Leica V-LUX (Typ 114) Superzoom Compact Hi-End camera Wi-Fi, NFC

The IBELUX lens with the biggest aperture of 0.85 in the world and focal length of 40mm are initially available for Sony E mount systems. NEW in Box. Lens, rear lens cap, screw-on metal cap, plastic cap with snaps, built-in hood, User Manual, Pouch, Box. Kipon announces $1,780 40mm F0.85 Ibelux lens for six APS-C mirrorless mounts Published May 23, 2022 | Gannon Burgett Optics manufacturer Kipon has announced an updated version of its 40mm F0.85 ultrafast prime, the Ibelux 40mm F0.85 Mark III. This third-generation lens improves upon its predecessor with an updated optical construction that consists of ten elements in eight groups. Compared to the Ibelux 40mm F0.85 Mark II, KIPON says the Mark III version ‘has totally new coatings both inside and out’ to reduce flares and ghosting, and fixes ‘the irregular light reflection/diffusion problem’ that led to purple fringing. The lens, which is available with mounts for Canon EOS R, Fujifilm X, Leica L, Micro Four Thirds, Nikon Z and Sony E-mount APS-C camera systems, features a 10-blade aperture diaphragm, has a minimum focusing distance of 75cm (29.5"), uses a 67mm front filter thread and has an aperture range of F0.85 through F22. Manual focus is driven by a Swiss-German mechanism and the focus ring offers 270º of rotation. The Kipon Ibelux 40mm F0.85 Mark III is constructed of an aluminum outer barrel with a brass core and stainless steel mount. It measures 74mm (2.9") in diameter by 128mm (5") long and weighs 1,150g (2.5lbs). Preconceptions I try to start these articles by putting my preconceptions out there first. Every reviewer or blogger has them, they affect our opinions, and you have a right to know them. So I’m writing this introduction the day before our first copies arrive. The HandeVision IBELUX 40mm f/0.85 is designed by IB/E Optics GmbH in Germany and manufactured by Kipon (aka Shanghai Transvision Photographic Equipment Co. Ltd). IB/E has developed a number of lenses and adapters for the Cinema world and other optics, so I figured the design would be good; probably a telecentric lens with a built-in Speedbooster-type element or group. Kipon is known as a lens adapter company, although Shanghai Transvision has also manufactured and distributed video and photo accessories. They are rumored to manufacture lenses for other brand names, so they have some lens manufacturing experience.  But, I have to say, my expectations for build quality weren’t great. I expected a lot of variation between copies. I don’t know if I even had any expectations regarding image quality. Okay, so much for what I expected. There are now five new copies sitting on my desk so let’s take a look. Look and Feel I can guarantee that you’ll see “built like a tank” posts all over the forums when people start handling this lens. Why? Because people say “built like a tank” when anything is really heavy, and this lens is really heavy at 2.65 pounds. (To put it in perspective, a Canon 70-200mm f/2.8 lens weighs 2.85 pounds.) Tanks are cool and all, but I generally remind people they need an overhaul every 2,000 miles and get about 0.25 miles per gallon of fuel. I also remind people that I’ve never seen tanks used to deliver eggs – no matter how thick the armor plating is, delicate things inside are still delicate things. But definitely, this lens is built like a tank for whatever that’s worth. The lens has a nice built-in sliding hood, which I’m always a fan of. The aperture ring moves easily and is “lightly clicked.” You can barely perceive the slight click with each stop. It’s not nearly as distinct as, for example, a Zeiss or Nikon manual aperture ring, but it’s certainly sufficient to tell by feel when you’ve changed the aperture. I kind of like it. The focusing ring is very smooth and turns with minimal resistance compared to most manual focus lenses, with clear hard stops at either end of the focus range. I kind of liked this ring, too. You will have to be careful where you place your hands on the lens when shooting, though, because an errant finger can easily move the focusing or aperture rings. We hit our first snag at this point: one of the five lenses we received had a focus ring that popped past the infinity hard stop on the first turn. In looking at things a bit, it became apparent that the focusing ring has three tiny set screws which connect to the hard stops for