Tamron 85mm f/1.8 Di VC USD Portrait Lens for Nikon with Box

The IBELUX lens with the biggest aperture of 0.85 in the world and focal length of 40mm are initially available for Sony E mount systems. NEW in Box. Lens, rear lens cap, screw-on metal cap, plastic cap with snaps, built-in hood, User Manual, Pouch, Box. Kipon announces $1,780 40mm F0.85 Ibelux lens for six APS-C mirrorless mounts Published May 23, 2022 | Gannon Burgett Optics manufacturer Kipon has announced an updated version of its 40mm F0.85 ultrafast prime, the Ibelux 40mm F0.85 Mark III. This third-generation lens improves upon its predecessor with an updated optical construction that consists of ten elements in eight groups. Compared to the Ibelux 40mm F0.85 Mark II, KIPON says the Mark III version ‘has totally new coatings both inside and out’ to reduce flares and ghosting, and fixes ‘the irregular light reflection/diffusion problem’ that led to purple fringing. The lens, which is available with mounts for Canon EOS R, Fujifilm X, Leica L, Micro Four Thirds, Nikon Z and Sony E-mount APS-C camera systems, features a 10-blade aperture diaphragm, has a minimum focusing distance of 75cm (29.5"), uses a 67mm front filter thread and has an aperture range of F0.85 through F22. Manual focus is driven by a Swiss-German mechanism and the focus ring offers 270º of rotation. The Kipon Ibelux 40mm F0.85 Mark III is constructed of an aluminum outer barrel with a brass core and stainless steel mount. It measures 74mm (2.9") in diameter by 128mm (5") long and weighs 1,150g (2.5lbs). Preconceptions I try to start these articles by putting my preconceptions out there first. Every reviewer or blogger has them, they affect our opinions, and you have a right to know them. So I’m writing this introduction the day before our first copies arrive. The HandeVision IBELUX 40mm f/0.85 is designed by IB/E Optics GmbH in Germany and manufactured by Kipon (aka Shanghai Transvision Photographic Equipment Co. Ltd). IB/E has developed a number of lenses and adapters for the Cinema world and other optics, so I figured the design would be good; probably a telecentric lens with a built-in Speedbooster-type element or group. Kipon is known as a lens adapter company, although Shanghai Transvision has also manufactured and distributed video and photo accessories. They are rumored to manufacture lenses for other brand names, so they have some lens manufacturing experience.  But, I have to say, my expectations for build quality weren’t great. I expected a lot of variation between copies. I don’t know if I even had any expectations regarding image quality. Okay, so much for what I expected. There are now five new copies sitting on my desk so let’s take a look. Look and Feel I can guarantee that you’ll see “built like a tank” posts all over the forums when people start handling this lens. Why? Because people say “built like a tank” when anything is really heavy, and this lens is really heavy at 2.65 pounds. (To put it in perspective, a Canon 70-200mm f/2.8 lens weighs 2.85 pounds.) Tanks are cool and all, but I generally remind people they need an overhaul every 2,000 miles and get about 0.25 miles per gallon of fuel. I also remind people that I’ve never seen tanks used to deliver eggs – no matter how thick the armor plating is, delicate things inside are still delicate things. But definitely, this lens is built like a tank for whatever that’s worth. The lens has a nice built-in sliding hood, which I’m always a fan of. The aperture ring moves easily and is “lightly clicked.” You can barely perceive the slight click with each stop. It’s not nearly as distinct as, for example, a Zeiss or Nikon manual aperture ring, but it’s certainly sufficient to tell by feel when you’ve changed the aperture. I kind of like it. The focusing ring is very smooth and turns with minimal resistance compared to most manual focus lenses, with clear hard stops at either end of the focus range. I kind of liked this ring, too. You will have to be careful where you place your hands on the lens when shooting, though, because an errant finger can easily move the focusing or aperture rings. We hit our first snag at this point: one of the five lenses we received had a focus ring that popped past the infinity hard stop on the first turn. In looking at things a bit, it became apparent that the focusing ring has three tiny set screws which connect to the hard stops for the focus ring. We tightened them just a bit and all was well after that. (To some degree you can also tighten them a bit further to make the focus ring have a bit more resistance when turning.) A Quick Geek Point I end up knowing a lot of stuff about lenses I probably wish I didn’t. One of those things is that a lot of “specialty” lenses designed by one company and manufactured by