Sony H300 Camera with 35x Zoom Lens, Cyber-shot DSC-H300

A Must-Have Lens for Standard Portraits and Everyday Use,the Viltrox PFU RBMH 85mm F1.8 STM Prime Lens Will Perfect Fit for Your Fuji X Mount Camera,No Matter You're Shooting Portrait,Food,Nature at Daytime or Nighttime,Indoors or Outdoors,It Will Show You Perfect Perspective,Great Angle of View!! Trust Me, It Will Soon Become Your Favorite Lens VIDEO: https://www.youtube.com/watch?v=S8SxwhG1crg Fully tested in excellent working condition. Lens with two caps, hood. S/n: last photo. A short-telephoto well-suited to portraiture, the Fuji PFU RBMH 85mm f/1.8 STM from Viltrox is also characterized by its bright f/1.8 maximum aperture, which excels in difficult lighting as well as benefits working with shallow depth of field techniques. The optical design comprises one extra-low dispersion element, along with four elements made from highly transparent glass, that aids in reducing chromatic and spherical aberrations in order to realize high clarity and sharpness. An HD Nano multi-layer coating has also been applied to suppress flare and ghosting for improved contrast when working in strong lighting conditions. Additionally, the lens features an STM motor for quick, quiet autofocus performance along with a minimum focusing distance of 2.6′ for working with close-up subjects.  Portrait-length prime is designed for Fuji X-mount mirrorless cameras can be used with APS-C models where it provides a 127.5mm equivalent focal length. Bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also offers a wealth of control over focus position when using shallow depth of field techniques. One extra-low dispersion element and four elements made from highly transparent glass contribute to reducing a variety of aberrations in order to produce well-corrected imagery with accurate color and high sharpness. HD Nano multi-layer coating has been applied to individual elements to reduce flare and ghosting for improved contrast. Also, this coating is water-resistant to help protect the exposed surfaces from moisture. STM autofocus motor delivers quiet and precise focusing performance along with a minimum focusing distance of 2.6′. Electronic contacts convey Exif data as well as permit camera-based aperture selection.

https://www.youtube.com/watch?v=gLDkS9sOU1s - The ideal hybrid camera choice for the advanced 4K video enthusiast and photography enthusiast alike. - Large 1-inch 20.1 Megapixel sensor and bright 20X LEICA VARIO-ELMART F2.8-4.5 lens. - 4K Ultra HD video recording plus exclusive LUMIX 4K PHOTO and - 4K Post Focus and internal Focus Stacking modes. - “CINELIKE D” and “CINELIKE V” for cinema-like gradation, time code, live HDMI output (4:2:2/8 bit or 4:2:2/10 bit), and lens ND filter controls. - Optional V-Log L upgradability for purchase, and an out of the box - unlimited recording duration. - Recording formats of MP4 (LPCM) and MOV, and bit rates extended up to 200 Mbps (ALL-Intra) or 100 Mbps Shutter counter: 906 VIDEO: Panasonic Lumix FZ2500 - Product tour (Thai Subtitle): https://www.youtube.com/watch?v=HJDIRNFsJRE Graham's Guide to the Panasonic Lumix FZ2000/2500 Part1 : Controls: https://www.youtube.com/watch?v=5801_dtUiZI Panasonic LUMIX DMC-FZ2500 Video Shooting Features: https://www.youtube.com/watch?v=2xLVO0Dw24I Panasonic LUMIX DMC-FZ2500 (4K): https://www.youtube.com/watch?v=itjcAc2T3Jw Panasonic Lumix FZ2000/FZ2500 20x ZOOM Test & Demo with Audio in different environments: https://www.youtube.com/watch?v=6UtKXgg-R1o Excellent condition camera, battery, travel charger, Lumix lens cap, Original Hood, User Manual, Box. Thai / English + menu.