the focus ring. We tightened them just a bit and all was well after that. (To some degree you can also tighten them a bit further to make the focus ring have a bit more resistance when turning.) A Quick Geek Point I end up knowing a lot of stuff about lenses I probably wish I didn’t. One of those things is that a lot of “specialty” lenses designed by one company and manufactured by another have absolutely no compensating or adjusting elements. The lens is assembled basically by stacking all the elements in place. If the company does any quality control, it consists of taking some shots after the lens is assembled. If it’s awful, it gets disassembled and the parts get put back in their bins with the hope they’ll match up better with other parts when they get put in another assembly. And yes, I know this first hand. Because of inevitable manufacturing tolerances, this means some lenses are pretty good optically, some are absolutely crap optically, and buying one is like a box of chocolates – you never know what you’re going to get. And whatever you get is what you got. There are no optical adjustments that can be made. This is what I thought we might see with the Ibelux 40mm. But we did open one up, not to do a complete teardown, but just to peek inside. What we found was most reassuring – there were shims to adjust tilt and centering associated with several of the elements. That not only means the optics can be adjusted. It also means someone was checking each element as it was placed, determining if it needed to be shimmed and how much. Which means my hopes for this lens as I headed to the test bench increased exponentially. This was a real optical device assembled with some care, not a bunch of glass elements stacked together on a hope and a prayer.  By Roger Cicala (about Mark I) KIPON Ibelux 40mm f/0.85 Mark III Overview By B&H Photo's Matt Cottom Sporting one of the largest apertures available for the SONY E mount , the KIPON Ibelux 40mm f/0.85 Mark III Lens is an elegant artistic lens designed to expand your creative potential. The Ibelux features a 10 blade iris and a massive f/0.85 maximum aperture for gorgeous bokeh and excellent low-light performance. This versatile, dreamy lens can excel in a wide variety of scenarios, especially those demanding a unique look or with little available light. Optical Performance One of the fastest artistic lenses, the Ibelux 40mm Mark III is the product of a collaboration between KIPON founder Xiaoming Zhang and Klaus Eckerl of IB/E Optics, a German company noted for their manufacturing and mechanical design. The 10 blade diaphragm and extremely fast speed make this lens an ideal low-light performer. ● Mark III version features improved optical design that better corrects for chromatic abberrations and other visual distortions ● Enormous maximum aperture of f/0.85 ● Dreamy light rendering, especially at fully open aperture, perfect for artistic applications ● Telecentric optical design produces high quality images ● Nice and creamy bokeh Physical Design ● SONY E mount lens is designed for APS-C format cameras ● Special concave design for front element  ● Highly versatile 40mm focal length (equivalent to 60mm full frame lens) ● Manual aperture ring  ● Smooth and precise manual focus system  ● Close focus distance of 2.5'  2013, in a beautiful border town, Passau in Bavaria state, Germany, Kipon founder Xiaoming Zhang met Klaus Eckerl in a mountain restaurant by the Danube river, reached agreement to make a world fastest artistic lens for all the photographers, at that moment, they gave the name IBELUX, which stands for a lens for extremely low light shooting, designed by IB/E OPTICS, with many years of experience for precision manufacturing and mechanic designing, after 200 days and nights sample making and testing again and again, KIPON launched first version IBELUX 40mm f0.85, this high sophisticated product called a great flutter at that time in the field. When aperture widely open, especially for those high speed lenses, some situations usually occur like chromatic aberration, purple fringe, also under strong light environment, irregular glare easily happens when point the lens towards light source, Based on the improvement of Mark II, Mark III has made a great progress in these optic difficulties, in addition to higher resolution comparing to former versions, Ibelux mark3 comes out to be a dreamy lens for artistic creative photography. ● fastest lens in the world for cameras with APS-C Sensor ● suitable for Sony E-Mount bayonet ● optimal luminous exposure in any situation due to the lens speed of 0.85 ● standard focal length of 40 mm for many different applications ● low focal depth and unique bokeh ● 100 % developed in Germany ● 10 multi-coated lenses for optimal photo results ● long lasting and extremely robust metal structure ● with integrated lens hood

