Canon PowerShot G7X G7 X Mark III 3

Mint condition! Used lens with two caps. S/n: last photo. The world is full of amazing views—some right in front of us, others far in the distance. Capture all of them beautifully with a single lens, the outstanding all-in-one telephoto zoom AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR. Surprisingly compact and lightweight for a 16.7x zoom lens, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR draws great performance from Nikon DX-format D-SLRs and is a highly versatile second lens. Shoot wide-angle scenic landscapes and group photos, portraits with softly blurred backgrounds, super-telephoto close-ups and everything in between—if you can see it, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR can capture it. Optimized for shooting both stills and HD videos, it features specialized Vibration Reduction technology for tack-sharp photos and steady videos, even when your hands are a bit shaky. And since it's a NIKKOR, it features some of the best optics available. Whether you're looking for maximum versatility in a lens or you're just the kind of photographer who finds inspiration all around, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR will help you capture more of life's great views. Aperture range from f/3.5 to f/22 Angle of view from 76 Degree to 5 Degree20' Maximum magnification of 0.32x and a minimum focusing distance of 1.6' Lens construction of 16 elements in 12 groups Works on FX-format cameras in DX crop mode. Note: Focal length decreases as the focus distance shortens. Note that the focus distance indicator is intended only as a guide and may not accurately show the distance to the subject and may, due to depth of field or other factors, not show ∞ when the camera is focused on a distant object. Optical Conversion Factor: 1.5x. The world is full of amazing views—some right in front of us, others far in the distance. Capture all of them beautifully with a single lens, the outstanding all-in-one telephoto zoom AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR. Surprisingly compact and lightweight for a 16.7x zoom lens, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR draws great performance from Nikon DX-format D-SLRs and is a highly versatile second lens. Shoot wide-angle scenic landscapes and group photos, portraits with softly blurred backgrounds, super-telephoto close-ups and everything in between—if you can see it, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR can capture it. Optimized for shooting both stills and HD videos, it features specialized Vibration Reduction technology for tack-sharp photos and steady videos, even when your hands are a bit shaky. And since it's a NIKKOR, it features some of the best optics available. Whether you're looking for maximum versatility in a lens or you're just the kind of photographer who finds inspiration all around, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR will help you capture more of life's great views. The AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR can do just about anything—stills, videos, landscapes, interiors, portraits, wildlife...you name it. Its massive zoom range goes from wide-angle (27mm equivalent in 35mm) all the way to super-telephoto (450mm equivalent in 35mm), so you can catch stunning close-ups of concert performers and athletes as easily as wide scenic shots. Its compact, balanced design and Vibration Reduction technology help keep photos sharp and videos steady, and the lens' fast, quiet autofocus system minimizes camera noise during video recording. A little camera shake can ruin an otherwise great photos or video, especially when shooting at super-telephoto distances. To combat camera shake, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR features Nikon's Vibration Reduction technology, which provides 4.0 stops of blur-free handheld shooting. Capture crisp, clear photos and steady videos even if your hands are a bit unsteady. Additionally, VR is a big advantage in low-light situations—slow down your shutter speed without compromising sharpness. Like all renowned NIKKOR lenses, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR delivers stunning image quality—vibrant color, sharp detail, and minimal distortion. To enhance that superb optical performance and increase its versatility as both a photo and video lens, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR includes Nikon's advanced lens technologies like Silent Wave Motor (SWM) for ultra-fast, near-silent autofocusing, three Aspherical (AS) and Extra-low Dispersion (ED) glass elements for maximum contrast and minimal lens flare and ghosting, a rounded 7-blade diaphragm for beautiful, natural background