Olympus Tough TG-5, 4K Video, 12MP, Field sensor system with GPS

VIDEO: LEICA V-LUX Type 114 in 2020 | Low-light | Stabilization | 25mm-400mm | Face detection: https://www.youtube.com/watch?v=RVY9N9I0DI0 BROKE PHOTOGRAPHERS GUIDE: LEICA - VLUX Typ 114 (Behind the Desk): https://www.youtube.com/watch?v=kIWVQSXnQqs Paris Photo LA Shot with Leica V Lux Typ114: https://www.youtube.com/watch?v=6cpbdbgKGNU The Leica V-Lux is the Swiss Army knife amongst high end compact cameras Its fast and huge optical zoom lens, and its outstanding picture and video (4K) quality make it the best digital camera for travel, sports and outdoor activities The camera is one of the most versatile compact cameras from Leica With the Leica V-Lux you are best equipped to start an adventure and explore the world 1. Shutter counter: 5xxx Excellent condition camera with hot shoe cap, Lumix battery, Lumix charger and Lumix lens cap, Leica Guarantee Book. 36000 baht 2. Shutter counter: 1222 Excellent condition camera with hot shoe cap, Leica battery, Leica charger and Leica lens cap with cord, User Manual Book. 38000 baht The V-Lux (Typ 114) is Leica’s most versatile high-end compact camera to date. The extensive range of its zoom lens covers nearly all distances and subject matter – simplifying your travels by avoiding the need for changing lenses and packing additional equipment.The view through the viewfinder brings the scene to life with incredible brilliance, while the large sensor ensures vividly clear, high-resolution images. The perfect all-rounder, the Leica V-Lux delivers in any shooting situation – from travel and sports photography to capturing all your adventures in the great outdoors. Mixing a long zoom with apt imaging capabilities, the Leica V-Lux Typ 114 is a versatile camera characterized by its ergonomic design and travel-friendly feature-set. Revolving around a large 20.1MP 1" CMOS sensor, high-resolution stills shooting and UHD 4K video recording is possible with a wide sensitivity range to suit working in a variety of lighting conditions. The sensor and processing technologies also enable fast autofocus performance along with continuous full-resolution shooting at 12 fps and 4K Photo shooting at 30 fps. Balancing the photo and video capabilities, the V-Lux is also distinguished by its impressive DC Vario-Elmarit ASPH. zoom lens, which covers a wide-angle to super-telephoto 25-400mm equivalent focal length range. Also notable is the camera's ergonomic design, which resembles an SLR camera, and incorporates both a 2.36m-dot electronic viewfinder and 3.0" 1.04m-dot articulating LCD. Additionally, built-in Wi-Fi allow you to wirelessly share imagery or remotely control the camera from a linked smartphone or tablet via the Leica FOTOS app. 20.1MP 1" CMOS Sensor A large 20.1MP 1" CMOS sensor helps to realize rich image quality with reduced noise and high sensitivity range to suit photographing in a variety of conditions. The imaging and processing capabilities also avail impressively fast autofocus performance along with continuous shooting rates up to 12 fps or 30 fps at 8MP in the 4K Photo modes. DC Vario-Elmarit ASPH. 16x Zoom Lens integrated optical image stabiliser. An impressive 16x zoom DC Vario-Elmarit ASPH. lens offers a 25-400mm equivalent focal length range along with a maximum aperture range of f/2.8-4 to suit working in available light conditions. The lens construction incorporates a series of aspherical elements to minimize spherical aberrations and distortions throughout the zoom range for greater sharpness and clarity. 