https://www.youtube.com/watch?v=TUZBmkj8WHo User Manual Operating Instructions: https://help.na.panasonic.com/wp-content/uploads/2023/02/HDCSD10_TM10_VQT2D01_ENG_ESP.pdf Excellent condition camera with hand strap, battery and charger. No more. English / Japan menu. S/n: last photo. Panasonic HDC-SD10 Overview If you're looking for a way to capture in HD, without breaking the bank, the Panasonic HDC-SD10 High Definition Camcorder does just that. This affordable HD camcorder records 1920 x 1080i video directly to removable SD/SDHC memory cards (not included), making transfer of footage a breeze. The SD10 also acts as a digital still camera with 2.1MP still capture. You'll benefit from a number of recording features, including 16x optical zoom, Intelligent Auto mode, and a 2.7" touchscreen LCD. Other useful features include Panasonic's Advanced O.I.S. with Active Mode which compensates for shakes, shifts, and movement for both video and still images. Other considerations worthy of note would be the built-in flash and video lights, which are key to successful low light recording. In addition, the camcorder includes a stylus pen for easier navigation of the touchscreen. The HDC-SD10 provides a solid package, with user-friendly options for the budget-conscious. Full 1920 x 1080i HD Recording The HDC-SD10 records in 1920 x 1080i high definition to SD/SDHC memory cards (not included), which results in fine detail and high resolution when viewing memories on your HDTV 1/6" CMOS Image Sensor The 1/6" CMOS image sensor captures life-like high definition video (MPEG4-AVC/H.264) and 2.1MP still (JPEG) images 16x Optical Zoom 16x optical zoom brings far off subjects up close with little to no loss in image quality 2.7" Touchscreen LCD The 2.7" wide LCD gives you a generous viewing surface on which to navigate menus, compose and playback footage. In addition, the touchscreen allows you to pinpoint focus with iA AF/AE tracking Digital Stills The HDC-SD10 doubles as a digital still camera. Still images in the JPEG format easily upload to the Internet for sharing Advanced O.I.S. with Active Mode Panasonic's advanced O.I.S. helps suppress the effects of hand-shake as you shoot, for both motion and still images. This system uses gyrosensors to detect even tiny amounts of hand-shake, then shifts a lens and adjusts the optical axis to compensate. Because the system is optical, there's only minimal loss of image quality even when viewed on a large-screen TV iA for Smart Control Panasonic's iA helps avoid problems in difficult shooting situations by automatically making the optimal camera settings and activating certain functions. For example, iA now includes AF Tracking, a function that "locks" on and follows a subject as it moves, so images are sharply focused and properly exposed Creative Control and Workflow Features ● Video light and flash ● Built-in MPEG2 converter ● 1.9-second quick power on Manufacturer's Description Sometimes a scene is backlit or too dark, or it's difficult to get a good focus on the subject. Adjusting the settings every time is not only a hassle, it can be very tricky. That's where iA comes in. This powerful function senses the shooting conditions and automatically makes the settings and activates functions that will deliver optimal results. With both motion and still images, iA lets you forget about bothersome settings and makes it easy to capture beautiful, well-focused images. AF/AE Tracking Locks on a subject and tracks it. Touch the LCD screen to indicate the subject, such as a person or an animal, that you want to focus on, and let AF/AE Tracking do the rest. The camera locks on the subject and follows it around, keeping it in sharp focus and properly exposed. It keeps tracking even if the subject turns to the side. This advanced function makes it easy to get a continually clear, beautiful shot of the subject in the scene you care most about. Face Detection Face Detection Captures faces beautifully - even in dim