blur and Internal Focusing (IF) for a more compact, streamlined lens design. Unparalleled versatility 16.7x wide-angle to super-telephoto zoom The AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR can do just about anything—stills, videos, landscapes, interiors, portraits, wildlife...you name it. Its massive zoom range goes from wide-angle (27mm equivalent in 35mm) all the way to super-telephoto (450mm equivalent in 35mm), so you can catch stunning close-ups of concert performers and athletes as easily as wide scenic shots. Its compact, balanced design and Vibration Reduction technology help keep photos sharp and videos steady, and the lens' fast, quiet autofocus system minimizes camera noise during video recording. Sharper photos and video Vibration Reduction image stabilization A little camera shake can ruin an otherwise great photos or video, especially when shooting at super-telephoto distances. To combat camera shake, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR features Nikon's Vibration Reduction technology, which provides 4.0 stops* of blur-free handheld shooting. Capture crisp, clear photos and steady videos even if your hands are a bit unsteady. Additionally, VR is a big advantage in low-light situations—slow down your shutter speed without compromising sharpness. Reliable, inspiring performance Superb image quality and consistency Like all renowned NIKKOR lenses, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR delivers stunning image quality—vibrant color, sharp detail, and minimal distortion. To enhance that superb optical performance and increase its versatility as both a photo and video lens, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR includes Nikon's advanced lens technologies like Silent Wave Motor (SWM) for ultra-fast, near-silent autofocusing, three Aspherical (AS) and Extra-low Dispersion (ED) glass elements for maximum contrast and minimal lens flare and ghosting, a rounded 7-blade diaphragm for beautiful, natural background blur and Internal Focusing (IF) for a more compact, streamlined lens design. Supplied Accessories ● LC-67 Snap-on Front Lens Cap 67mm ● LF-4 Rear Lens Cap

Shutter counter: 8xxx https://www.youtube.com/watch?v=HF2GOmsOr40 Review: https://www.kenrockwell.com/sony/a9.htm Electronic shutter evolution: Sony A9, Olympus OM-D E-M1 II and Lumix G9: https://mirrorlesscomparison.com/in-depth/sony-a9-vs-olympus-omd-em1-ii/ Very good condition body with Body cap, battery, Wall charger, USB cable, Sony Eye cap, User Manual, Docs, Box. Cosmetically, it has a lot of traces and scratches on body (look at photos) that don't affect quality of photos. Mint condition of sensor and LCD screen. Can be used normally with all functions. The first Sony mirrorless with two card slots, complete silence and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used — better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall. New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor. 693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image. Calculates exposure and autofocus at up to 60 frames per second. Two card slots. New thumb-nubbin controller on rear. Three memory recalls on the top mode dial, with four more presets almost as easy to recall. Drive mode dial. Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7. C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7. New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots). In-camera 5-axis sensor-shift stabilization claims 5 stops improvement. Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye. Shoots 4K video using the entire 36mm width of the image sensor. Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode). XAVC S high-bitrate video formats for 50~100 MBPS video. Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound). Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night. Two card slots. Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy. Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter. Solid mostly metal construction. Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA! Excellent high ISO performance. Facial recognition works well, but only after you find it and turn it on. In-finder 2-axis level works great for keeping horizons and vertical lines as they should be. In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction. Almost any lens of any brand or age can be adapted to work - but with no lens corrections. Stereo microphone built-in. 3.5mm powered mic and headphone jacks. Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS. Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong. Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length. Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials.

