Sony HVL-F43M F43M and Sony HVL-F42AM F42AM Flashes

A pro-style shoulder-mount HD camcorder with simultaneous relay recording featuring 50x optical zoom with 5-Axis Hybrid O.I.S.+ & Level Shot function VIDEO: Panasonic Camcorder Panasonic Europe: https://www.youtube.com/watch?v=e4UgV1fnDac Panasonic HC-MDH2: https://www.youtube.com/watch?v=pI6f1ldH1XY Excellent condition camera with hand strap, lens cap, battery and charger. English / Thai + menu. USER MANUAL / Operating Instructions: http://www.panasonic.ae/EN/Manuals/southafrica/HC-MDH2.pdf https://www.panasonic.com/mea/en/support/product-archive/camcorder/hc-mdh2.html About this item ● ENG Style PAL Compatible Camcorder 1/2.33" MOS Full HD Sensor, 20x Zoom Lens with 50x Intelligent Zoom Hybrid O.I.S.+, Level Shot Function ● Intelligent Auto Mode, Manual Control of Lens Functions, 3" 16:9 LCD Touch Panel, Dual Media Card Slots, Transfer Files Without a Computer, Illuminated Ring Indicates Camera Status The Panasonic HC-MDH2 AVCHD Shoulder Mount Camcorder shoots SD and HD video that is compatible with PAL standards. It supports Full HD 1080p 50, using AVCHD version 2 compression at 28 Mb/s. It also shoots 1080i 50 recording at 24 Mb/s, as well as higher compression rates enabling longer recording times. The camera can also record SD footage, so it integrates into an SD or HD workflow. This makes it an option for those who are not yet ready to transition to HD but want to be able to use the same camera once they do. The camera features a 1/2.33" MOS sensor that has been designed with a thinner wiring layer, which allows the sensor to capture more light resulting in a better low light image with less noise than with a similar sensor with a thicker wiring layer. Panasonic's Crystal Engine Pro image processor converts the info from the sensor to a viewable image. It also handles the image processing of the 50X intelligent zoom, providing smooth looking video, and minimizing artifacts. The camera features built-in image stabilization that operates in 5-axes, compensating for vertical, horizontal, forward and back tilt, and panning motions that might otherwise be distracting to your audience. The HC-MHD2 features a level function, where the camera corrects shots that are not horizontally level. The camera's Intelligent auto mode allows the camera to select the appropriate settings to capture you image. However, you can choose to manually control, focus, zoom, iris, and white balance. The camera comes with an eyepiece viewfinder for a traditional ENG approach to shooting, but you can also use the built-in touch panel LCD instead. The camera records to available SD/SDHC/SDXC media, and features 2 x media card slots, allowing either relay or simultaneous recording to create an instant back up. Once you've captured your footage, you can connect an available USB drive to the camera and transfer directly to the drive without using a computer or other USB host device. An update on the little red recording light, the illuminated ring at the base of the lens glows to indicate the status of the camera, either blue for stand-by or red for recording. The design of the image sensor increases sensitivity by using a thinner wiring layer, providing for larger photodiodes that can capture more light. The Crystal Engine Pro image processor processes the information from the image sensor to produce HD images. It also handles the image processing of the digital zoom, providing smooth images even when the zoom exceeds the optical capabilities of the lens. The camera features a built-in viewfinder and a 3.0" touchscreen LCD, allowing you to frame your shot, view your images, and control the camera's features. The 5-Axis Hybrid O.I.S.+ stabilizes your image minimizing shake by compensating for vertical and horizontal shake, as well unwanted up/down tilt, and panning shake. The camera's Level Shot function automatically corrects and adjusts the level of the image. The camera features a 20x optical zoom, which is complimented by a 50x intelligent zoom, which uses algorithms to produce a digitally zoomed image with minimal artifacts. The camera's two media card slot accept available SD/SDHC/SDXC cards, and you can choose relay recording, which automatically switches recording from one card to the other when the first one becomes filled, or simultaneous recording, which provides you an instant back up. The IA (Intelligent Auto) mode can automatically select the appropriate camera settings based on the shooting conditions. The IA plus mode allows you to adjust exposure compensation and white balance via the touch panel LCD. The lens features a manual control ring, pressing the Camera Function button on the side of the lens allows you to select manual control over focus, zoom, iris, white balance, or shutter speed. The built-in USB2.0 port allows you to connect a portable hard drive, and copy footage from the camera to the hard drive without using a computer. This function requires the camera to be powered via the AC adapter. An illuminated ring around the lens glows blue to indicate standby mode, and red to indicate recording. The illuminated ring can be turned off, allowing you to record surreptitiously.