another have absolutely no compensating or adjusting elements. The lens is assembled basically by stacking all the elements in place. If the company does any quality control, it consists of taking some shots after the lens is assembled. If it’s awful, it gets disassembled and the parts get put back in their bins with the hope they’ll match up better with other parts when they get put in another assembly. And yes, I know this first hand. Because of inevitable manufacturing tolerances, this means some lenses are pretty good optically, some are absolutely crap optically, and buying one is like a box of chocolates – you never know what you’re going to get. And whatever you get is what you got. There are no optical adjustments that can be made. This is what I thought we might see with the Ibelux 40mm. But we did open one up, not to do a complete teardown, but just to peek inside. What we found was most reassuring – there were shims to adjust tilt and centering associated with several of the elements. That not only means the optics can be adjusted. It also means someone was checking each element as it was placed, determining if it needed to be shimmed and how much. Which means my hopes for this lens as I headed to the test bench increased exponentially. This was a real optical device assembled with some care, not a bunch of glass elements stacked together on a hope and a prayer.  By Roger Cicala (about Mark I) KIPON Ibelux 40mm f/0.85 Mark III Overview By B&H Photo's Matt Cottom Sporting one of the largest apertures available for the SONY E mount , the KIPON Ibelux 40mm f/0.85 Mark III Lens is an elegant artistic lens designed to expand your creative potential. The Ibelux features a 10 blade iris and a massive f/0.85 maximum aperture for gorgeous bokeh and excellent low-light performance. This versatile, dreamy lens can excel in a wide variety of scenarios, especially those demanding a unique look or with little available light. Optical Performance One of the fastest artistic lenses, the Ibelux 40mm Mark III is the product of a collaboration between KIPON founder Xiaoming Zhang and Klaus Eckerl of IB/E Optics, a German company noted for their manufacturing and mechanical design. The 10 blade diaphragm and extremely fast speed make this lens an ideal low-light performer. ● Mark III version features improved optical design that better corrects for chromatic abberrations and other visual distortions ● Enormous maximum aperture of f/0.85 ● Dreamy light rendering, especially at fully open aperture, perfect for artistic applications ● Telecentric optical design produces high quality images ● Nice and creamy bokeh Physical Design ● SONY E mount lens is designed for APS-C format cameras ● Special concave design for front element  ● Highly versatile 40mm focal length (equivalent to 60mm full frame lens) ● Manual aperture ring  ● Smooth and precise manual focus system  ● Close focus distance of 2.5'  2013, in a beautiful border town, Passau in Bavaria state, Germany, Kipon founder Xiaoming Zhang met Klaus Eckerl in a mountain restaurant by the Danube river, reached agreement to make a world fastest artistic lens for all the photographers, at that moment, they gave the name IBELUX, which stands for a lens for extremely low light shooting, designed by IB/E OPTICS, with many years of experience for precision manufacturing and mechanic designing, after 200 days and nights sample making and testing again and again, KIPON launched first version IBELUX 40mm f0.85, this high sophisticated product called a great flutter at that time in the field. When aperture widely open, especially for those high speed lenses, some situations usually occur like chromatic aberration, purple fringe, also under strong light environment, irregular glare easily happens when point the lens towards light source, Based on the improvement of Mark II, Mark III has made a great progress in these optic difficulties, in addition to higher resolution comparing to former versions, Ibelux mark3 comes out to be a dreamy lens for artistic creative photography. ● fastest lens in the world for cameras with APS-C Sensor ● suitable for Sony E-Mount bayonet ● optimal luminous exposure in any situation due to the lens speed of 0.85 ● standard focal length of 40 mm for many different applications ● low focal depth and unique bokeh ● 100 % developed in Germany ● 10 multi-coated lenses for optimal photo results ● long lasting and extremely robust metal structure ● with integrated lens hood