or backlit scenes. it automatically senses the ambient lighting and adjusts the exposure accordingly, so faces are bright and easy to see. The focus also prioritizes the faces, and skin tones are smoothed. Faces in the center of the frame serve as the reference for adjustments, but the function can detect up to 15 faces in all. Intelligent Scene Selector The Intelligent Scene Selector function analyzes the shooting situation and automatically switches the camcorder to the Scene mode that will give you optimal results. This mode is ideal for shooting wide landscapes and sweeping vistas, such as at the ocean or in the mountains. It balances the exposure over the entire frame to prevent brighter parts of the image, such as the sky, from being washed out or having blown highlights. This mode captures faces beautifully. With Soft Skin mode, complexions are automatically enhanced to make faces attractive. The camcorder automatically uses this mode for scenes with particularly strong contrast, such as when you're shooting a spotlit area on a darkened stage. It captures the well-lit subject perfectly and prevents washed-out areas. In dim lighting, the camcorder automatically switches to a slower shutter speed so that images across the entire frame are bright and easy to see. Intelligent Contrast Control By detecting the intensity of the ambient light and adjusting the exposure accordingly, Intelligent Contrast Control prevents blown highlights and blocked shadows. This helps render natural-looking, highly nuanced images with proper contrast. Touch Screen Operation Control settings are made by simply touching the LCD screen. Operation is intuitive and easy, and the large letters are easy to read. Shooting and viewing are simple and stress-free – even for beginners. Advanced Optical Image Stabiliser Advanced O.I.S. ensures beautiful shots even with high-power zooming. Using the Advanced O.I.S technology, gyrosensors detect hand-shake and the lens unit shifts to continuously adjust the optical axis, so that videos are perfectly sharp and blur-free. Just lean back and enjoy capturing videos in their full natural beauty for the most clear and amazingly beautiful videos - even when shooting long-distance zoom shots. The known typical hand-shake effect is no longer a concern. 16x Optical Zoom The TM10 features a 16x optical zoom. You can zoom close to catch dynamic shots of distant objects. And because the zoom is optical, there's limited image degradation. Also, Panasonic's Advanced O.I.S. (Optical Image Stabilizer) helps prevent blurring – typically a big concern when shooting with a zoom. This combination of optical zoom and Advanced O.I.S. gives you the ability to take fantastic zoom shots. Highlight Playback Select the days of the recordings you want to see, and this innovative function automatically selects the most exciting scenes, arranges them, and plays them, backed by music. It decides how exciting a scene is based on zooming, panning, and scene changes, and whether there are faces and cheers. This gives you a quick, easy way to view the most exciting scenes all together. It's a great way to look back over exciting memories that you have recorded. Amazon feedback: Verified Purchase I've had this camcorder for only a week but have used it quite a bit already and am very pleased with it. The features and ease of use are better than I expected. The picture quality is superb taken in normal light using the HDMI interface on an HD TV. It's still very good using CVBS (phono plugs into an older TV). Downloading video and stills into a PC using the USB socket and supplied software worked first time. Stills taken during video recording and by themselves are very good despite being only 2MPixels and the flash is a bonus. The touch screen and menu system are very easy to use with Fade, Backlight & Macro being readily accessible; the camcorder software for once appears to have been very well thought through. Indoor video shots show a hint of noise so, as expected, the camera's main weakness will be it's insensitivity in low light, but it does have a built-in LED light. I've ordered the next size-up battery as experience with my Mini-DV camcorder tells me to have spare one for long trips; same for the SD card. So, for the price and features I would recommend this camcorder. This updates the above earlier review. After 6 months use I am as pleased as ever with this superb product.