4K Video and 4K Photo Modes The sensor and processor combination also enables 4K video recording at 30p in the MP4 format at 100 Mb/s. These 4K capabilities also permit recording 8MP stills at 30 fps in a trio of ways: ● 4K Burst: Just as with video recording, this mode will allow you to continuously record 8MP images at 30 fps for up to 15 minutes, making it ideal for instances where you need a fast frame rate in order to capture the best moment. ● 4K Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record 8MP images at 30 fps one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from. ● 4K Burst (S/S): This mode most closely follows the 4K video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8MP frame. Body Design and Wireless Connectivity ● High-resolution 2.36m-dot, 0.7x-magnification electronic viewfinder is integrated into the body design to permit comfortable eye-level monitoring. ● Alternatively, a rear 3.0" 1.04m-dot LCD monitor is also available for live view shooting, image review, and intuitive menu navigation. The screen features an articulating design that flips out 180° to the side and then tilts 270° to permit working from high, low, and front-facing angles. ● The included rechargeable lithium-ion battery provides you with approximately 350 shots per charge. ● Built-in Wi-Fi along with the Leica FOTOS app, allow you to wirelessly share photos and movies to linked smartphones and tablets for direct sharing online. This connectivity also allows you to remotely control the camera from a mobile device. The essentials: ● 20.1 MP 1"- MOS Sensor ● DC Vario-Elmarit 25-400 mm f/2.8-4.0 lens ● Full tilt-and-swivel 3" LCD ● Electronic viewfinder (2.36 MP) and 0.7x magnification ● Internal Memory 87MB ● 4K video and 4K photo burst shooting ● Integrated flash ● Autofocus speed of approx. 100 milliseconds ● JPEG and RAW files ● Integrated Wi-fi and Leica FOTOS App Leica V-Lux (Typ 114) Overview The Leica V-LUX (Typ 114) Digital Camera is an advanced point-and-shoot digital camera with the form factor of a DSLR. It has a 20MP, 1" MOS sensor, a 16x zoom lens, and UHD 4K video capability. The built-in, DC Vario-Elmarit, 9.1-146mm f/2.8-4.0 ASPH lens has a 35mm equivalent focal length of 25-400mm. Optical Image Stabilization helps minimize the appearance of camera shake, resulting in sharper images, and 4x digital zoom and 32x intelligent zoom provide the lens with an extended focal range. The moderately fast aperture, combined with a native sensitivity range of ISO 120-12500 allow the lens to perform in situations with low light. The V-LUX captures high-quality MP4 video files in resolutions up to 3840 x 2160 UHD 4K, and a built-in microphone can record stereo audio while recording video. A 3", 920k-dot, rotatable, LCD screen on the camera enables photo review and menu navigation, and a 0.39", OLED, 2,360k-dot, electronic viewfinder allows for accurate composition. Built-in Wi-Fi and NFC allow for instant image sharing and remote control via the Image Shuttle App. Leica DC Vario-Elmarit 9.1-146mm f/2.8-4.0 ASPH Lens This 16x optical zoom lens provides a 25-400mm equivalent focal length, giving you a full range of wide-angle to super-telephoto lengths. The built-in OIS and fast aperture range combine to allow for handheld shooting at long distance, even in poor light. 20MP 1" MOS Sensor A much improved sensor from the V-LUX 4's 12MP CMOS sensor, this larger sensor provides more megapixels, a narrower depth of field, and delivers higher-quality images at up to a native ISO 12500, or extended to ISO 25000. High-Resolution Integrated EVF with 2.36 Million Pixels This 2.4MP 0.39" OLED electronic viewfinder has approximately 2.36 million pixels, and features an eye sensor and diopter adjustment. 