Sony HDR-HC1 Mini DV / HDV Camcorder, Memory Stick PRO storage media

https://www.youtube.com/watch?v=xMwLPgwnoI4 Camera body, Canon Battery, Canon Charger, body cap, Canon Strap, User Manual, Box. Shutter counter: 2xxx EOS R7: Time to Level Up An ideal blend of performance and portability, the EOS R7 represents Canon's move into APS-C with the mirrorless R system. Featuring a 32.5MP CMOS sensor and DIGIC X processing, this sleek powerhouse is capable of high-speed 30 fps shooting for sports and wildlife and features the renowned Dual Pixel CMOS AF II focusing system to keep up with and track fast-moving subjects. And, for the multimedia image-maker, 4K video is supported at up to 60p, or 30p when oversampled from a 7K area, as well as Full HD at up to 120 fps. 32.5MP APS-C CMOS Sensor and DIGIC X Processing APS-C Comes to EOS R Balancing resolution, speed, and low-light performance, the 32.5MP APS-C CMOS sensor is a versatile chip perfect for both photo and video applications. As one of the first APS-C sensors in the EOS R system, the R7's high-resolution design benefits photographers as well as 4K video by providing a 7K area for oversampling footage, which yields improved sharpness and quality. DIGIC X Processor Borrowed from the R3, the R7 sports a DIGIC X image processor to perform a variety of high-speed tasks, ranging from quick continuous shooting to high-resolution video recording. In terms of high-speed shooting, the R7 supports up to 30 fps continuous shooting with a silent electronic shutter or 15 fps with a mechanical shutter, with AF and AE readings before each frame. The processor also helps to realize a broad sensitivity range from ISO 100-32000, which is expandable up to ISO 51200 for working in difficult lighting conditions. UHD 4K Video Recording Beyond stills, the R7's sensor also offers high-res UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 7K recording area can also be used for oversampled 4K shooting at 30p for improved sharpness, reduced moiré, and lower noise. And, for slow-motion playback, 120p recording is supported at up to Full HD resolution. HDR-PQ recording is possible, too, for in-camera HDR production and external recording, via the micro-HDMI port, which supports a clean 4K output at up to 60 fps. Also, unlimited recording times are possible, too, and the R7 features both mic and headphone ports, as well as a multi-function shoe for wide accessories compatibility. Autofocus and Image Stabilization Dual Pixel CMOS AF II Carried over from the EOS R3, the advanced Dual Pixel CMOS AF II system features 651 automatic AF points that covers the entire sensor area, for faster, more responsive, and more precise focusing performance. This phase-detection focusing system also has enhanced subject detection and tracking, with the ability to intelligently recognize people, animals, and vehicles and tracking will automatically lock onto these subjects and maintain sharp focus throughout burst captures. Dual Pixel AF II's low-luminance limit focuses down to an impressive -5 EV for accurate focusing even in nighttime conditions. Sensor-Shift Image Stabilizer An In-Body Image Stabilizer (IBIS) corrects up to 7 stops of unwanted camera shake when shooting handheld, helping to shoot handheld in low-light conditions and reduce shake when recording videos. This 5-axis system can be also used in conjunction with lenses featuring optical image stabilization to compensate for up to 8 stops of camera shake depending on the specific lens in use. Body Design 2.36m-Dot EVF and Vari-Angle Touchscreen LCD A bright, clear 2.36m-dot OLED electronic viewfinder is featured for high-resolution eye-level viewing. This 1.15x-magnification finder is benefitted by the fast processing for virtually no lag and a quick 120-fps refresh rate can be used for vivid, realistic motion portrayal. In addition to the EVF, a 3.0" vari-angle LCD is also available and benefits working high, low, and front-facing angles. The flexible position is complemented by a touchscreen interface and the clear 1.62m-dot resolution allows for vivid playback and live view monitoring. Reliable and Intuitive Construction ● Referencing the professional-grade EOS R3, the R7 is modeled after its robust physical design and sports a dust- and moisture-sealed body construction that's suitable for working in inclement conditions. ● Redesigned rear controls include a combined AF point selector and rear control wheel, which puts two of the most oft-used controls in a single intuitive-to-reach spot. ● Dual SD memory card slots offer file-saving flexibility and both are rated for UHS-II card speeds to support fluent 4K video recording and high-speed continuous shooting. Flexible Connectivity Wired and wireless connectivity options are available, allowing for multiple methods of transferring photos and videos, as well as for remotely controlling the camera. Physically, the camera features a USB Type-C 3.2 Gen 2 port along and a micro-HDMI port, along with 3.5mm headphone and microphone ports to benefit video recording. In terms of wireless, 2.4GHz Wi-Fi and Bluetooth is available for transferring and remote camera control. Next-Generation Multi-Function Shoe An update to a conventional hot shoe, the Multi-Function