https://www.youtube.com/watch?v=xMwLPgwnoI4 Camera body, Canon Battery, Canon Charger, body cap, Canon Strap, User Manual, Box. Shutter counter: 2xxx EOS R7: Time to Level Up An ideal blend of performance and portability, the EOS R7 represents Canon's move into APS-C with the mirrorless R system. Featuring a 32.5MP CMOS sensor and DIGIC X processing, this sleek powerhouse is capable of high-speed 30 fps shooting for sports and wildlife and features the renowned Dual Pixel CMOS AF II focusing system to keep up with and track fast-moving subjects. And, for the multimedia image-maker, 4K video is supported at up to 60p, or 30p when oversampled from a 7K area, as well as Full HD at up to 120 fps. 32.5MP APS-C CMOS Sensor and DIGIC X Processing APS-C Comes to EOS R Balancing resolution, speed, and low-light performance, the 32.5MP APS-C CMOS sensor is a versatile chip perfect for both photo and video applications. As one of the first APS-C sensors in the EOS R system, the R7's high-resolution design benefits photographers as well as 4K video by providing a 7K area for oversampling footage, which yields improved sharpness and quality. DIGIC X Processor Borrowed from the R3, the R7 sports a DIGIC X image processor to perform a variety of high-speed tasks, ranging from quick continuous shooting to high-resolution video recording. In terms of high-speed shooting, the R7 supports up to 30 fps continuous shooting with a silent electronic shutter or 15 fps with a mechanical shutter, with AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions. UHD 4K Video Recording Beyond stills, the R7's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 7K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution. HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 4K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R7 features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility. Autofocus and Image Stabilization Dual Pixel CMOS AF II Carried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -5 EV for accurate focusing even in nighttime conditions. Sensor-Shift Image Stabilizer An In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use. Body Design 2.36m-Dot EVF and Vari-Angle Touchscreen LCD A bright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 1.15x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal. In addition to the EVF, a 3.0" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.62m-dot resolution allows for vivid playback and live view monitoring. Reliable and Intuitive Construction ● Referencing the professional-grade EOS R3, the R7 is modeled after its robust physical design and sports a dust- and moisture-sealed body construction that's suitable for working in inclement conditions. ● Redesigned rear controls include a combined AF point selector and rear control wheel, which puts two of the most oft-used controls in a single intuitive-to-reach spot. ● Dual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting. Flexible Connectivity Wired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C 3.2 Gen 2 port along and a micro-HDMI port, along with 3.5mm headphone and microphone ports to benefit video recording. In terms of wireless, 2.4GHz Wi-Fi and Bluetooth is available for transferring and remote camera control. Next-Generation Multi-Function Shoe An update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories. Canon EOS R7 Canon EOS R7 ตอบสนองการถ่ายภาพได้อย่างแม่นยำและฉับไว เข้าใกล้การถ่ายภาพสุดประทับใจของคุณได้มากยิ่งขึ้นผ่านกล้อง EOS R7 ที่ปฏิวัติวงการถ่ายภาพด้วยการติดตั้งเซนเซอร์ APS-C ใหม่ไว้บนเมาท์ RF คุณจะได้เอฟเฟกต์เทเลโฟโต้ประมาณ 1.6 เท่า โดยที่ยังคงความละเอียดภาพไว้สูงดังเดิม กล้องมิเรอร์เลสนี้มาพร้อมระบบป้องกันภาพสั่นไหวภายในตัวกล้องอันทรงพลังสูงสุดถึง 8 สต็อป และความสามารถในการถ่ายภาพต่อเนื่องได้สูงถึง 30 เฟรมต่อวินาที

Shutter counter: 8xxx https://www.youtube.com/watch?v=HF2GOmsOr40 Review: https://www.kenrockwell.com/sony/a9.htm Electronic shutter evolution: Sony A9, Olympus OM-D E-M1 II and Lumix G9: https://mirrorlesscomparison.com/in-depth/sony-a9-vs-olympus-omd-em1-ii/ Very good condition body with Body cap, battery, Wall charger, USB cable, Sony Eye cap, User Manual, Docs, Box. Cosmetically, it has a lot of traces and scratches on body (look at photos) that don't affect quality of photos. Mint condition of sensor and LCD screen. Can be used normally with all functions. The first Sony mirrorless with two card slots, complete silence and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used — better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall. New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor. 693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image. Calculates exposure and autofocus at up to 60 frames per second. Two card slots. New thumb-nubbin controller on rear. Three memory recalls on the top mode dial, with four more presets almost as easy to recall. Drive mode dial. Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7. C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7. New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots). In-camera 5-axis sensor-shift stabilization claims 5 stops improvement. Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye. Shoots 4K video using the entire 36mm width of the image sensor. Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode). XAVC S high-bitrate video formats for 50~100 MBPS video. Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound). Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night. Two card slots. Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy. Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter. Solid mostly metal construction. Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA! Excellent high ISO performance. Facial recognition works well, but only after you find it and turn it on. In-finder 2-axis level works great for keeping horizons and vertical lines as they should be. In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction. Almost any lens of any brand or age can be adapted to work - but with no lens corrections. Stereo microphone built-in. 3.5mm powered mic and headphone jacks. Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS. Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong. Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length. Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials.