Lens with two caps, box. Fully tested in excellent condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.canon-europe.com/lenses/ef-24-105mm-f-3-5-5-6-is-stm-lens/ The EF 24–105mm f/3.5–5.6 IS STM lens is the first Canon EF standard zoom lens for full-frame sensor cameras to include a lead screw-type stepping motor (STM) for smooth and quiet AF and tracking while shooting movies or still images. It offers top-notch image quality thanks to two aspheric lenses and a UD lens for sharpness and clarity; optimized lens placement and advanced coatings that reduce ghosting and flare while delivering remarkable color balance; and a 7-blade circular aperture diaphragm that creates gorgeous, soft backgrounds. The lens is compact, has an advanced image stabilization system for up to four stops of compensation, and offers full time manual focus. With full-frame compatibility, outstanding STM AF performance, and covering a popular zoom range, the EF 24–105mm f/3.5–5.6 IS STM is an excellent choice. Specifications Focal Length & Maximum Aperture: 24–105mm 1:3.5–5.6 Lens Construction: 17 elements in 13 groups Diagonal Angle of View: 84° – 23° 20' Focus Adjustment: Inner focusing system Closest Focusing Distance: 1.31 ft. / 0.4m Filter Size: 77mm diameter Max Diameter x Length, Weight: Approx. 3.3 x 4.1 in. / 83.4 x 104 mm, Approx. 18.52 oz. / 525 g

Compatible with the full line of Canon EF and EF-S lenses. Camera body, Battery, Charger, Canon EOS 80D strap, eye shield, body cap, User Manual Book, Box. Made in Japan. Very good condition! Thai / English + menu. S/n: last photo. User Manual PDF Thai: https://goto.canon.co.th/product/manual/Canon_Manual_EOS_80D_TH.pdf https://www.canon-europe.com/for_home/product_finder/cameras/digital_slr/eos-80d/specification.html Product Description Whether raising your game to SLR level photography or having fun with a feature-rich, versatile SLR you can use pretty much anywhere, the EOS 80D camera is your answer. It features an impressive 45-point all cross-type AF system that provides high-speed, highly precise AF in virtually any kind of light. In dim lighting, it has improved low luminance performance to EV -3 and is compatible with most EF lenses (lenses with maximum apertures of f/8 or higher, and some lenses with extenders attached may operate at a maximum of 27 points). It also features 4 types of AF area selection modes useful for a number of different AF situations. To help ensure photographers don't miss their shot, an Intelligent Viewfinder with approximately 100% coverage provides a clear view and comprehensive image data. Approximately 100% coverage means there’s virtually no guesswork when it comes to composition, and with all settings available at a glance, the Intelligent Viewfinder helps photographers keep their eye on their subject, so the image can be captured at the right instant. The powerful 24.2 Megapixel (APS-C) CMOS sensor and Dual Pixel CMOS AF for Live View shooting enhance the EOS 80D's performance across the board. Complementing the EOS 80D's advanced operation are built-in wireless connectivity and Full HD 60p movies that can be saved as MP4s for easy sharing. Merging power, precision and operability, the EOS 80D is a dynamic SLR camera for anyone ready to realize their creative vision. Characterized by versatile imaging specs, the Canon EOS 80D further clarifies itself using a pair of robust focusing systems and an intuitive design. Featuring a 24.2MP APS-C CMOS sensor and DIGIC 6 image processor, this sleek DSLR is capable of capturing high-resolution images at up to 7 fps and Full HD 1080p60 video, both with reduced noise and high sensitivity up to an expanded ISO 25600 for working in difficult lighting conditions. When working with the optical viewfinder, an apt 45-point all cross-type AF system affords fast performance in a range of lighting conditions for tracking moving subjects and working in low light, while the Dual Pixel CMOS AF system benefits live view shooting and movie recording by providing a smooth, natural focusing quality akin to the way a camcorder acquires focus. Touch-to-focus is availed by the large 3.0" 1.04m-dot touchscreen LCD, which also sports a swiveling vari-angle design for working from high and low angles with ease. Additionally, built-in Wi-Fi with NFC allows you to pair mobile devices with the camera to wirelessly transfer files for sharing your photos and movies online. More than just a well-connected DSLR, the 80D is equally matched in imaging versatility due to its inclusion of multimedia feature-sets for stills shooting and movie recording. 24.2MP APS-C CMOS Sensor and DIGIC 6 Image Processor Featuring a 24.2MP APS-C CMOS sensor and DIGIC 6 image processor, the 80D is capable of producing high-resolution imagery with notable clarity and minimal noise, as well as a native sensitivity range of ISO 100-16000 that can be further expanded to ISO 25600 to support working in low-light situations. The sensor and processor combination also avails fast performance throughout the camera system, including the ability to shoot continuously at up to 7 fps or record Full HD 1080p video at 60 fps in the MP4 format. 45-Point All Cross-Type AF and Dual Pixel CMOS AF Systems Benefitting stills shooting with the optical viewfinder, a wide-area 45-point all cross-type phase-detection autofocus system provides quick and precise focusing in difficult lighting conditions down to -3 EV. For working with telephoto lenses fitted with extenders, 27 of the points are capable of focusing down to f/8 and the center dual cross-type offers increased precision at brighter aperture values. The cross-type design of the sensors affords greater accuracy in low-contrast and mixed lighting conditions, and the broad coverage of the 45 sensors is ideal for tracking and maintaining focus on moving subjects. Making use of the 45-points is a series of four AF area selection modes, including single-point AF; Zone AF, where you can select from one of nine AF zones; Large Zone AF, which offers a choice of three selectable zones; and 45-point AF auto selection, which allows the camera to select a single point automatically. When recording video or shooting in live view, a Dual Pixel CMOS AF system is employed that offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery. Full HD 1080p Video Recording In addition to stills recording, the 80D also supports Full HD 1080p video recording at up to 30 fps in the MOV format with ALL-I compression, or 60 fps in the MP4 format with IPB compression. Video recording is benefitted by the inclusion of Dual Pixel CMOS AF and the Movie Servo AF focusing functions, as well as the touchscreen design of the LCD monitor for intuitive control. Additionally, both headphone and microphone jacks are incorporated in the body design for advanced control over audio recording. Unique to most video recording systems, the 80D also features an HDR Movie mode that can be used to achieve greater highlight and shadow detail when recording in high contrast scenarios. This mode captures two HD frames at different exposures, one normal and one underexposed, in short succession at up to 60 fps and then composites them during playback at 30 fps to create a movie with a longer-appearing dynamic range. Body Design and Built-In Wi-Fi with NFC ● 3.0" 1.04m-dot ClearView II touchscreen LCD features a vari-angle design to permit working from high and low angles and the touchscreen design facilitates intuitive control over menu navigation and touch-to-focus operation. ● The pentaprism type Intelligent Viewfinder offers 100% frame coverage for high compositional accuracy when shooting at eye-level. Additionally, further aiding shooting with the viewfinder, AF points and mode, compositional grids, a horizontal electronic level, and other assistive features can be displayed during use. ● Both photos and movies can be wirelessly shared to smartphones or tablets, using the Canon Camera Connect app, for instant online sharing or backed up to the Canon Connect Station CS100 via built-in Wi-Fi with NFC connectivity. Remote shooting from a linked mobile device is also available, allowing you to wirelessly configure exposure settings or release the shutter. ● The high-performance shutter mechanism has been tested for up to 100,000 cycles. Other Camera Features ● A 7560-pixel RGB+IR metering sensor benefits both autofocus and exposure metering precision and enables Color Tracking for more accurately detecting skin colors. ● An anti-flicker function automatically compensates for flickering light sources to provide consistent exposure values and color during continuous shooting. ● Time-Lapse Movie combines still photos taken at set intervals into a silent movie to depict motion that occurs over a long time scale. ● HDR effects are available for stills shooting, and can be applied using Natural, Art Standard, Art Bold, Art Vivid, and Art Embossed settings. ● Creative Filters can be applied to creatively refine the look of imagery, and include Grainy Black and White, Soft Focus, Fisheye Effect, Toy Camera Effect, Miniature Effect, Art Bold Effect, and Water Painting Effect. Five dedicated effects are also available for movie recording, an include Memory, Dream, Old Movies, Dramatic B&W, and Miniature Effect. ● Picture Style settings: Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, and User Defined 1-3. ● Language support: English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, and Japanese.