Shoe adds a row of pins at the front of the design to permit greater accessory functionality as well as provide power to select accessory types that traditionally rely on separate batteries. This updated shoe is compatible with select accessories, including the ST-E10 Speedlite Transmitter, DM-E1D Stereo Microphone, and AD-P1 Smartphone Link Adapter, as well as the AD-E1 Multi-Function Shoe Adapter to provide compatibility with legacy shoe-mounted accessories. Canon EOS R7 Canon EOS R7 ตอบสนองการถ่ายภาพได้อย่างแม่นยำและฉับไว เข้าใกล้การถ่ายภาพสุดประทับใจของคุณได้มากยิ่งขึ้นผ่านกล้อง EOS R7 ที่ปฏิวัติวงการถ่ายภาพด้วยการติดตั้งเซนเซอร์ APS-C ใหม่ไว้บนเมาท์ RF คุณจะได้เอฟเฟกต์เทเลโฟโต้ประมาณ 1.6 เท่า โดยที่ยังคงความละเอียดภาพไว้สูงดังเดิม กล้องมิเรอร์เลสนี้มาพร้อมระบบป้องกันภาพสั่นไหวภายในตัวกล้องอันทรงพลังสูงสุดถึง 8 สต็อป และความสามารถในการถ่ายภาพต่อเนื่องได้สูงถึง 30 เฟรมต่อวินาที

Shutter counter: 5611 Video: https://m.media-amazon.com/images/S/aplus-media/vc/4e0e0ca7-02e2-49e5-9939-0dc5456027be.mp4 Include: Camera body with clips, body cap, battery, USB charger, eye cap. ENGLISH / Thai + menu! EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Brand : Panasonic Model : Lumix DC-S5 Color : Black Camera mount : L-Mount Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake. In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions. 24.2MP Full-Frame CMOS Sensor and Venus Engine Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes. UHD 4K HDR Video Recording In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available. Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied. Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks. Body Design ● Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. ● High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate. ● Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control. ● Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments. ● Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording. ● A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs. ● DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on. ● High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec. Sensor-Shift Image Stabilization Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. DFD Autofocus System For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV. Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF. 6K and 4K PHOTO Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate: ● Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment. ● Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from. ● Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame. Bluetooth and Wi-Fi Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring. Other Camera Features ● By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution. ● HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions. ● In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats. ● Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out. ● Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint. ● Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style. Firmware Version 2.3 Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.

EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick VIDEO: Sony - Handycam Projector DCR-PJ5: https://www.youtube.com/watch?v=WCx2F7nWK4A Filmadora Sony DCR-pj5 vga Zoom Óptico 57x: https://www.youtube.com/watch?v=gKWAWyAzUEo Used, but in good working condition black camera with hand strap, Battery, Charger. สปอตไลท์แสดงได้ไม่ดี รูปภาพที่ photo 3 Projector does not work well, photo 3. English / Thai + menu. S/n: last photo. [PDF] คู่มือการใช้งานวันที่ออก: https://www.sony.com/electronics/support/res/manuals/4290/42908422M.pdf [PDF] Operating Instructions: https://www.sony.com/electronics/support/res/manuals/4290/42908401M.pdf Product Description Full-featured and tapeless, the Sony camcorder is a portable camcorder that is designed for making happy videos for you and your close friends and delivering bright video no matter where you are. Bring distant scenes 57 times closer without losing crisp quality by making use of the 57x optical zoom functionality included with this Sony DCR-PJ5 video camera. Be the envy of your friends with this standard camcorder and its classy black body. Because the Sony camcorder includes a flash memory card slot, you can extend the number of videos stored in the camera. Preserving far away landmarks is convenient by making use of the 1800x digital zoom capability found on this Sony DCR-PJ5 video camera. With the flash card on this standard camcorder, you can choose the amount of video recorded by the video camcorder. The Sony camcorder is great for showing your videos, featuring a 2.7-inch monitor, so that you will be able to compose shots with ease. Featuring a 0.8 MP sensor, this Sony DCR-PJ5 video camera is just right for filming memorable videos, and it allows you to make memorable videos. Sony DCR-PJ5. ● Optical zoom: 57x, Digital zoom: 1800x. ● Camcorder media type: Memory card ● Compatible memory cards: MS Duo, SD, SDHC. ● Display diagonal: 6.86 cm (2.7″) ● Display: LCD ● Display resolution (numeric): 230000 pixels. ● Camcorder type: Handheld camcorder ● Camera playback: Movie, Single image, Slide show.