Made in Japan. Excellent condition. Thai / English + menu. Camera body, body cap, Nikon strap, eyeshield Nikon, Battery, Charger. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Nikon D800 Review (Thai) - YouTube: https://www.youtube.com/watch?v=h4iMyFKfUiY Hold in your hands an HD-DSLR able to capture images rivaled only by that produced by a medium-format camera: extremely low noise, incredible dynamic range, the most faithful colors, the broadest tonal range. Meet the Nikon D800, a 36.3 megapixel FX-format D-SLR for professional photographers who require end results of the highest quality; who demand superior performance, speed, handling and a fully integrated imaging system. For multimedia professionals, 36.3MP means true 1080p HD cinematic quality video. The essential tool for today’s still and video professional, every photo will astound, every video will dazzle. Broadcast quality video A full cinematic experience Filmmakers, multimedia professionals and event photographers—record Full HD 1080p at 30/25/24p or 720p at 60/50p in AVC-HD format. Produce to your exacting vision when working in manual mode, controlling aperture, ISO, AF and shutter speed. Record uncompressed files via HDMI to an external recording device via HDMI. Widen production perspective using either Nikon FX or DX lens formats at Full HD 1080p and 16:9 aspect ratio. Attach headphones and check audio levels or monitor input via peak audio meters as displayed on the camera's LCD monitor. Microphone sensitivity can be adjusted in up to 20 steps. Remotely start and stop video. Simultaneously Live View footage on the camera's LCD monitor and external monitor during recording are possible. Reveal every nuance, every detail The 36.3 megapixel FX-format advantage Wedding, commercial or landscape, the D800E is the ultimate 36.3 MP FX-format camera for creative genius. Witness tonal range and precision rendered to supreme clarity, depth and texture. Make poster sized prints without sacrificing detail. Explore creative opportunities with ISO 100 to 6,400 (expanded up to 25,600)—shoot from dawn to dusk. Experience Nikon's new Advanced Scene Recognition System featuring a 91,000-pixel RGB light meter capable of rendering unprecedented levels of accuracy to AF, AE, i-TTL flash control, face recognition and auto white balance. Nikon's new EXPEED 3 image processing reduces color phase shifts seen with lesser systems, producing more faithful colors and tones while managing massive amounts of data at breakthrough speed. With the D800E in your hands, achieve what was once unreachable. http://www.nikon.co.th/th_TH/product/digital-slr-cameras/d800 Nikon Corporation เปิดตัวกล้องรุ่นใหม่พร้อมกันทั่วโลก ในชื่อรุ่น Nikon D800 และ Nikon D800E เน้นด้านความละเอียดสูงระดับ 36.3 ล้านพิกเซล สำหรับกล้องที่ใช้ภายในสตูดิโอ, การถ่ายรูปคู่แต่งงาน หรือภาพแนวทิวทัศน์ที่ต้องการความละเอียดภาพสูงๆ (Wildlife) โดยมีรุ่นพิเศษ Nikon D800E ที่จะไม่มี anti-aliasing filter เพื่อเพิ่มความคมของภาพมากขึ้นกว่าปรกติ ซึ่งตัวกล้องมีขนาดเล็กกว่าเดิม และเบากว่า Nikon D700 รุ่นเดิมอยู่ 100g

COD (Cash on Delivery), Worldwide shipping, meet in Chonburi. https://www.youtube.com/watch?v=7pCIKlXfjNo Fully tested in excellent condition. Shutter counter: 4000 English +7 languages menu. Included: Camera, Charger, Lumix Shoulder Strap, Hood, battery, Lens cap. About this item ● 4K video and 4K photo: Panasonic’s exclusive 4K photo technology uses 30 frames per second in high resolution 4K ultra HD video to extract them as photos; You’ll never miss that moment again ● Leica DC Vario Elmarit lens: 24x zoom (25-600 millimeter with Full zoom range F2; 8 aperture for enhanced low light shooting meeting the stringent quality standards established by Leica ● High image Quality: The 12.1 Megapixel high sensitivity MOS sensor with the venus engine excels in diffraction compensation, yielding images that are crisp and Free from artifacts associated with small aperture settings ● Rugged Camera Design: Splash Proof/dustproof rugged camera design with tight seals on every Joint, dial and button, so it stands up to harsh weather conditions and challenging ● 5 Axis Hybrid Optical Image Stabilizer Plus: Reduces blur from 1 handed video shooting by compensating for 5 types of movement; Level shot function detects horizon line and maintains it, even if the camera is tilted Panasonic Lumix DMC-FZ300K 4K 24X F2.8 Long Zoom Digital Camera Professional-quality, multimedia imaging has never been easier to achieve than with the Panasonic DMC-FZ300K. 4K PHOTO technology lets you shoot 30 frames per second in crystal-clear 4K Ultra HD Video and extract them as individual photos, so you’ll never again miss that once-in-a-lifetime photo op. A powerful 24x zoom with a constant f2.8 aperture lets you shoot with confidence in low light conditions and without the risk of blurred results due to slower shutter speeds. Panasonic’s renowned high speed focusing technology ensures your subject is sharp, whether shooting photos or video, while smart, 5-axis correction technology reduces blur by compensating for five different types of movement. Need a camera to take along on your outdoor adventures? This long zoom digital camera features a worry-free splashproof / dustproof rugged body so it stands up to some of the most challenging environments. 4K Video and 4K Photo — Capture That Moment That Moment you want to remember can occur at any time, and Panasonic’s exclusive 4K Photo technology uses 30 frames per second in high resolution 4K Ultra HD Video to extract them as photos. You’ll never miss That Moment again. 4K Photo Modes — Free Your Creativity The 4K Photo function can be used in three different modes, all allowing you to capture that perfect moment at a high burst rate of 30 frames / photos per second: 4K Burst: 4K burst shooting 8-megapixel equivalent images extracted from 4K video as long as the shutter button is pressed. 4K Burst S/S (Start/Stop): 4K burst recording as 4K video then play, pause, and extract any frame / photo as an 8-megapixel equivalent image later. 4K Pre-Burst: 4K pre-burst starts recording one second before and after you press the shutter button. Perfect for unpredictable moments. Note: 4K Photo feature extracts 8-megapixel photo out of a 4K video sequence up to QFHD: 3840 x 2160 pixels, 30 fps, 100Mbit/s. 4K Video — More Detail Than Full HD 4K video delivers a far more intense viewing experience that is four times larger* than Full HD, resulting in a much higher level of detail. * 4K Photo feature extracts 8-megapixel photo out of a 4K video sequence up to QFHD: 3840 x 2160 pixels, 30 fps, 100Mbit/s. 25-600mm Zoom with Full-Range F2.8 Aperture The 25-600 millimeter LEICA DC VARIO-ELMARIT lens features full-range F2.8.for enhanced low light shooting throughout the entire zoom range.* * 35 millimeter camera equivalent: 25-600 millimeter. Splashproof / Dustproof Rugged Design The LUMIX FZ300 features a splashproof / dustproof rugged design with tight seals on every joint, dial and button, so it stands up to harsh weather conditions and challenging environments — from a marshy jungle to a windy desert. High Speed Auto Focusing with DFD Technology Panasonic's Depth-From-Defocus (DFD) Auto Focus (AF) technology instantly calculates the distance between foreground and background and quickly brings the subject into focus in one fast, continuous movement. In addition, continuous focus stability is enhanced when shooting video. 