3" Multi-Axis Rotate-and-Tilt LCD The LCD screen has 920k dots and is rotatable to aid in shooting from different angles. UHD 4K Video The V-LUX not only shoots in full HD, but UHD 4K video as well, at a resolution of 3840 x 2160. Performance Speed When using the electronic shutter, the V-LUX can shoot up to 50 fps, and up to 12 fps when using the mechanical shutter. Image Shuttle App Allows you to control the camera's functions from your smart device. Introduction Together with the D-Lux cameras the V-Lux bridge cameras represent Leica’s partnership with Panasonic. The previous model in the range was the V-Lux 4; this was a fantastic 12mp camera with a 25-600 optical zoom lens with a constant f2.8 throughout the full range. With Leica’s new naming method the new camera is just called the V-Lux . . . . with the (Typ 114) identifier. On paper the variable maximum aperture (f2.8 - f4) and the shorter zoom range (25-400) of the new V-Lux camera sounds less impressive. However,  the new camera has a 1” 20mp sensor which has 4 times the area of the old sensor: V-Lux 4 1/2.33” sensor: 6.08mm x 4.56mm V-Lux (Typ 114) 1” sensor: 13.2mm   x 8.8mm This larger sensor not only gives improved resolution and better low light performance, but also a larger effective aperture than that of the V-Lux 4. In addition, the new camera is the first bridge camera to offer 4k video. The sensor itself seems to be the same one used in a batch of successful recent cameras including the Sony RX100III, the Sony RX10 and probably the Canon Gx7. The New V-Lux is a complex camera and fully featured camera, and it’s outside the scope of this report to describe the details in full. However, in addition to the Leica documentation there is an excellent and detailed review of it’s sister camera at Dpreview: The Panasonic FZ100. It’s well worth a read. I’ve been putting the new V-Lux through it’s paces since early in August, including a 2 week trip to Crete (where this article is being written).  In this case I haven’t so much been testing this camera (it arrived in it’s final version) but it’s worth pointing out that, as a tester for Leica, my allegiance is to Leica, and if I find things wrong with the camera, then my duty is to tell Leica about it rather than the world in general. On the other hand, Leica have never had any influence over what I write, and I wouldn’t dream of saying anything that I don’t consider to be absolutely true, or to leave out anything I consider to be a show-stopper The Body Leica has once again employed Audi Design to work on the new V-Lux, so that it has a distinctive Leica look and feel (as well as the traditional red dot). The camera is fairly big - an inevitable result of the the long zoom range, fast lens and the relatively large sensor. On the other hand, despite feeling pretty solid, it is also very light. This means that it is perfectly okay to carry around all day without stress or strain; on several long hot walks in Crete I carried the camera in one hand all day long. I put the camera through a pretty punishing time - high temperatures and a dusty environment. It performed really well throughout. There is a flip out LCD screen which turns in all directions; excellent if you want to use a tripod, it even turns right around so that you can do selfies! The LCD can also be turned back on itself (facing into the body) for protection. The LCD is a 921,000 dot display, whereas the excellent EVF is a 2.4 million dot unit with eye-sensor startup. You can easily turn the LCD off if you are only shooting with the EVF (and vice versa). The sensor based image stabilisation is very effective. I managed to hand hold 400mm at 1/25th on a number of occasions, of course, this doesn’t help with moving subjects, but it means that you don’t need a tripod for the longer focal lengths (tripods don’t help with moving subjects either!). The Lens The lens is a Leica DC Vario-Elmarit 1:2.8 - 4.0/91-146 ASPH (equivalent to 25-400 in 35mm terms). It has a metal outer case and a knurled metal ring for either manual focus or for zooming. There is also a zoom control around the shutter release button (I found this to be faster and more convenient). The lens extends quite a long way when zooming, and the inner cylinder is made of plastic rather than metal. However, it all feels pretty solid. The lens comes with a petal type lens hood which reverses onto the lens for storage.  