Shutter counter: 417 https://www.youtube.com/watch?v=ieUG92jfClA Panasonic DC-FZ10002 (analog Leica V-Lux 5) กล้อง SUPERZOOM Compact Hi-End camera in Box Wi-Fi + Bluetooth 4K Video 20MP 1-inch sensor Superzoom Leica DC Vario-Elmarit ASPH. 16x Zoom Lens 25-400mm f/2.8-4 ASPH Camera with hot shoe cap, battery, charger and Lumix lens cap, Quick Guide, Lumix shoulder strap, Box. Thai / English + menu. S/n: last photo. Panasonic Lumix DC-FZ1000 II Digital Camera Combining a long-reaching zoom with versatile imaging capabilities, the Panasonic Lumix DC-FZ1000 II is a well-rounded camera, also characterized by its ergonomic design and intuitive handling. Sporting a large 20.1MP 1" High-Sensitivity MOS sensor, the FZ1000 II is capable of producing high-resolution stills and video with impressively low noise levels and high clarity within the ISO 125-12800 sensitivity range. The sensor and processor also enable shooting continuously at up to 12 fps with single-shot AF, 30 fps at 8MP in 4K PHOTO modes, and UHD 4K video recording at 30p. Additionally, the 4K PHOTO modes allow you to produce stromotion images, which combine sequential exposures into a single frame for a dynamic finished look. Beyond the imaging, the FZ1000 II is mainly characterized by its physical design and expansive Leica DC Vario-Elmarit 16x zoom lens, which covers a 25-400mm equivalent focal length range, as well as a 5-axis HYBRID Optical Image Stabilizer to minimize the appearance of camera shake. Also notable is the camera's ergonomic design, which resembles an interchangeable lens camera, and incorporates both a 2.36m-dot OLED electronic viewfinder and 3.0" 1.24m-dot free-angle touchscreen LCD. Additionally, built-in Wi-Fi and Bluetooth allow you to wirelessly share imagery or remotely control the camera from a linked smartphone or tablet. 20.1MP 1" High-Sensitivity MOS Sensor A large 20.1MP 1" High Sensitivity MOS sensor helps to realize rich image quality with reduced noise and high sensitivity to an expanded ISO 25600. The imaging and processing capabilities also avail continuous shooting rates up to 12 fps in single-shot AF mode, 7 fps with continuous AF, or 30 fps at 8MP in the 4K PHOTO modes. Leica DC Vario-Elmarit 16x Zoom Lens An impressive 16x Leica DC Vario-Elmarit zoom offers a 25-400mm equivalent focal length range along with a maximum aperture range of f/2.8-4 to suit working in available light conditions. The lens construction incorporates five aspherical elements to minimize spherical aberrations and distortions throughout the zoom range and four extra-low dispersion elements help to eliminate chromatic aberrations and color fringing. Benefitting the long reach of the lens is a 5-axis HYBRID Optical Image Stabilizer that compensates for a variety of camera movements for sharper handheld shooting in difficult lighting conditions. This image stabilization system also enables a unique Level Shot function that automatically detects the horizontal line of the recording image and keeps it level during shooting, regardless of camera tilt, helping to achieve greater shooting stability. 4K Video and 4K PHOTO Modes The sensor and processor combination also enables 4K video recording at 30p in the MP4 format at 100 Mb/s. Full HD 1080p and HD 720p recording is also possible, as well as high-speed Full HD recording with 120-fps slow-motion playback. Besides video, the 4K capabilities also permit recording 8MP stills at 30 fps in a trio of ways: ● 4K Burst: Just as with video recording, this mode will allow you to continuously record 8MP images at 30 fps for up to 15 minutes, making it ideal for instances where you need a fast frame rate in order to capture the best moment. ● 4K Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record 8MP images at 30 fps one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from. ● 4K Burst (S/S): This mode most closely follows the 4K video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8MP frame. An Auto Marking function makes it easy to sift through the hundreds of frames captured with 4K PHOTO modes, and lets you jump to the nearest frame where differences are more pronounced between consecutive frames in order to minimize the time spent reviewing images. Additionally, Sequence Composition mode can be used to synthesize sequentially recorded images taken with 4K PHOTO modes and composite them into a single dynamic image (a stromotion) that clearly shows subject movement while retaining a single static background. Post Focus and Focus Stacking Another attribute of the 4K capabilities is a unique focusing method called Post Focus. Working in conjunction with the contrast-detection focusing system and the intelligent Depth from Defocus (DFD) technology, Post Focus records imagery as a 4K MP4 file at 30 fps and shifts the specific point of focus throughout the burst shooting in order to offer a range of distinct focusing ranges to choose from. During playback, via the camera's touchscreen, you can then tap the specific region of the image you wish to be in focus and an 8MP JPEG file will be created. Multiple individual files with different points of focus can be created from the original burst and focusing assist functions can also be used to gain even more precise control over the specific in-focus region. This technology also allows for producing focus stacked images in-camera to realize a greater depth of field, especially when photographing close-up subjects. In this mode, images are recorded and saved with varying points of focus and then blended together to gain an extended depth of field. Body Design and Built-In Wi-Fi ● A Live View Finder (LVF) is integrated into the body design to permit comfortable eye-level monitoring. This 0.39", 0.74x-magnification electronic viewfinder has a 2.36m-dot resolution and covers 100% of