight ED glass elements including two ED aspherical and one Super ED lenses compensate for the chromatic aberration that could otherwise be apparent in telephoto shots, and ZEISS T* Coating helps reduce flare and ghosting, achieving high contrast plus sharp image quality throughout the zoom range. An advanced aspherical (AA) lens enhances reproduction of detail and keeps the large-aperture lens as compact as possible. 20.1 MP 1" Exmor RS stacked back illuminated CMOS sensor w/ DRAM The large 1” (1.0-type) stacked 20.1 MP CMOS image sensor with DRAM chip performs at blazingly fast shutter speed of up to 1/32000, captures images at up to 14 fps (frames per second), ultra-sharp 4k movie without pixel binning and super slow-motion HFR (High Frame Rate) recording of up to 960fps (40x) movie clips – not to mention remarkable low-light low-noise capability. 4K movie recording2 w/ direct pixel readout and no pixel binning3 Full pixel readout without pixel binning collects approx. 1.7 times as much information as is required for 4K (QFHD: 3840 x 2160) movie2 output. This oversampling effect enhances image detail as it minimizes moiré and jaggies. A high-speed front-end LSI helps the BIONZ X image processing engine reduce image skew, smear and wobble (resulting from rolling shutter phenomenon) that can otherwise distort how fast-moving subjects look in 4K movies. High-bit-rate (up to 100Mbps) XAVC S3 format ensures high-quality movies with minimal noise from compression. Ultra telephoto super slow motion4 at up to 960fps (40x) See the unseen with super-speed HFR (High Frame Rate). The stacked CMOS sensor enables shooting at an extra-high frame rate up to 960fps (40x) high-speed shooting of exceptionally clear, smooth close-up action, all the way up the ultra-telephoto range, ideal for sports events, etc. So the camera can capture great close-ups of faraway players on fields in arenas in super slow motion detail. You can chose from 960fps, 480fps or 240fps4 to playback in XAVC S at 1920 x 1080, in 60p, 30p or 24p. Choose between “quality priority” (2 sec.) and “shoot time priority” (4 sec.). There’s also an option to set “start trigger” or “end trigger” which will start capturing movie before or after you press the movie rec. button so you can time those split-second moments perfectly. Fast Intelligent autofocus as quick as 0.09-sec. 5 Along with great zoom range coverage up to 600mm1, the RX10 III features 0.09-sec. 5 high-speed AF (autofocus). By assessing the subject even before the shutter button is pressed halfway, the system’s subject detection algorithm accurately predicts the proper point of focus letting users capture decisive moments of sports and other events. Smooth, accurate focus is effective in shooting 4K movies, for which accurate focus is especially crucial, as well as stills. Super-speed Anti-Distortion Shutter at max. 1/32000 sec. Thanks to dramatically accelerated sensor readout, shutter speeds of up to 1/32000 sec. minimize distortion caused by rolling shutter phenomenon. This new blazing-fast - Anti-Distortion Shutter system — can capture shots of swiftly moving subjects without altering their shape as conventional CMOS sensors tend to do. Additionally, the super high speed shutter gives you freedom to shoot photos with defocused backgrounds by using large aperture settings under very bright lighting conditions. This is achieved by a combination of 1/32000 super high speed shutter and built-in ND filter that allows photos to be shot in extremely bright light at a maximum of EV19 with a fully open F-number aperture setting. Catch the decisive moment at 14 fps7 Despite its high pixel count of over 20 megapixels, the camera features accelerated readout for continuous shooting up to 14fps7 with reduced blackout. This allows for decisive moments of subjects in motion to be captured entirely, without missing even a little action. Enhanced operability Rings for focus, zoom and aperture around the lens can be smoothly operated. For convenient shooting, you can turn Aperture Click Switch on for stepwise clicks of assurance, or off for a quiet, smooth feel when setting the aperture. Professional dust/moisture resistant8 magnesium-alloy body Combined with dust- and moisture-resistant design8, the use of highly rigid magnesium alloy material for the top cover, front cover, and main chassis makes the body solid yet light, ensuring heavy-duty performance in various tough situations. Bright XGA OLED Tru-Finer electronic viewfinder View every scene in rich detail with the bright XGA OLED Tru-Finer electronic viewfinder (EVF) with high resolution equivalent to approx. 2,359k-dots. The viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings, so you can accurately frame your image, focus and monitor the results. The ZEISS T* coating enhances clarity and reduces flare and reflection in the eyepiece optics. Large multi-angle 3 Xtra Fine LCD display Frame your images easily with a large 3” (1,229k dots) Xtra Fine LCD Display that rotates in multiple angles. This also makes it easy to photograph over crowds or low to capture pets eye to eye by swinging up approx. 107° and down approx. 42°. Easily scroll through menus and preview life thanks to WhiteMagic technology that dramatically increases visibility in bright daylight. The large display delivers brilliant-quality still images and movies while enabling easy focusing operation. Legal & Footnotes 2015 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. 1 35mm equivalent 2 Records in up to 29 minute segments. 3 An SDXC memory card of Class 10 or higher is required. 4 Sound cannot be recorded when shooting slow motion. 5 CIPA standard, internal measurement, at 24mm (Wide), EV8.2, Program Auto, AF area: Center, with NTSC mode 6 PlayMemories camera apps require download with existing Sony Entertainment Network account. Download available in all countries/areas where Sony Entertainment Network is available. 7 In Speed-priority Continuous shooting mode. Exposure and focus fixed in first frame. 8 Note: This camera is designed for optimal dust and moisture resistance, but is not waterproof or splashproof. 9 Dual Rec cannot be used when record setting is set as follows: RX10 III: 120p/100p (NTSC/PAL) or in 4K recording. 10 Zoom Assist function must be assigned to this Custom Button prior to use.