VIDEO: LEICA V-LUX Type 114 in 2020 | Low-light | Stabilization | 25mm-400mm | Face detection: https://www.youtube.com/watch?v=RVY9N9I0DI0 BROKE PHOTOGRAPHERS GUIDE: LEICA - VLUX Typ 114 (Behind the Desk): https://www.youtube.com/watch?v=kIWVQSXnQqs Paris Photo LA Shot with Leica V Lux Typ114: https://www.youtube.com/watch?v=6cpbdbgKGNU The Leica V-Lux is the Swiss Army knife amongst high end compact cameras Its fast and huge optical zoom lens, and its outstanding picture and video (4K) quality make it the best digital camera for travel, sports and outdoor activities The camera is one of the most versatile compact cameras from Leica With the Leica V-Lux you are best equipped to start an adventure and explore the world 1. Shutter counter: 5xxx Excellent condition camera with hot shoe cap, Lumix battery, Lumix charger and Lumix lens cap, Leica Guarantee Book. 36000 baht 2. Shutter counter: 1222 Excellent condition camera with hot shoe cap, Leica battery, Leica charger and Leica lens cap with cord, User Manual Book. 38000 baht The V-Lux (Typ 114) is Leica’s most versatile high-end compact camera to date. The extensive range of its zoom lens covers nearly all distances and subject matter – simplifying your travels by avoiding the need for changing lenses and packing additional equipment.The view through the viewfinder brings the scene to life with incredible brilliance, while the large sensor ensures vividly clear, high-resolution images. The perfect all-rounder, the Leica V-Lux delivers in any shooting situation – from travel and sports photography to capturing all your adventures in the great outdoors. Mixing a long zoom with apt imaging capabilities, the Leica V-Lux Typ 114 is a versatile camera characterized by its ergonomic design and travel-friendly feature-set. Revolving around a large 20.1MP 1" CMOS sensor, high-resolution stills shooting and UHD 4K video recording is possible with a wide sensitivity range to suit working in a variety of lighting conditions. The sensor and processing technologies also enable fast autofocus performance along with continuous full-resolution shooting at 12 fps and 4K Photo shooting at 30 fps. Balancing the photo and video capabilities, the V-Lux is also distinguished by its impressive DC Vario-Elmarit ASPH. zoom lens, which covers a wide-angle to super-telephoto 25-400mm equivalent focal length range. Also notable is the camera's ergonomic design, which resembles an SLR camera, and incorporates both a 2.36m-dot electronic viewfinder and 3.0" 1.04m-dot articulating LCD. Additionally, built-in Wi-Fi allow you to wirelessly share imagery or remotely control the camera from a linked smartphone or tablet via the Leica FOTOS app. 20.1MP 1" CMOS Sensor A large 20.1MP 1" CMOS sensor helps to realize rich image quality with reduced noise and high sensitivity range to suit photographing in a variety of conditions. The imaging and processing capabilities also avail impressively fast autofocus performance along with continuous shooting rates up to 12 fps or 30 fps at 8MP in the 4K Photo modes. DC Vario-Elmarit ASPH. 16x Zoom Lens integrated optical image stabiliser. An impressive 16x zoom DC Vario-Elmarit ASPH. lens offers a 25-400mm equivalent focal length range along with a maximum aperture range of f/2.8-4 to suit working in available light conditions. The lens construction incorporates a series of aspherical elements to minimize spherical aberrations and distortions throughout the zoom range for greater sharpness and clarity. 4K Video and 4K Photo Modes The sensor and processor combination also enables 4K video recording at 30p in the MP4 format at 100 Mb/s. These 4K capabilities also permit recording 8MP stills at 30 fps in a trio of ways: ● 4K Burst: Just as with video recording, this mode will allow you to continuously record 8MP images at 30 fps for up to 15 minutes, making it ideal for instances where you need a fast frame rate in order to capture the best moment. ● 4K Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record 8MP images at 30 fps one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from. ● 4K Burst (S/S): This mode most closely follows the 4K video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8MP frame. Body Design and Wireless Connectivity ● High-resolution 2.36m-dot, 0.7x-magnification electronic viewfinder is integrated into the body design to permit comfortable eye-level monitoring. ● Alternatively, a rear 3.0" 1.04m-dot LCD monitor is also available for live view shooting, image review, and intuitive menu navigation. The screen features an articulating design that flips out 180° to the side and then tilts 270° to permit working from high, low, and front-facing angles. ● The included rechargeable lithium-ion battery provides you with approximately 350 shots per charge. ● Built-in Wi-Fi along with the Leica FOTOS app, allow you to wirelessly share photos and movies to linked smartphones and tablets for direct sharing online. This connectivity also allows you to remotely control the camera from a mobile device. The essentials: ● 20.1 MP 1"- MOS Sensor ● DC Vario-Elmarit 25-400 mm f/2.8-4.0 lens ● Full tilt-and-swivel 3" LCD ● Electronic viewfinder (2.36 MP) and 0.7x magnification ● Internal Memory 87MB ● 4K video and 4K photo burst shooting ● Integrated flash ● Autofocus speed of approx. 