VIDEO: I Ditched FULL FRAME cameras for a Canon G10...: https://www.youtube.com/watch?v=29_s7U166P0 กล้องดิจิตอลCanon Powershot G10???? รีวิวกล้องby filmcamera.x.ub: https://www.youtube.com/watch?v=Qd5LjN31HwA Canon G10 quick Guide: https://www.youtube.com/watch?v=k2HX9ZHk6UA Made in Japan camera, battery, charger, Manual, Box. English / Thai + menu. S/n: last photo. About this item ● 14.7-megapixel resolution for the highest image quality and editing flexibility ● 5x optical zoom with Optical Image Stabilizer; 28mm wide-angle lens ● DIGIC 4 Image Processor improves Face Detection; full range of shooting and recording modes, including RAW ● 3.0-inch PureColor LCD II with even greater true-to-life color reproduction ● Capture images to SD/SDHC memory card Advanced amateur photographers are a discerning group, and they've flocked to Canon's G-Series for its ability to meet and exceed their demands. The third-generation PowerShot G10 is a stunning successor, loaded with uncompromising specs like 14.7 megapixels, a 28mm wide-angle lens, and Canon's new DIGIC 4 Image Processor for notably improved face and motion detection. This is a camera that supports and nurtures creativity, with a full range of shooting and recording modes and compatibility with exciting accessories including Speedlite flashes. From the Manufacturer Manufacturer Description Advanced amateur photographers are a discerning group, and they’ve flocked to Canon’s G-Series for its ability to meet and exceed their demands. The third-generation PowerShot G10 is a stunning successor, loaded with uncompromising specs like 14.7 megapixels, a 28mm wide-angle lens, and Canon’s new DIGIC 4 Image Processor for notably improved face and motion detection. This is a camera that supports and nurtures creativity, with a full range of shooting and recording modes and compatibility with exciting accessories including Speedlite flashes. PowerShot G10 Highlights 14.7-megapixel resolution 14.7-megapixel digital camera for the highest image quality The PowerShot G10 is equipped with a 14.7-megapixel CCD. Combined with unsurpassed DIGIC 4 image processing, this impressive pixel count delivers richly detailed photos that resonate with lifelike depth from shadows to highlights. An important benefit to the G10’s lofty pixel count is the flexibility it lends to the editing process. With 14.7 megapixels of resolution, any portion of any shot is a great candidate for enlargement. Enlarge and crop as your creative vision demands, confident that the detail you need is there for you. High-powered 5x optical zoom with Optical Image Stabilizer plus a 28mm wide-angle lens The camera is equipped with a long 5x optical zoom, and Canon’s own Optical Image Stabilizer Technology keeps images steady and blur-free all through the zoom range--even in low light--by detecting motion and generating a corrective signal. Because it is an optical system, more corrective movement is allowed and there is no degradation of image quality. New DIGIC 4 Image Processor improves Face Detection, adds Servo AF, Face Detection Self-Timer and Intelligent Contrast Correction DIGIC 4 Image Processor Canon’s proprietary DIGIC Image Processors have long set its cameras apart from the competition, and the new DIGIC 4 sets the bar even higher. Faster, more accurate noise reduction delivers better image quality, even at high ISO speeds. iSAPS Technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the advanced DIGIC 4 Image Processor to improve focus speed and accuracy, as well as exposure and white balance. A new Face Self-Timer automatically detects an increase in the number of faces and makes the appropriate adjustments. For instance, to include photographer’s face in a group shot, there’s no need to rush in. Just put the camera on a stand or tripod, and specify Face Self-Timer, and the camera will wait for the photographer’s face to get on-camera before it takes the shot. Motion Detection now tracks moving subjects in a much larger range, and the new Servo AF retains focus on a moving subject after the shutter button is pressed halfway -- allowing you to wait for the perfect shot without refocusing. Also, Face Detection and Motion Detection are markedly improved. Intelligent Contrast Correction in action Intelligent Contrast Correction DIGIC 4 also makes possible the new i-Contrast (Intelligent Contrast Correction) system, which controls the compensation level in pixel units to brighten dark areas while leaving bright areas unchanged for better images where the main subject is dark, and more natural transition. The PowerShot G10 can even use i-Contrast in playback mode to adjust images that were shot without the setting activated. Red-eye Correction provides three options for removing red-eye from subjects in flash pictures. 1) The Red-eye Correction during shooting actually identifies and corrects red-eye in human subjects as pictures are taken. 2) The G10 can be set to automatically detect and correct red-eye during image playback. 