VIDEO: Olympus Tough TG-5 - the perfect action camera: https://www.youtube.com/watch?v=Pq7rkdXd6AY Olympus TG5 High Speed photography: https://www.youtube.com/watch?v=9dYJtC6iDQU Red35 Review: The Olympus Tough TG-5: https://www.youtube.com/watch?v=ioKpVCsEfhE Olympus TG-5 - Underwater Camera Review: https://www.youtube.com/watch?v=wHt0TQHxO-o English / Thai + menu. Include: camera, battery, wall charger, red hand strap Olympus, USB-cable. About this item ● New 12 megapixel Hi speed image sensor for improved low light performance and noise reduction ● Underwater compensation: 2 EV to +2 EV (in 1/3 EV steps); Bright F2.0 high speed lens; Video recording format: MOV(MPEG 4AVC/H.264) ● Dual quad core TruePic VIII image processor 3.0 inches 460k Dot LCD monitor; Focus range normal: 3.94 inches (10 centimeter) to infinit macro: 0.4 inches (1 centimeter) to infinity ● Field sensor system with GPS, manometer, compass and temperature sensors ● Waterproof to 50 feet, F, dust proof, crush proof to 220 lbf, Shockproof from 7 feet, freeze proof to 14 degrees, anti fog lens, dust proof: IP6X ● 12MP BSI CMOS Sensor ● TruePic VIII Image Processor ● Olympus 4x Optical Zoom f/2 Lens ● 25-100mm (35mm Equivalent) ● 3.0″ 460k-Dot LCD Monitor ● Water, Crush, Shock, Freeze & Dustproof ● 4K Video Recording and Full HD at 120p ● Built-In Wi-Fi, GPS, Field Sensor System ● ISO 12800 and Up to 20 fps Shooting ● Pro Capture Mode & Variable Macro System กล้องดิจิตอลคอมแพคสายแข็ง อึด ถึก ทน ลุยได้ทุกสภาพอากาศ TG-5 ใช้เซ็นเซอร์ และหน่วยประมวลผลภาพใหม่ล่าสุด และเลนส์ความละเอียดสูง พร้อมรูรับแสงกว้างถึง f/2.0 เพื่อให้ภาพถ่ายที่มีคุณภาพสูง และมีความแข็งแรงและป้องกันฝ้าหรือไอน้ำด้วยกระจกป้องกันแบบคู่ (Anti-fog Dual-pane Protective Glass) เพื่อการใช้งานในสภาพแวดล้อมสุดเลวร้ายได้อย่างไม่ต้องกังวลใจ เลนส์ไวแสงคุณภาพสูง f/2.0 TG-5 เป็นกล้องที่มีประสิทธิภาพสูง ทั้งความแข็งแรงทนทาน และให้ภาพถ่ายที่มีคุณภาพสูง มาพร้อมเลนส์ความละเอียดสูง ออปติคอลซูม 4X และความสว่างสูง f/2.0 ช่วยให้สามารถใช้ความเร็วชัตเตอร์ได้เร็วขึ้น กำลังซูม 4X TG-5 มาพร้อมเลนส์ซูมออปติคอล 4 เท่า ให้ช่วงการถ่ายภาพที่กว้างและหลากหลาย ตั้งแต่ภาพมุมกว้าง ไม่ว่าจะเป็นมุมแบบ Bird Eye View ของทิวทัศน์อันงดงาม ไปจนถึงซูมเข้าไปในรายละเอียด ของวัตถุที่ห่างออกไป มุมกว้าง เทเลโฟโต้ ด้วยองค์ประกอบเหล่านี้ทำให้ภาพถ่ายมีคุณภาพที่สูงขึ้นไปอีกกว่ากล้องคอมแพ็คทั่วไป กล้อง TG-5 การประมวลผลภาพที่ให้ความละเอียดสูง ปรับปรุงอัลกอริทึมในการประมวลภาพใหม่ เพื่อให้ภาพถ่ายมีคุณภาพและความละเอียดสูงในกล้อง ไม่ว่าจะเป็นอยู่บนภูเขาสูง บนหาดทราย หรือท่ามกลางหิมะ กล้อง Tough ซีรีส์นั้น ทนทานต่อสภาพสภาพอากาศสุดเลวร้าย TG-5 คือที่สุดของกล้องตระกูล Tough มาพร้อมกับเซ็นเซอร์ใหม่ล่าสุด และหน่วยประมวลผลภาพใหม่ล่าสุด TruePic VIII ให้ภาพถ่ายที่มีคุณภาพที่ยอดเยียมขึ้นเป็นอย่างมาก และยังมาพร้อมกับ Field Sensor System ซึ่งบันทึกข้อมูลต่างๆมากมาย เพื่อให้คุณสามารถสร้างประสบการณ์การถ่ายภาพแบบใหม่ บนสมาร์ทโฟนของคุณ พกกล้องนี้ไปกับคุณ เพื่อบันทึกภาพกิดจกรรมโลดโผนสุดประทับใจของคุณ อย่างเช่น การปีนเขาและการดำน้ำให้มีความสนุกสนานมากยิ่งขึ้น Rugged. Durable. Tough. Now Add Smart. Get awesome imaging power with the Olympus Tough TG-5. It’s waterproof (50 ft / 15 m), shockproof (7 ft / 2.1 m), crushproof (220 lbf / 100 kgf), freezeproof (14°F / -10°C), and dustproof to survive everything from a grueling hike through mountains to a 5-year-old playing with it by the pool. The TG-5’s rugged design is packed with pro shooting features like an F2.0 high-speed lens, 20 fps burst shooting in RAW, and anti-fog dual pane glass for spectacular images in every environment. TG-5 shown with optional CSCH-123 Sport Holder. F2.0 High-Speed Lens The TG-5 has