100 milliseconds ● JPEG and RAW files ● Integrated Wi-fi and Leica FOTOS App Leica V-Lux (Typ 114) Overview The Leica V-LUX (Typ 114) Digital Camera is an advanced point-and-shoot digital camera with the form factor of a DSLR. It has a 20MP, 1" MOS sensor, a 16x zoom lens, and UHD 4K video capability. The built-in, DC Vario-Elmarit, 9.1-146mm f/2.8-4.0 ASPH lens has a 35mm equivalent focal length of 25-400mm. Optical Image Stabilization helps minimize the appearance of camera shake, resulting in sharper images, and 4x digital zoom and 32x intelligent zoom provide the lens with an extended focal range. The moderately fast aperture, combined with a native sensitivity range of ISO 120-12500 allow the lens to perform in situations with low light. The V-LUX captures high-quality MP4 video files in resolutions up to 3840 x 2160 UHD 4K, and a built-in microphone can record stereo audio while recording video. A 3", 920k-dot, rotatable, LCD screen on the camera enables photo review and menu navigation, and a 0.39", OLED, 2,360k-dot, electronic viewfinder allows for accurate composition. Built-in Wi-Fi and NFC allow for instant image sharing and remote control via the Image Shuttle App. Leica DC Vario-Elmarit 9.1-146mm f/2.8-4.0 ASPH Lens This 16x optical zoom lens provides a 25-400mm equivalent focal length, giving you a full range of wide-angle to super-telephoto lengths. The built-in OIS and fast aperture range combine to allow for handheld shooting at long distance, even in poor light. 20MP 1" MOS Sensor A much improved sensor from the V-LUX 4's 12MP CMOS sensor, this larger sensor provides more megapixels, a narrower depth of field, and delivers higher-quality images at up to a native ISO 12500, or extended to ISO 25000. High-Resolution Integrated EVF with 2.36 Million Pixels This 2.4MP 0.39" OLED electronic viewfinder has approximately 2.36 million pixels, and features an eye sensor and diopter adjustment. 3" Multi-Axis Rotate-and-Tilt LCD The LCD screen has 920k dots and is rotatable to aid in shooting from different angles. UHD 4K Video The V-LUX not only shoots in full HD, but UHD 4K video as well, at a resolution of 3840 x 2160. Performance Speed When using the electronic shutter, the V-LUX can shoot up to 50 fps, and up to 12 fps when using the mechanical shutter. Image Shuttle App Allows you to control the camera's functions from your smart device. Introduction Together with the D-Lux cameras the V-Lux bridge cameras represent Leica’s partnership with Panasonic. The previous model in the range was the V-Lux 4; this was a fantastic 12mp camera with a 25-600 optical zoom lens with a constant f2.8 throughout the full range. With Leica’s new naming method the new camera is just called the V-Lux . . . . with the (Typ 114) identifier. On paper the variable maximum aperture (f2.8 - f4) and the shorter zoom range (25-400) of the new V-Lux camera sounds less impressive. However,  the new camera has a 1” 20mp sensor which has 4 times the area of the old sensor: V-Lux 4 1/2.33” sensor: 6.08mm x 4.56mm V-Lux (Typ 114) 1” sensor: 13.2mm   x 8.8mm This larger sensor not only gives improved resolution and better low light performance, but also a larger effective aperture than that of the V-Lux 4. In addition, the new camera is the first bridge camera to offer 4k video. The sensor itself seems to be the same one used in a batch of successful recent cameras including the Sony RX100III, the Sony RX10 and probably the Canon Gx7. The New V-Lux is a complex camera and fully featured camera, and it’s outside the scope of this report to describe the details in full. However, in addition to the Leica documentation there is an excellent and detailed review of it’s sister camera at Dpreview: The Panasonic FZ100. It’s well worth a read. I’ve been putting the new V-Lux through it’s paces since early in August, including a 2 week trip to Crete (where this article is being written).  