the image frame while shooting. ● Alternatively, a rear 3.0" 1.24m-dot touchscreen LCD monitor is also available for live view shooting, image review, and intuitive menu navigation. The screen features a free-angle design that flips out 180° to the side and then tilts 270° to permit working from high, low, and front-facing angles. ● A host of manual controls offer simple, direct control over a variety of oft-used camera settings, including 13 assignable Fn buttons. ● The included rechargeable lithium-ion battery provides you with 440 shots per charge when working with the rear LCD, 290 shots per charge with the electronic viewfinder, or 430 shots per charge when working with the electronic viewfinder in the eco 30-fps setting. ● Built-in Wi-Fi and Bluetooth allow you to wirelessly share photos and movies to linked smartphones and tablets for direct sharing online. This connectivity also allows you to remotely control the camera from a mobile device. Other Camera Features ● Depth from Defocus (DFD) technology affords impressively fast and precise autofocus performance to suit photographing moving subjects. ● Focus peaking is available for easier, more accurate manual focusing control. ● Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine. ● Still Image Scene Guide modes: Clear Portrait, Silky Skin, Backlit Softness, Clear in Backlight, Relaxing Tone, Sweet Child's Face, Distinct Scenery, Bright Blue Sky, Romantic Sunset Glow, Vivid Sunset Glow, Glistening Water, Clear Nightscape, Cool Night Sky, Warm Glowing Nightscape, Artistic Nightscape, Glittering Illuminations, Handheld Night Shot, Clear Night Portrait, Soft Image of a Flower, Appetizing Food, Cute Dessert, Freeze Animal Motion, Clear Sports Shot, and Monochrome. ● Photo Style modes: Standard, Vivid, Natural, Monochrome, L.Monochrome, L.Monochrome D, Scenery, Portrait, Custom, Cinelike D, Cinelike V. ● Picture Adjustment settings: Contrast, Sharpness, Noise Reduction, and Saturation. Body Design and Wireless Connectivity ● High-resolution 2.36m-dot, 0.74x-magnification electronic viewfinder is integrated into the body design to permit comfortable eye-level monitoring. ● Alternatively, a rear 3.0" 1.24m-dot touchscreen LCD monitor is also available for live view shooting, image review, and intuitive menu navigation. The screen features an articulating design that flips out 180° to the side and then tilts 270° to permit working from high, low, and front-facing angles. ● The included rechargeable lithium-ion battery provides you with approximately 440 shots per charge and in-camera charging is supported via the micro-USB port. ● Built-in Wi-Fi and Bluetooth, along with the Lumix FOTOS app, allow you to wirelessly share photos and movies to linked smartphones and tablets for direct sharing online. This connectivity also allows you to remotely control the camera from a mobile device. The essentials: ● 20.1 MP 1"- MOS Sensor ● DC Vario-Elmarit 25-400 mm f/2.8-4.0 lens ● Full tilt-and-swivel 3" touchscreen ● OLED electronic viewfinder (2.36 MP) and 0.74x magnification ● 4K video and 4K photo burst shooting ● Integrated flash ● Autofocus speed of approx. 90 milliseconds ● Focus stacking and Post Focus ● JPEG and RAW files ● Integrated Bluetooth/Wifi and Lumix App

Shutter counter: 8xxx https://www.youtube.com/watch?v=HF2GOmsOr40 Review: https://www.kenrockwell.com/sony/a9.htm Electronic shutter evolution: Sony A9, Olympus OM-D E-M1 II and Lumix G9: https://mirrorlesscomparison.com/in-depth/sony-a9-vs-olympus-omd-em1-ii/ Very good condition body with Body cap, battery, Wall charger, USB cable, Sony Eye cap, User Manual, Docs, Box. Cosmetically, it has a lot of traces and scratches on body (look at photos) that don't affect quality of photos. Mint condition of sensor and LCD screen. Can be used normally with all functions. The first Sony mirrorless with two card slots, complete silence and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used — better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall. New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor. 693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image. Calculates exposure and autofocus at up to 60 frames per second. Two card slots. New thumb-nubbin controller on rear. Three memory recalls on the top mode dial, with four more presets almost as easy to recall. Drive mode dial. Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7. C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7. New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots). In-camera 5-axis sensor-shift stabilization claims 5 stops improvement. Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye. Shoots 4K video using the entire 36mm width of the image sensor. Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode). XAVC S high-bitrate video formats for 50~100 MBPS video. Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound). Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night. Two card slots. Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy. Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter. Solid mostly metal construction. Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA! Excellent high ISO performance. Facial recognition works well, but only after you find it and turn it on. In-finder 2-axis level works great for keeping horizons and vertical lines as they should be. In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction. Almost any lens of any brand or age can be adapted to work - but with no lens corrections. Stereo microphone built-in. 3.5mm powered mic and headphone jacks. Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS. Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong. Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length. Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials.