Nikon Coolpix A1000 Wi-Fi NFC BT High-End 4K Ultra HD, 35X Zoom Lens

Short telephoto prime lens for full-frame Canon EF-mount and APS-C - 104mm eq. 1:1 to 5:1 magnification range for life-size or greater rendering, Compatible with the Macro Ring Lites and new Macro Twin Lite www.youtube.com/watch?v=u5j7UwXLcaM&t=13 Made in Japan. Lens with two caps. Fully tested in excellent condition. S/n: last photo. https://th.canon/th/consumer/mp-e65mm-f-2-8-1-5-x-macro-photo/product The Canon MP-E 65mm f/2.8 1-5x Manual Focus Macro Lens is a unique manual-focus lens designed exclusively for macro shooting, between life-size (1x) and 5x life-size at its maximum magnification, you can fill a 35mm frame with a grain of rice. Compatible with the Macro Ring Lites and new Macro Twin Lite and it's fully compatible with 6D, it eliminates the need for awkward bellows accessories for many macro shooters. The optical system uses a floating system to preserve optical quality at different focusing distances, and features a UD-glass element. Canon MP-E 65mm f/2.8 1-5x Macro Overview A specialty lens designed for extreme close-up imaging, the MP-E 65mm f/2.8 1-5x Macro Photo from Canon lets you render subjects at up to five-times life-size magnification with a minimum focusing distance of 9.4". Dedicated solely to macro applications, this lens's unique design employs a floating elements system to maintain quality throughout the focusing range and one ultra-low dispersion element helps to control color fringing and chromatic aberrations for high clarity and color accuracy. A Super Spectra coating has also been applied to suppress flare and ghosting for greater contrast. This 65mm f/2.8 is strictly manual focus operation only and features a removable rotating tripod collar for improved stability when working atop a tripod. Additionally, the front of the lens is designed to accept an optional Macro Ring Lite or Macro Twin Lite for greater, more even illumination of close-up subjects. Short telephoto prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 104mm equivalent focal length. Specifically designed for macro photography, this lens has a 9.4" minimum focusing distance along with a 1:1 to 5:1 magnification range for life-size or greater rendering. This lens does not offer infinity focus. Manual focus operation for precise control over focusing distance when working with close-up subjects. Floating elements system helps to maintain consistent image quality throughout the focusing range. One ultra-low dispersion (UD) element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. Six-blade diaphragm contributes to a pleasing out of focus quality when using shallow depth of field. Removable rotating tripod collar is not included. Front ring of the lens supports direct mounting of an optional Macro Twin Lite or Macro Ring Lite and the lens has electric contacts for full-support of the E-TTL II flash system and for relaying accurate focus distance information. Compatible: All Canon EOS Full-Frame and APS-C DSLR cameras. (Canon EOS M Mirrorless cameras can use with EF-EOS M adapter). (Canon EOS R Mirrorless cameras can use with EF-EOS R adapter). (SONY E-mount Full Frame / APS-C cameras can use with Metabones EF-E adapter). Canon EF mount Product Name: EOS-1D X Mark Ⅲ EOS-1D X Mark Ⅱ EOS-1D X EOS-1Ds Mark Ⅲ EOS-1Ds Mark Ⅱ EOS-1Ds EOS–1D Mark Ⅳ EOS-1D Mark Ⅲ EOS-1D Mark Ⅱ N EOS-1D Mark Ⅱ EOS-1D EOS 5D Mark Ⅳ EOS 5D Mark Ⅲ EOS 5D Mark Ⅱ EOS 5D EOS 5Ds EOS 5Ds R EOS 6D Mark Ⅱ EOS 6D EOS 7D Mark Ⅱ EOS 7D EOS 90D EOS 80D EOS 70D EOS 60D EOS 50D EOS 40D EOS 30D EOS 20D EOS 10D EOS Kiss X10i / EOS Rebel T8i / EOS 850D EOS Kiss X10 / EOS Digital Rebel SL3 / EOS 250D / 200D II EOS Kiss X9i / EOS Rebel T7i / EOS 800D EOS Kiss X9 / EOS Rebel SL2 / EOS 200D EOS Kiss X8i / EOS Rebel T6i / EOS 750D EOS Kiss X7i / EOS Rebel T5i / EOS 700D EOS Kiss X7 / EOS Rebel SL1 / EOS 100D EOS Kiss X6i / EOS Rebel T4i / EOS 650D EOS Kiss X5 / EOS Rebel T3i / EOS 600D EOS Kiss X4 / EOS Rebel T2i / EOS 550D EOS Kiss X3 / EOS Rebel X1i / EOS 500D EOS Kiss F / EOS Rebel XS / EOS 1000D EOS Kiss X2 / EOS Rebel XSi / EOS 450D EOS Kiss Digital X / EOS Digital Rebel XTi / EOS 400D Digital EOS Kiss Digital N / EOS Digital REBEL XT / EOS 350D Digital EOS Kiss Digital / EOS Digital REBEL / EOS 300D Digital EOS 9000D / EOS 77D EOS 8000D / EOS Rebel T6s / EOS 760D EOS Kiss X90 / EOS Rebel T7 / EOS 2000D / EOS 1500D EOS Kiss X80 / EOS Rebel T6 / EOS 1300D EOS Kiss X70 / EOS Rebel T5 / EOS 1200D EOS Kiss X50 / EOS Rebel T3 / EOS 1100D EOS D60 EOS D30