3) You can manually locate any red eyes in a scene during image playback on the LCD screen, and command the camera to remove them. Life doesn’t give you second chances to capture special times. That’s why the G10 features ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater shooting flexibility. ISO can be expanded to 3200 when you select ISO 3200 Special Scene mode. Full range of shooting and recording modes including RAW + JPEG The PowerShot G10’s RAW mode lets you shoot images without JPEG compression. It gives you clearer images and complete creative control in editing. RAW images are transferred directly to the computer where they can then be edited using image adjustment software or a processing application to adjust your images as you please. The camera can also be set to allow the simultaneous recording of both RAW and JPEG images while shooting. Also, with 26 Shooting Modes including 17 Special Scene Modes, you’re ready for whatever shot comes your way. Large 3.0-inch PureColor LCD II The PowerShot G10 gives you an extra-large 3.0-inch LCD screen for excellent control when framing your shots. But size is only part of the story. Canon’s PureColor LCD II offers more spectacular color, resolution and contrast even at an angle (compared to PureColor LCD). The screen is highly durable and easy to see in any light with a scratch-resistant, anti-reflective coating. It is a perfect feature for gathering friends and family around to see your images. A wealth of accessories including optional Speedlite flashes The PowerShot G10 is compatible with the Speedlite EX series that is for all EOS series SLR cameras. Attach a Speedlite 580EX II to the hot shoe, then you can set and control the flash on the "Flash Control" menu in the camera. With the 580EX II, the G10 is given extra functions such as autoflash metering, FE lock and Flash exposure compensation; continuous shooting with external flash. Also Canon’s Speedlite Transmitter ST-E2 enables you to have multiple slave flashes and wireless control. A Tele Coverter lens designed for the G10 and High-Power Flash designed for all PowerShot cameras are also available. Print/Share Button for easy direct printing and downloading The PowerShot G10's Print/Share button makes direct printing easier than ever. Simply connect the G10 to a Canon PIXMA Photo Printer or SELPHY Compact Photo Printer or any PictBridge compatible photo printer, press the lighted Print/Share button and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh). Print your own ID photos in up to 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon SELPHY Compact Photo Printer.

Made in Japan. Original, genuine, in excellent condition. Lens, two original caps. Professional-quality tele-converters to extend the range of your lenses Using this compact tele-converter lens, you can extend the photographic range of your primary lens by 2X -- allowing you to cover more distance and capture more subjects without the burden of extra equipment. Designed to support Sony G-Series 70-200mm f/2.8 G Telephoto Zoom and Sony G Series 300mm f/2.8 G Telephoto lenses as well as the unique Sony 135mm f/2.8 STF (Smooth Transition Focus) lens. Lighten Your Load - Carrying this versatile tele-converter lens allows you to increase your telephoto shooting capability without carrying extra equipment -- a significant advantage on long wilderness treks or while traveling on vacation. Superb Optical Performance - With these precision Sony tele-converter lenses, youll preserve both the accuracy and the image quality of your primary lens. Open Aperture Settings - When using these tele-converter lenses, remember to compensate for their reduced light transmission by opening your aperture two steps with the 2X converter. Key Features ● A-Mount Teleconverter/Full-Frame Format ● 2.0x Magnification Factor ● Communication Between Lens & Camera ● Maintains Metering and Autofocus Extend the effective focal length of your telephoto Sony lens with this 2.0x Teleconverter, which doubles the reach of your system. The dedicated design maintains full communication between the lens and A-mount cameras, including auto-exposure metering and autofocus. 2.0x teleconverter doubles the reach of the lens with only a two-stop loss in exposure. Dedicated design maintains a high degree of image quality as well as full electronic communication to support the use of AE and AF. Compatible Lenses 70-200mm f/2.8 G SSM II 300mm f/2.8 G SSM II 70-400mm f/4-5.6 G SSM II (manual focus only) 135mm f/2.8 STF (manual focus only) 500mm f/4 G SSM (manual focus only) The SAL20TC teleconverter is compatible with the following lenses: SAL500F40G, SAL300F28G2, SAL70400G2, SAL70200G2, SAL135F28. Extends focal length of lens by 2.0x Increase focal length without degrading resolution. A handy tool for minimizing gear. Compatible with a range of lenses Compact alternative to bulky additional lenses WEIGHT200g (7.1oz.)

World's smallest and lightest full-frame camera https://www.youtube.com/watch?v=s5e580-K2z8 Sigma fp Leica's L-mount Mirrorless Full-Frame Digital Camera 24.6MP BSI Bayer CMOS Sensor, Dust and splash proof structure aluminum body, UHD 4K30p Video 12-bit Cinema DNG, 3.15" Touchscreen LCD, 49-Point AF System, Electronic image stabilization, HDR Shooting... Excellent condition body with Sigma Hot Shoe Unit HU-11, Sigma LI-ION BATTERY BP-51, Sigma Wall charger UAC-11 US, User Manual, docs, Sigma Neck strap with clips (STRAP HOLDER SH-11 (2 pcs.)), USB CABLE SUC-11, body cap - CONVERTER CAP LCT-Ⅱ TL, box. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.sigmaphoto.com/cameras/mirrorless/sigma-fp ● กล้องฟูลเฟรมที่เล็กที่สุด เเละเบาที่สุด ● SIGMA fp เป็นกล้องที่ออกแบบมาให้ยืดหยุ่นทั้งการถ่ายภาพนิ่งและวิดีโอในระดับมืออาชีพ ● รองรับการถ่ายวิดีโอ 12-bit CinemaDNG format ความละเอียดแบบ 4K 24fps ความสามารถนี้ตอบโจทย์งานภาพยนตร์ได้เลย ● มี Cine Mode สำหรับงาน Cinema ภาพยนตร์โดยเฉพาะ เพื่อใช้งานในระดับมืออาชีพ ● Electronic shutter ให้เสียงที่เงียบมาก ● ฟีเจอร์มากมายรองรับการถ่ายวีดีโอ HDR shooting, Cinemagraph, Face/Eye Detection AF, ● L-Mount เพื่อให้เชื่อมต่อกับเลนส์ทุกประเภทได้อย่างง่ายดาย ● รองรับการสร้างภาพยนตร์อย่างมืออาชีพ ด้วย SIGMA fp’s Cine mode ● เปลี่ยนโหมดจากภาพนิ่งเป็นภาพยนตร์เต็มรูปแบบด้วยนิ้วเพียงนิ้วเดียว Memory Media SD, SDHC, SDXC memory card (UHS-Ⅱ supported) , Portable SSD (USB 3.0 connection, USB bus power supported) The Sigma fp Mirrorless Camera delivers high-spec functionality for stills and video in an extremely compact body that weighs under one pound. Driven by a full-frame 24.6MP BSI Bayer CMOS sensor, 14-bit color depth, electronic image stabilization, and Leica's L-mount lens interface, the fp and its fully electronic shutter provide a maximum resolution for raw and JPEG files of 6000 x 4000 and a shooting rate of 18 fps, while its focus system employs contrast detection and a 49-point selection mode for AF measurement distance, as well as face detection, eye detection, and focus peaking. A base sensitivity of ISO 100-25600 can be expanded to ISO 6-102400, and its video recording capabilities allow for UHD 4K recording at up to 30p, while Full HD recording can be captured at up to 120p. For raw video data, 12-bit CinemaDNG external recording is supported. To help shooters fine tune their video content, Sigma's "Teal and Orange" mode is inspired by the color grading techniques of Hollywood and creates high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement. So that users may easily switch between still and video modes, there is a switch on top of the camera. Also available for video shooters in a "Director's Viewfinder" function, which allows for the simulating of different angles of view and how an image looks in a cinema camera. It supports cameras such as the ARRI ALEXA LF and RED MONSTRO 8K, as well as other commonly-used digital cameras, film cameras, and anamorphic lenses. Compose and review your shots with a 3.15" 2.1m-dot LCD touchscreen, and media is captured internally to a UHS-II SDXC card slot. Thanks to an effective heat sink and a 42-point seal for dust- and splash-proofing, the fp will function well for long hours of use in a wide variety of environments. If you need to connect to external peripherals, there is a USB 3.1 Gen 1 Type-C port and a micro-HDMI port. Firmware Version 3.00 Introduced Features ● Adds new color modes "Powder Blue" and "Duotone" ● Adds the "Save/Load Settings" function saves and loads camera settings using a QR code ● Adds compatibility with the Sigma Electronic Viewfinder EVF-11 ● Adds the "Automatic switch to the LCD monitor display" function to preview images and operate the menu on the camera's LCD monitor while using the View button, MENU button, and QS button ● Adds the "Quick Focus Frame Shift" function to the Rear Dial's direction buttons to directly move the focus frame ● Adds "Custom Buttons" able to assign their desired functions such as "Exposure Compensation" and "Depth of Field Preview" to the AEL button, Rear Dial (direction button), Tone Control button, Color Mode button, and MODE (Shooting Mode) button ● Adds "LCD Off Mode" to the Display Mode settings whereby the LCD monitor turns off during shooting or when the camera is