a blazing-fast F2.0 lens made to capture action and adventure. Shoot bright, detail-rich video and blur-free stills even with fast-moving subjects. It's perfect for shooting at dusk, dawn, around a campfire, or even capturing a coral reef in stunning clarity. Low Light? No Problem Take the TG-5 into the world’s most challenging shooting conditions and come back with jaw-dropping shots. Thanks to its specialized image sensor and advanced dual quad core TruePic VIII Processor, you’ll get photos with little noise and increased dynamic range. Even in low light, your shots will be bright and clear. Insane Shooting Speeds Freeze fast-moving action with ease. Take RAW shots up to a blazing 20 fps. Nail difficult photos requiring split-second timing with the TG-5’s Pro Capture Mode. It buffers a running series of high-resolution images, then captures an exact moment plus the previous 5 frames with a single button press. Never miss a critical shot again. Ultra HD 4K Video Capture your adventures in vivid Ultra HD. The TG-5 shoots video in 4K so you can watch your rafting trip, reef dive, and desert hike in spectacular lifelike resolution. The TG-5 also features Full HD 120 fps high-speed video for slow-motion playback. 4K Time Lapse Video lets you create short videos of long periods of time. Action Track Sensors Tell more exciting stories! Record movement and environmental data with built-in Action Track Sensors. You’ll find a GPS for latitude and longitude, a compass for direction, a temperature sensor, and a manometer for altitude and water depth. You’ll always know where you are and have a record where you’ve been. Data Log Mode Data Log Mode records tracking data for extended time periods. Use the free Olympus Image Track app to simultaneously view still images and videos with your data on a smart device for an immersive viewing experience. Plus, you can export photos and video with data overlays to relive your adventures. Wi-Fi Connectivity Immediately share the awesome photos and video you’ve shot. The TG-5’s built-in Wi-Fi instantly transfers video and images to your smart device using the free Olympus Image Share app. Plus, compose images, control the camera’s settings, and shoot remotely all from your smart device. Powerful Macro Modes Shoot flowers, insects, and other wildlife in stunning detail. Microscope Mode lets you get as close as 1 cm to your subject, and Microscope Control Mode offers precise magnification in steps up to 44.5x. Focus Bracketing and Stacking Modes produce shots with exquisite sharpness and maximum depth of field. Deep Water, Starry Nights Go exploring under the waves with Underwater Shooting Modes, including Snapshot, Wide, and Macro. Underwater HDR Mode combines multiple images to create photos with enhanced light and shadow. After the sun sets, nighttime Live Composite Mode lets you easily shoot amazing cityscapes and star trails. Glove-Friendly Operation The TG-5 has been thoughtfully designed so you can operate the camera while wearing heavy gloves. The camera's ergonomic design features an Accessory Lock to secure optional lenses and other accessories, and Custom Modes let you instantly access favorite settings via the main Mode Dial. Lens Options & Accessories The waterproof FCON-T01 Fisheye Converter Lens captures ultra-wide shots, and the waterproof TCON-T01 Teleconverter Lens extends the TG-5’s zoom to almost 7x. Get ideal macro lighting with the LG-1 Light Guide or the waterproof FD-1 Flash Diffuser. Use the PT-058 Underwater Housing to take the TG-5 down to 147 feet (45 meters).