Shutter counter: 8xxx https://www.youtube.com/watch?v=HF2GOmsOr40 Review: https://www.kenrockwell.com/sony/a9.htm Electronic shutter evolution: Sony A9, Olympus OM-D E-M1 II and Lumix G9: https://mirrorlesscomparison.com/in-depth/sony-a9-vs-olympus-omd-em1-ii/ Very good condition body with Body cap, battery, Wall charger, USB cable, Sony Eye cap, User Manual, Docs, Box. Cosmetically, it has a lot of traces and scratches on body (look at photos) that don't affect quality of photos. Mint condition of sensor and LCD screen. Can be used normally with all functions. The first Sony mirrorless with two card slots, complete silence and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used — better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall. New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor. 693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image. Calculates exposure and autofocus at up to 60 frames per second. Two card slots. New thumb-nubbin controller on rear. Three memory recalls on the top mode dial, with four more presets almost as easy to recall. Drive mode dial. Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7. C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7. New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots). In-camera 5-axis sensor-shift stabilization claims 5 stops improvement. Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye. Shoots 4K video using the entire 36mm width of the image sensor. Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode). XAVC S high-bitrate video formats for 50~100 MBPS video. Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound). Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night. Two card slots. Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy. Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter. Solid mostly metal construction. Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA! Excellent high ISO performance. Facial recognition works well, but only after you find it and turn it on. In-finder 2-axis level works great for keeping horizons and vertical lines as they should be. In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction. Almost any lens of any brand or age can be adapted to work - but with no lens corrections. Stereo microphone built-in. 3.5mm powered mic and headphone jacks. Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS. Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong. Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length. Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials.

I bought this camera for a very special wedding occasion in Kefalonia Greece so as to get as best I could to professional photos' as I am no photographer in short it was great, the photos', video's, the zoom function was fantastic, since that special time the camera was put away and has never been used since as I tend to stick with my compact, I would say that this camera has only taken some 300 shots since I bought it, the camera was first purchased from Curry’s in the UK on Sept 2018. The camera has been inspected and tested for function and works fine, therefore the camera is and remains in exceptional condition. It is now time to sell it on to someone more professional than I who can use it for what it was designed for, 7000thb or nearest offer. If you wish to read the speck of this camera it is well documented on the internet and is impressive reading.