It’s a fantastic lens, sharp throughout the range and with no obvious weak spots. Ergonomics and Operation As is common with most similar cameras, the controls of the V-Lux are many and configurable. There are 4 configurable function buttons, but almost anything else can be configured within the complex menu system. These controls are thoroughly described elsewhere with respect to the Panasonic FZ1000, and it seems unnecessary to go through them in great detail here. Suffice to say, if you want to do something there will almost certainly be a way of doing it! In actual use the camera is great fun. The autofocus is lightning fast, the tracking seems reliable and quick (not something that can be said of many similar cameras and usually the preserve of large DSLR cameras many times the size and price). The EVF works really well, giving clear information with high resolution; you quickly forget that you are not looking through an optical viewfinder. The shutter noise is virtually silent - if you turn off the camera’s shutter release noise then it simply makes a very slight ‘pop’, excellent for stealthy shooting. Conclusion The bridge camera has always been an enticing proposition but, for me at least, the tiny sensors they have previously employed have always been the spoiler. The wonderful 1” sensor in the V-Lux really does seem to be a game changer (just as it has been in the new Sony cameras). Historically speaking the Leica versions of Panasonic cameras have been a great deal more expensive. However, this seems to be changing. As I write, the Leica V-Lux is selling in the UK for £925 with a 3 year Leica warranty and a copy of Adobe Lightroom V5, whereas the Panasonic FZ1000 is £749. The extra warranty, the Audi design and the copy of Lightroom all combine to make the V-lux rather good value for money. Historically speaking the Leica versions also hold their value much better than the Panasonic counterparts. For many people the V-Lux might be every camera you need. Good for Video and Stills. Good for Macro or Sports, Good for Landscape and Portrait. The fast lens and long focal length makes it quite possible to isolate the subject. The RAW file options makes much post processing feasible and the 20mp is good for really large prints

Panasonic Lumix DMC-LX100 High quality compact camera, great for still photos or video With underwater housing LX-100 Rated to 40m, full access to all camera controls. * 16MP Four Thirds CMOS sensor (Up to 12.7MP used) * 24-75mm equiv. F1.7-2.8 lens * Multi-aspect feature maintains diagonal angle-of-view at 4:3, 3:2, and 16:9 * Venus Engine from DMC-GH4 and DMC-FZ1000 * XGA-resolution electronic viewfinder (1024 x768 pixels) * Aperture and control dials around lens, shutter speed dial on top plate * 3" 921k dot LCD * 11 fps continuous shooting (6.5 with C-AF) * 4K video recording at 30p and 24, Full HD at up to 60p * In-camera Raw conversion * Wi-Fi with NFC

Short telephoto prime lens for full-frame Canon EF-mount and APS-C - 104mm eq. 1:1 to 5:1 magnification range for life-size or greater rendering, Compatible with the Macro Ring Lites and new Macro Twin Lite www.youtube.com/watch?v=u5j7UwXLcaM&t=13 Made in Japan. Lens with two caps. Fully tested in excellent condition. S/n: last photo. https://th.canon/th/consumer/mp-e65mm-f-2-8-1-5-x-macro-photo/product The Canon MP-E 65mm f/2.8 1-5x Manual Focus Macro Lens is a unique manual-focus lens designed exclusively for macro shooting, between life-size (1x) and 5x life-size at its maximum magnification, you can fill a 35mm frame with a grain of rice. Compatible with the Macro Ring Lites and new