5-axis Correction / Tilt Correction 5-Axis HYBRID O.I.S.+ (Optical Image Stabilizer Plus)* reduces blur from one-handed video shooting by compensating for five types of movement. The Level Shot Function detects the horizon line and maintains it, even if the camera is tilted. * 5-Axis HYBRID O.I.S. works in video recording except for 4K video recording. High Image Quality—Even in Low Light Conditions The 12.1-megapixel High Sensitivity MOS Sensor in combination with the Venus Engine excels in diffraction compensation, yielding images that are crisp and free from artifacts associated with small aperture settings. Everything in the Right Place The LUMIX FZ300 features a snug, hand-fitting grip and an intuitive level of operation. The rear/side dials control the main aperture and shutter speed settings. Settings can also be assigned to four function buttons.* In addition, a side lever on the left side of the lens barrel improves lens control. * Four buttons on the body and five buttons on the menu. 1,440k-dot, 0.7x Large OLED LVF The LUMIX FZ300 comes with a high-resolution (1,440k-dot) OLED Live View Finder which affords high visibility thanks to a 10,000:1 contrast ratio and high 0.7x magnification (35mm camera equivalent). 3.0-inch Free-angle, Touch Panel Rear The 1040k-dot rear monitor boasts tilt and swivel capability, making it more comfortable even for vertical composition. Plus, its touch control allows you to quickly set focus just by touching the subject on the screen. Unwire Your Creativity via Wi-Fi The LUMIX FZ300 can be controlled remotely by using the Panasonic Image App on your Wi-Fi enabled smartphone or tablet. View the image, set the focus, or release the shutter from a distance, and then transfer images for sharing on social media. In-Camera RAW Data Development The LUMIX FZ300 can shoot images in RAW-format and even develop them inside the camera. Close-up Macro Shooting Capture stunning macro shots with a minimum focusing distance of 1cm. 12 fps Burst Shooting The FZ300 features high speed burst shooting of 12 frames per seconds at full resolution. Other Features Creative Panorama: The Creative Panorama function allows you to create dynamic panoramic photos by simply panning the camera. High Speed Video in HD: You can record high-speed videos* at 120 fps in HD quality or 240 fps in VGA quality and play them back in dramatic slow motion. * The recording format is 30p. Flexible Expandability Options: The LUMIX FZ300 can be combined with the DMW-FL580L External Flash, the DMW-MS2 Stereo/Shotgun Microphone, the DMW-LT55 Tele Conversion Lens, DMW-LC55 Close-up Lens and many other accessories. https://www.panasonic.com/th/consumer/camera-camcorder/lumix-compact-camera/lumix-compact-camera/dmc-fz300.html เปิดตัวมาสดๆร้อนเลยครับ Panasonic Lumix DMC-FZ300 รุ่นใหม่ที่จะมาแทน FZ200 รุ่นยอดนิยมที่หลายคนชอบกันเพราะเลนส์ซูม 600mm ที่มีรูรับแสงกว้าง F2.8 ตลอดช่วงแถมมาในราคาที่ ณ ปัจจุบันร่วงลงมาเยอะจนคุ้มค่ามากๆ โดยในรุ่น FZ300 ยังคงใช้เลนส์ 25-600mm F2.8 ตัวเดิม และเซนเซอร์รับภาพเองก็ยังคงใช้ตัวเดิม 12.1 ล้านพิกเซลขนาด 1/2.3″ ด้านไฟล์ภาพเลยพอจะเดาได้ว่าคงไม่เปลี่ยนไปมากนัก แต่ว่า! นอกจากสองอย่างนี้แล้วมีหลายอย่างดีขึ้นเพียบเลยทีเดียวซึ่งเดี่ยวเราจะไล่ๆดูกันทีละเรื่องนะครับพร้อมๆเปรียบเทียบกับ FZ200 ไปด้วย ส่วนเรื่องราคานั้นเปิดตัวมาที่ $599.99 หรือประมาณ 20,000+ บาท(เท่าๆกับ FZ200 ที่เปิดตัวตอนแรกเลยครับ ไม่รู้อีกหน่อยราคาจะร่วงได้แบบ FZ200 มั้ยน้า อิอิ)จะเริ่มวางขายในช่วงกลางเดือนตุลาคม