Sony Cybershot DSC-HX50V - Review (English Version): https://www.youtube.com/watch?v=bc0Li4-rkbc Camera with battery, USB cable, charger. Thai / English + menu. About this item ● 30x optical zoom plus 60x Clear Image Digital Zoom Optical SteadyShot image stabilization with 3-way active mode 20.4MP images and high speed AF even in low-light ● Full HD 1080/60p with dual record of stills and movies Full manual & dedicated EV control dial allow more creativity Capture the decisive moment with up to 10fps ● Multi interface shoe attaches flash, light, and mic Incredible battery life of approx. 400 shots 3.0" LCD (921k dots) with high resolution viewing Take stunning images with Intelligent Sweep Panorama mode-up to 360 Degree Take hold of the textured grip and capture your next adventure with ultra-sharp precision. Not only does this compact, 20.4MP beauty deliver an impressive 30x optical zoom, action shots appear clearer thanks to advanced 3-way image stabilization. You also get full manual control for more creative shots and 1080/60p movie recording for smoother footage. You can even map your memories with built-in GPS tagging and accessorize with a wide variety of available extras. Technology Super 60x zoom Zoom in incredibly close for awesome sports, travel, and wildlife photos. The HX50V boasts 30x optical zoom plus 60x Clear Image Digital Zoom technology to bring you near enough to capture elated smiles on the sports field. A powerful processor reduces graininess for crisper, higher-quality close-ups. Say goodbye to blur Optical SteadyShot® image stabilization reduces shake and blur by countering camera movements in both horizontal and vertical directions3. Active 3-Way stabilization adds digital rolling control that counters clockwise and anti-clockwise rotation, resulting in more stable videos even at long focal lengths. Pixel Power With a 20.4-megapixel Exmor R® CMOS sensor, capture high-resolution images that take full advantage of the camera's high quality Carl Zeiss® lens. Advanced processing technology reduces noise and graininess for incredibly crisp, clear images - even in challenging low-light conditions. Amazing HD movies Record crystal-clear movies at the highest resolution available with Full HD 1080/60p video capture1. Stunning, fast motion video with reduced distortion looks great when played back on your HDTV2. Notice a perfect photo opp while shooting video? With dual record of stills and movies, you can shoot both at the same time. Control in the palm of your hand Take your photography to the next level with full manual control. Use Program Auto (P), Aperture Priority (A), Shutter Speed Priority (S) or Manual Exposure (M) mode for manual shooting and direct access exposure control via dedicated dial. Never miss the moment Capture full 20.4 megapixel resolution images at up to 10 frames per second, helping to ensure that the decisive moment is captured such as the soccer ball flying into the goal. In addition, a mechanical shutter helps reduce distortion when continuously shooting moving subjects. Additional features Explore the full range of features and options below. Multi interface shoe attaches flash, light, and mic The multi interface shoe allows easy connection with wide-ranging accessories expanding the range of photographic expression. Available accessories include a powerful external flash unit, electronic viewfinder etc. Incredible battery life of approx. 400 shots Take up to 400 photos per charge for high-volume photography on-the-go. Perfect partner for travel. 3.0" LCD (921K dots) with high resolution viewing The 3.0-inch Xtra Fine LCD™ LCD has 921K dots for superb resolution. Intelligent Sweep Panorama™ mode-up to 360° Intelligent Sweep Panorama mode takes our Sweep Panorama function to the next level with the addition of motion compensation. Even when subjects are moving in the foreground of your landscape, these cameras can detect faces and moving subjects, intelligently stitching different widths together to minimize distortion. Simply press the shutter button and sweep the camera in the desired direction and the camera continuously shoots at a high speed, then seamlessly stitches the images together with automatic position adjustment to create one stunning panoramic image. Available in wide and up to 360° full circle, the camera can take a variety of panoramic shots. 1. Records in 29 minute segments 2. Requires HDTV and HDMI cable sold separately 3. Combined with electronic stabilization