Macro Twin Lite and it's fully compatible with 6D, it eliminates the need for awkward bellows accessories for many macro shooters. The optical system uses a floating system to preserve optical quality at different focusing distances, and features a UD-glass element. Canon MP-E 65mm f/2.8 1-5x Macro Overview A specialty lens designed for extreme close-up imaging, the MP-E 65mm f/2.8 1-5x Macro Photo from Canon lets you render subjects at up to five-times life-size magnification with a minimum focusing distance of 9.4". Dedicated solely to macro applications, this lens's unique design employs a floating elements system to maintain quality throughout the focusing range and one ultra-low dispersion element helps to control color fringing and chromatic aberrations for high clarity and color accuracy. A Super Spectra coating has also been applied to suppress flare and ghosting for greater contrast. This 65mm f/2.8 is strictly manual focus operation only and features a removable rotating tripod collar for improved stability when working atop a tripod. Additionally, the front of the lens is designed to accept an optional Macro Ring Lite or Macro Twin Lite for greater, more even illumination of close-up subjects. Short telephoto prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 104mm equivalent focal length. Specifically designed for macro photography, this lens has a 9.4" minimum focusing distance along with a 1:1 to 5:1 magnification range for life-size or greater rendering. This lens does not offer infinity focus. Manual focus operation for precise control over focusing distance when working with close-up subjects. Floating elements system helps to maintain consistent image quality throughout the focusing range. One ultra-low dispersion (UD) element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. Six-blade diaphragm contributes to a pleasing out of focus quality when using shallow depth of field. Removable rotating tripod collar is not included. Front ring of the lens supports direct mounting of an optional Macro Twin Lite or Macro Ring Lite and the lens has electric contacts for full-support of the E-TTL II flash system and for relaying accurate focus distance information. Compatible: All Canon EOS Full-Frame and APS-C DSLR cameras. (Canon EOS M Mirrorless cameras can use with EF-EOS M adapter). (Canon EOS R Mirrorless cameras can use with EF-EOS R adapter). (SONY E-mount Full Frame / APS-C cameras can use with Metabones EF-E adapter). Canon EF mount Product Name: EOS-1D X Mark Ⅲ EOS-1D X Mark Ⅱ EOS-1D X EOS-1Ds Mark Ⅲ EOS-1Ds Mark Ⅱ EOS-1Ds EOS–1D Mark Ⅳ EOS-1D Mark Ⅲ EOS-1D Mark Ⅱ N EOS-1D Mark Ⅱ EOS-1D EOS 5D Mark Ⅳ EOS 5D Mark Ⅲ EOS 5D Mark Ⅱ EOS 5D EOS 5Ds EOS 5Ds R EOS 6D Mark Ⅱ EOS 6D EOS 7D Mark Ⅱ EOS 7D EOS 90D EOS 80D EOS 70D EOS 60D EOS 50D EOS 40D EOS 30D EOS 20D EOS 10D EOS Kiss X10i / EOS Rebel T8i / EOS 850D EOS Kiss X10 / EOS Digital Rebel SL3 / EOS 250D / 200D II EOS Kiss X9i / EOS Rebel T7i / EOS 800D EOS Kiss X9 / EOS Rebel SL2 / EOS 200D EOS Kiss X8i / EOS Rebel T6i / EOS 750D EOS Kiss X7i / EOS Rebel T5i / EOS 700D EOS Kiss X7 / EOS Rebel SL1 / EOS 100D EOS Kiss X6i / EOS Rebel T4i / EOS 650D EOS Kiss X5 / EOS Rebel T3i / EOS 600D EOS Kiss X4 / EOS Rebel T2i / EOS 550D EOS Kiss X3 / EOS Rebel X1i / EOS 500D EOS Kiss F / EOS Rebel XS / EOS 1000D EOS Kiss X2 / EOS Rebel XSi / EOS 450D EOS Kiss Digital X / EOS Digital Rebel XTi / EOS 400D Digital EOS Kiss Digital N / EOS Digital REBEL XT / EOS 350D Digital EOS Kiss Digital / EOS Digital REBEL / EOS 300D Digital EOS 9000D / EOS 77D EOS 8000D / EOS Rebel T6s / EOS 760D EOS Kiss X90 / EOS Rebel T7 / EOS 2000D / EOS 1500D EOS Kiss X80 / EOS Rebel T6 / EOS 1300D EOS Kiss X70 / EOS Rebel T5 / EOS 1200D EOS Kiss X50 / EOS Rebel T3 / EOS 1100D EOS D60 EOS D30