In this case I haven’t so much been testing this camera (it arrived in it’s final version) but it’s worth pointing out that, as a tester for Leica, my allegiance is to Leica, and if I find things wrong with the camera, then my duty is to tell Leica about it rather than the world in general. On the other hand, Leica have never had any influence over what I write, and I wouldn’t dream of saying anything that I don’t consider to be absolutely true, or to leave out anything I consider to be a show-stopper The Body Leica has once again employed Audi Design to work on the new V-Lux, so that it has a distinctive Leica look and feel (as well as the traditional red dot). The camera is fairly big - an inevitable result of the the long zoom range, fast lens and the relatively large sensor. On the other hand, despite feeling pretty solid, it is also very light. This means that it is perfectly okay to carry around all day without stress or strain; on several long hot walks in Crete I carried the camera in one hand all day long. I put the camera through a pretty punishing time - high temperatures and a dusty environment. It performed really well throughout. There is a flip out LCD screen which turns in all directions; excellent if you want to use a tripod, it even turns right around so that you can do selfies! The LCD can also be turned back on itself (facing into the body) for protection. The LCD is a 921,000 dot display, whereas the excellent EVF is a 2.4 million dot unit with eye-sensor startup. You can easily turn the LCD off if you are only shooting with the EVF (and vice versa). The sensor based image stabilisation is very effective. I managed to hand hold 400mm at 1/25th on a number of occasions, of course, this doesn’t help with moving subjects, but it means that you don’t need a tripod for the longer focal lengths (tripods don’t help with moving subjects either!). The Lens The lens is a Leica DC Vario-Elmarit 1:2.8 - 4.0/91-146 ASPH (equivalent to 25-400 in 35mm terms). It has a metal outer case and a knurled metal ring for either manual focus or for zooming. There is also a zoom control around the shutter release button (I found this to be faster and more convenient). The lens extends quite a long way when zooming, and the inner cylinder is made of plastic rather than metal. However, it all feels pretty solid. The lens comes with a petal type lens hood which reverses onto the lens for storage.  It’s a fantastic lens, sharp throughout the range and with no obvious weak spots. Ergonomics and Operation As is common with most similar cameras, the controls of the V-Lux are many and configurable. There are 4 configurable function buttons, but almost anything else can be configured within the complex menu system. These controls are thoroughly described elsewhere with respect to the Panasonic FZ1000, and it seems unnecessary to go through them in great detail here. Suffice to say, if you want to do something there will almost certainly be a way of doing it! In actual use the camera is great fun. The autofocus is lightning fast, the tracking seems reliable and quick (not something that can be said of many similar cameras and usually the preserve of large DSLR cameras many times the size and price). The EVF works really well, giving clear information with high resolution; you quickly forget that you are not looking through an optical viewfinder. The shutter noise is virtually silent - if you turn off the camera’s shutter release noise then it simply makes a very slight ‘pop’, excellent for stealthy shooting. Conclusion The bridge camera has always been an enticing proposition but, for me at least, the tiny sensors they have previously employed have always been the spoiler. The wonderful 1” sensor in the V-Lux really does seem to be a game changer (just as it has been in the new Sony cameras). Historically speaking the Leica versions of Panasonic cameras have been a great deal more expensive. However, this seems to be changing. As I write, the Leica V-Lux is selling in the UK for £925 with a 3 year Leica warranty and a copy of Adobe Lightroom V5, whereas the Panasonic FZ1000 is £749. The extra warranty, the Audi design and the copy of Lightroom all combine to make the V-lux rather good value for money. Historically speaking the Leica versions also hold their value much better than the Panasonic counterparts. For many people the V-Lux might be every camera you need. Good for Video and Stills. Good for Macro or Sports, Good for Landscape and Portrait. The fast lens and long focal length makes it quite possible to isolate the subject. The RAW file options makes much post processing feasible and the 20mp is good for really large prints