not in operation ● Adds a "Screenshot" feature to save any screen displayed on the LCD monitor as a still-image file ● Enables focus frame to be moved even when the image is enlarged during shooting in AF or MF ● Adds 24 and 48 fps frame rates (only at FHD resolution) in the Movie Record Setting ● Adds "KOMODO 6K" by RED Digital Cinema in the Director's Viewfinder mode ● Adds a "Custom Frame" option to the Frame Guide function, to select any desired aspect ratio or absolute size value on the image sensor ● Enables the "Color Temperature" setting to be adjusted in "White balance" in custom 50K increments ● Improved AF operation to achieve better accuracy, stability, and followability ● Enhanced "Flicker Control" function ● Improve JPEG file image quality ● Launched 2021.06.03 Firmware Version 2 Introduced Features ● Cinemagraph creation and playback ● CinemaDNG footage playback ● Still capture during live view and movie shooting in Cine mode ● Still image capture from CinemaDNG and MOV movie files ● HDR in movie shooting ● Still and movie shooting in Director's Viewfinder mode ● Supports DCI 4K 12-bit with raw output over HDMI ● Supports raw over HDMI recording with Atomos Ninja V recorder ● Supports recording Blackmagic RAW codec over HDMI with Blackmagic Video Assist 12G models ● Camera movement control is compatible with ZHIYUN Weebill S gimbal ● Supports camera control in USB mode with forthcoming Software Development Kit Updates and Enhancements ● Supports Dual Base ISO at ISO 100 and 3200 ● Supports CinemaDNG at 25 and 29.97 fps for UHD 4K 12-bit shooting ● Supports CinemaDNG at 100 fps for FHD 12-bit shooting ● Supports CinemaDNG 100 and 119.88 fps for FHD 8-bit and 10-bit shooting ● Exposure adjustment now available in QS Menu ● Tone control setting now available during movie shooting ● Supports USB Video Class (UVC) setting adjustments while the fp is connected to USB ● Supports time code generation ● Compatible with BWF format ● Supports file size changes at aspect ratio 7:6 ● Optional shutter sound effect General Features Full-Frame Sensor Equipped with a back-illuminated, 35mm full-frame Bayer sensor with 24.6 effective megapixels, the Sigma fp is capable of taking high-resolution still and moving images. Robust & Lightweight Aluminum Body A body covered with die-cast aluminum on the front and the back helps ensures robustness and heat dissipation while keeping the body weight light. Large Heat Sink Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the Sigma fp achieves highly effective heat dissipation. It helps prevent overheating at high temperatures or in long hours of use. Splash and Dustproof Structure The Sigma fp is protected with a splash and dustproof seal on a total of 42 points over the camera body. When combined with a splash and dustproof lens, the Sigma fp is capable of shooting in rain, sandstorms, and other challenging conditions. Same Screw Threads for Strap Fittings and Tripod The Sigma fp is fitted with 1/4"-20 threads for both the strap holder on either side of the body and for a tripod. This provides greater freedom in how one uses the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base. Full-Time Electronic Shutter Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambiance of the scene; and shooting with good response, without missing your shot. These types of shooting will open unique horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp's camera structure simpler, which in turn improves its reliability as a camera. "Teal and Orange" Color Mode Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the "mood" of a film or other types of work. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the Sigma fp, called "Teal and Orange." This color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic. It can be used in both the Still mode and Cine mode. Fill Light A function formerly available only in Sigma Photo Pro, Sigma's proprietary image development software, Fill Light has now been incorporated into the body of Sigma fp. Using Fill Light allows adjustment of the brightness of an image by adding extra light energy into the shadow regions without altering the exposure of highlight regions. This provides greater control in producing an image with great details, even with areas that are hard to control using the exposure adjustment settings. The adjustment range, which was formerly ±2.0, has been expanded to ±5.0, making it possible to fine-tune the brightness even more. Tone Control & Color Mode The Tone Control menu now has a manual setting option in addition to the two auto options available in previous models (Strong/Mild), which allows users to adjust the tone curve by themselves. The Sigma fp also has an "effect" slider in its color mode menu. It can be used to set the strength of an effect to apply in 11 levels, from -5 to 5, which enables the fine-tuning of the color mode. Additionally, "TONE" and "COLOR" buttons allow for quick access to the tone control and color mode menus. With these enhanced functions and a variety of operation elements, the Sigma fp makes it simple and easy to create an image, in-camera with great details, be it still or video. HDR Shooting The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a greater dynamic range that could not have been achieved in normal shooting. Cinemagraph The Sigma fp comes with a feature to make "Cinemagraphs," which are animated GIFs that are a hybrid between still photography and video. With this function, the Sigma fp is capable of creating unique imagery, where parts of a still image keep moving, in-camera. Face/Eye Detection AF The Face/Eye Detection AF function allows the Sigma fp to focus automatically on the eyes of a human subject. It can bring the eyes of the model into focus instantly and precisely, even when shooting portraits using a large-diameter lens with a shallow depth of field. Focus Peaking The focus peaking function highlights the edges of the parts of a scene that are in focus in a particular color. It is designed to help focusing the lens manually. L-Mount L-Mount is a mount optimized for mirrorless cameras, characterized by a short flange focal length, large diameter, and improved durability. As an L-Mount camera, the Sigma fp can be used with various L-Mount lenses offered by Leica, Panasonic, and Sigma. Supports Raw Video Data Recording Aside from professional cinema cameras, the Sigma fp supports external recording in 12-bit CinemaDNG format. With up to 4K UHD recording at 24 fps, it produces video data that can be used even in filmmaking. It also supports All-I (All-Intra) recording, which makes it possible to maintain high image quality while reducing file size, allowing light data available for recording and editing. Director's Viewfinder The Sigma fp has a "Director's Viewfinder" function that allows the user to simulate different angles of view and how an image looks on cinema cameras. It supports cameras by major manufacturers commonly used in filmmaking. It supports not only large format cameras such as ARRI ALEXA LF and RED MONSTRO 8K, but also film cameras and anamorphic lenses. Supported cameras include ARRI's ARRICAM/ARRIFLEX, ALEXA LF/ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA 65, and ALEXA XT; Sony's VENICE; and RED's MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, and GEMINI 5K. Functions Comparable to Pro Cinema Cameras The Sigma fp's Cine mode comes with a variety of special functions that are comparable to those of professional cinema cameras. From shutter angle display and waveform display for exposure and color information, to zebra patterning, it comes with the functions and screen displays that can be used in the same way as with conventional cinema equipment. UI Optimized for Different Shooting Modes Preserving the distinctive "feels" of Sigma cameras including dials and QS (Quick Set) buttons, the Sigma fp has specially-designed operation systems and displays for Still and Cine modes. At the flick of a special switch, it can move back and forth between the two modes. This presents a shooting experience that goes beyond the boundaries of traditional cameras that are designed either for stills or videos. 24.6MP Full-Frame BSI Bayer CMOS Sensor ● Electronic Shutter & L Lens Mount ● 49-Point AF System ● UHD 4K30p Video with 12-Bit CinemaDNG ● 3.15″ 2.1m-Dot Touchscreen LCD ● Electronic Image Stabilization System ● 18 fps Shooting, ISO 102400 ● UHS-II SDXC Memory Card Slot ● Dust- and Splash-Proof ● USB 3.1 Gen 1 Type-C & Micro-HDMI 1.4