Carl Zeiss Vario-Sonnar T Lens, Cinematic Mode, Manual Controls, Super Steadyshot , Super NightShot Plus, 10x optical / 120x Digital Zoom, Color Viewfinder, 2.7" Touch LCD, 2.8MP Still EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick VIDEO: Sony HDR-HC1 Footage In 2019: https://www.youtube.com/watch?v=EPyDGxuTv78 Sony HDR-HC1: https://www.youtube.com/watch?v=q3Q1MaJTtNo Test SONY HDR-HC1 CAMERA -WARSAW POLAND: https://www.youtube.com/watch?v=9PAsN2efwUU HD Video Test - Sony HDR-HC1: https://www.youtube.com/watch?v=gGi1UAyDCtM Black camera with hand strap, Sony Battery, Sony Charger. English + menu. 100% workable. Cosmetically, it has traces and scratches on body that don't affect quality of photos and video. อ่านรายละเอียดสินค้าอย่างละเอียดผลิตภัณฑ์ไม่ใช่ของใหม่ 100% อาจมีรอยขีดข่วนและรอยถลอกในเคสซึ่งจะไม่ส่งผลต่อคุณภาพของภาพถ่าย Digital HD Video Camera Recorder Operating Guide HDR-HC1: https://www.sony.com/electronics/support/res/manuals/W001/W0014967M.pdf About this item ● 1/3 3000K Pixel CMOS Sensor imaging device (252K pixel) ● 2.8 MegaPixel display ● Color precision 16 - 9 viewfinder ● 2.7 wide LCD (16 - 9) with Hybrid Touch Panel Swivel Screen ● Zoom - 10x optical, 120x digital Sony HDRHC1 Overview Meet Sony's incredibly small high definition camcorder: the 'DEMO' HDR-HC1. At just under a pound and a half, it has tons of features. First, it has genuine 1080i resolution, so you shoot in real HDTV. Second, it uses HDV, which brings the resolution of HD to a tape the size of a Mini DV cartridge. Menu options are easy to choose, thanks to the 2.7" widescreen LCD SwivelScreen monitor. Super NightShot and Super SteadyShot Pro ensure great video under any conditions. Manual focus, zoom, shutter speed and white balance put you in total control. Sony goes one better than a CCD by using a CMOS sensor to generate images. This 3-megapixel CMOS processes faster than a CCD for richer color and better detail. The Carl Zeiss Vario-Sonnar T lens also adds color and detail, plus reduces glare with its special T coating. As impressive as the HDR-HC1 is as a camcorder, it gets even better as a 2.8 megapixel digital still camera. Store images on Memory Stick DUO Pro media and use the slot on the camera to view them. You can even shoot HD video and take a 1-megapixel still at the same time. Connect to a PC through USB or i.LINK to edit or share video. PictBridge lets you print photos directly from your compatible printer without having to use your computer. The world of high definition video is waiting, and Sony's HDR-HC1 proves it's a small world after all. Smallest & Lightest Design The HDR-HC1 is a light and small high definition camcorder. At just under 1.5 pounds, it's impressively light. HDV Format HDV puts widescreen high definition on a compact digital videocassette for the ultimate mix of quality and convenience. 1080i Resolution Shoot in genuine 1080i high definition - this camera's native format. 1/3" CMOS Sensor The CMOS sensor has 3 million total pixels. It delivers faster image processing than a CCD, meaning richer color, greater detail, and less glare from objects. Carl Zeiss Vario-Sonnar T Lens The lens is specially coated to reduce glare and improve detail. 2.7" Touch Panel SwivelScreen This widescreen color LCD monitor adjusts to almost any angle. It gives you an accurate interpretation of what your video will look like on a larger screen, whether in 4:3 or 16:9. Menu options are just a touch of the screen away. Cinematic Mode Make your movies look even more like movies. Cinematic Mode duplicates the look and feel of film on videotape. Manual Controls Put yourself in control with manual settings of shutter speed and white balance. A zoom ring, zebra pattern, Iris and spot focus give you even more control. Super Steadyshot Super Steadyshot electronically reduces or eliminates camera shake for smooth shots under almost any condition. Super NightShot Plus Get the most detail out of dark scenes with Super NightShot. This infrared system lets you shoot in almost total darkness. 2.8 Megapixel Still Camera This camcorder doubles as a high-end digital camera. In fact, the camcorder and still camera work together - you can shoot high definition video and take a 1-megapixel still photo at the same time. Intelligent Pop-Up Flash The flash pops up from inside the camera body automatically at just the right time, then disappears. PictBridge Compatibility Print photos and still frames from video directly to a PictBridge-equipped printer with just one button. No computer required! Memory Stick PRO Duo Slot Store your photos and video clips on Memory Stick PRO storage media for handy playback in the camcorder, or record to Memory Stick PRO and play back on TVs equipped with Memory Stick slots. i.LINK Interface An IEEE 1394 connection lets you digitally connect to other camcorders, computers, or professional video systems for fast, flawless editing and file transfer. USB Port Link this camcorder up to a computer or printer for fast file transfer and communication between machines.