https://www.youtube.com/watch?v=HdDH7kq3CCw Made in Japan Lens with two original caps, docs, Box. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/02/10_5mm_0_95_Nokton_MFT_Manual_D_E.pdf Fully tested in excellent working condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.voigtlaender.de/lenses/mft/105-mm-10-95-nokton-asphaerisch/?lang=en Compatible cameras include: Panasonic, LUMIX: G series, GH series, GF series, GX series, GM series Olympus: PEN series, OM-D series Kodak: Pixpro S-1 Xiaomi: YI M1 Blackmagic Design, DJI, Z-Cam, JVC: selected camera models But read first your camera User Manual. Voigtlander 10.5mm f/0.95 Nokton Aspherical Overview With a 21mm equivalent focal length and an extremely fast f/0.95 maximum aperture, the Nokton 10.5mm f/0.95 Lens from Voigtlander offers Micro Four Thirds users a wide-angle lens well-suited for low-light still photography and video. The lens utilizes a pair of aspherical elements to reduce aberrations and distortions, as well as maintain a compact form factor. This manual focus, manual exposure prime lens also features the Selective Aperture Control System, which permits switching between a stepless, de-clicked aperture selection method and a traditional aperture control method with click stops. When set to the stepless setting, silent and smooth exposure adjustments can be made that are especially beneficial when recording video. Extremely bright and fast 10.5mm f/0.95 lens produces a 21mm equivalent focal length on Micro Four Thirds cameras. Selective Aperture Control System produces a stepless, de-clicked aperture ring, which provides silent and smooth exposure adjustment that is well-suited for video application. The aperture ring can also be configured to utilize traditional click stops for more intuitive tactile control over exposure settings. A pair of aspherical elements controls aberrations and distortions for greater sharpness and clarity. Fully manual focus and exposure lens features an all-metal lens barrel and a 10-blade diaphragm. Product Description Nokton 10.5mm F0.95 is the super wide-angle lens designed exclusive for Micro Four Thirds mount. The angle of view 93° is equivalent to 21mmwide lens (Crop factor : x2). This lens is achieved to get amazing high speed of F0.95 at wide open, and has 2pcs Aspherical Lenses (3 surfaces are Aspherical) so that you can get sharp images even at wide open. 10.5mm F0.95 also has Selective Aperture Control System as same as the other Voigtländer MFT series lenses. ■ Exclusive for Micro Four Thirds Mount ■ 13 elements in 10 groups with Super High Refractive element and Aspherical element. ■ Newly adopted Selective Aperture Control System ■ Full Metal Barrel with high toughness and durability ■ Manual Focus for Smoothly and Perfectly focusing ■ 10 aperture blades brings you a beautiful Bokeh Voigtlander Nokton  10.5mm  f0.95  ตัวนี้นี่ เป็นเลนส์ที่เพิ่งเปิดตัวราวๆต้นปีที่ผ่านมานี่หละครับ พอเปิดตัวมาก็เป็นที่ฮือฮา วิพากษ์วิจารณ์กันในวงเมาท์ต่างๆพอสมควร เพราะว่า หน้าตามันหล่อสะดุดตามากๆ และ มันเป็นเลนส์มุมกว้าง  ที่ f ก็กว้างถึง f/0.95  ด้วย ทีนี้หละ พวกนักล่าทางช้างเผือก  นักถ่ายภาพยามวิกาล เอ้ย ยามราตรีทั้งหลาย  จะทำงานสะดวกขึ้นเยอะเลย   เพราะว่าความสว่างที่เพิ่มขึ้น ก็คือ  iso ที่ต่ำลง  และความไวชัตเตอร์ที่สั้นลง ไม่ต้องเผาเซ็นเซอร์กันนานๆเป็นนาทีๆ เลนส์ตัวนี้เป็นเมาท์ micro 4/3  โดยกำเนิด ใส่กับกล้อง olympus  panasonic  เข้าไปตรงๆ ได้เลยโดยไม่ต้องใช้ adapter และหาโฟกัสด้วยวิธี หมุนด้วยมือ หรือที่ชาวบ้านเรียกกันว่า เลนส์มือหมุนหละครับ หน้าตา  คุณภาพงานผลิต การออกแบบของ voigtlander  นี่ ถือว่าออกแบบมาอย่างเรียกคะแนนความสนใจจากผู้ใช้สุดๆครับ   ดุดัน  ดู vintage  ให้คำนิยามสั้นๆว่า โคดหล่อ   งานผลิตก็มาตรฐานญี่ปุ่น เป๊ะ เนี้ยบ ตามมาตรฐานญี่ปุ่นไฮเอนด์ละครับ พอแปะยี่ห้อ ที่มีเชื้อสายเยอรมันเข้าไป   ยิ่งทำให้มันได้ฟีล     หน้าตาเลนส์ก็ออกแนวฝรั่งๆอยู่แล้ว   ใส่กับกล้องแล้ว  ไม่ว่าจะกล้องอะไร  ตัวเลนส์มันก็ทำให้กล้องหล่อขึ้นไป 3 เท่าหละครับ