Canon EOS 200D Mark II / 250D (Kiss X10 / Rebel SL3) 24.1MP Wi-Fi NFC

World’s First 2:1 100mm Macro Lens Laowa 100mm f/2.8 2x Ultra Macro Lens Review https://www.youtube.com/watch?v=QYigJviAofg Laowa 100mm f/2.8 2x Ultra Macro APO Full Review | Best Macro Lens? https://www.youtube.com/watch?v=q-3MNr74EWg รีวิวเลนส์มาโคร Laowa 100mm F2.8 2X โดยพี่โก๊ะ กล้องกล้วยกล้วย https://www.youtube.com/watch?v=YQ__U03ksTQ Mint condition Lens with two caps, Hood, docs, Box. S/n: last photo.

https://www.youtube.com/watch?v=l1tcMjzMHaQ Easily Adaptable to Sony, Canon, Panasonic, Fujifilm, Olympus cameras Full Frame, APS-C and M4/3 with proper adapter รูรับแสงกว้าง โบเก้สวย M-mount ที่แปลงใส่ได้ทั้งกล้อง Sony, Canon, Panasonic, Fujifilm, Olympus ใช้งานได้ทั้งเซ็นเซอร์ Full Frame, APS-C และ M4/3 ให้ภาพคมสีสวย Made in Japan. Used lens with two original caps, Built-in lens hood, Box. Look at photos. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/03/21mm_F1_8_Ultron__VM_Manual_D_E.pdf Fully tested in very good working condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick รีวิว Voigtlander 21mm f1.4 VM เลนส์มุมกว้างหลังละลาย: https://www.youtube.com/watch?v=7qrKd_Xj3ew https://www.voigtlaender.de/lenses/vm/21-mm-11-8-ultron-aspherical/?lang=en Exceptionally bright wide-angle lens whose combination of large viewing angle and large opening opens up a multitude of creative design possibilities. When the aperture is open, the 10 diaphragm blades produce a fine bokeh, which is not self-evident in the wide-angle range. The Ultron covers a diagonal angle of view of 91 degrees and offers a 50 cm minimum focusing distance. The 1.8 / 21 mm is 78.4 millimeters long, weighs 412 grams and has a maximum diameter of 69 mm. The sun visor is permanently installed. Voigtlander Ultron 21mm f/1.8 Overview Pairing an ultra-wide focal length with a bright maximum aperture, the Ultron 21mm f/1.8 from Voigtlander is a versatile lens designed for M-mount rangefinder cameras. Its expansive field of view is well-suited to architectural and interior subjects while the bright f/1.8 maximum aperture benefits working in low-light conditions. One aspherical element is featured in the optical design to help reduce spherical aberrations in order to produce greater sharpness and clarity throughout the aperture range. The lens also features a manual focus design, which permits working with subjects as close as 1.6' away, and it has a built-in lens hood to shield the front element and minimize lens flare and ghosting. Fast f/1.8 maximum aperture benefits working in difficult lighting conditions. One aspherical is featured to control spherical aberrations and distortion for improved sharpness and clarity. Manual focus design enables a minimum focusing distance of 1.6', and it is rangefinder coupled for accurate focusing to 2.3'. Built-in, non-removable lens hood helps to prevent lens flare and ghosting for increased contrast and color fidelity when working in strongly lit conditions. This Voigtländer 21mm f/1.8 lens fits LEICA M cameras, and it's a much better performer than I expected. It has less distortion than any other 21mm LEICA or LEICA-mount lens I've tested, and it's sharp, making it a great choice for any kind of photography, even if you don't need its super speed for low-light. It's almost as sharp as LEICA's 21mm f/3.4 ASPH and previous 21mm f/2.8 ASPH lenses, meaning this Voigtlander lens is still much sharper than any SLR zoom, and more than sharp enough for any purpose to which anyone who buys this lens will put it. This 21mm f/1.8 surprisingly has very little distortion – less than LEICA's own current 21mm lenses! You'll never see any sharpness difference between this Voigtlander and LEICA's 21mm lenses in real pictures, and if brick walls are your thing, you will see the lack of distortion in this Voigtlander lens compared to the stronger distortion in LEICA's 21mm lenses. I have not yet tested the LEICA SUMMILUX-M 21mm f/1.4 ASPH. The LEICA 21/1.4 is almost a stop faster, but at $7,000, is two-and a half stops (5.6 times) more expensive, as well as an ergonomically foolish lens needing VIII filters intended mostly for playboys. Based on my test of the very similar LEICA SUMMILUX-M 24mm f/1.4 ASPH, I predict that the LEICA 21mm f/1.4 has much worse distortion and probably is only about as sharp as this Voigtlander lens. The 24mm f/1.4 is loaded with distortion, and its curved field makes it much less sharp (by LEICA standards) than slower lenses for many uses. I'd rather have this very practical (58mm filters) Voigtlander 21/1.8 than the crazy LEICA 21/1.4. I actually own the far more practical LEICA 21/3.4 ASPH, which replaced my 21/2.8 ASPH, which are slightly sharper than any of these super-speed lenses. This Voigtlander 21/1.8 is pretty handy; it works well on a LEICA and it's fast, too. I'm more impressed with this lens than I expected it to be. Luckily for use on the LEICA M9, this Voigtlander 21 1.8 performs marvelously when set manually to the LEICA 21mm f/2.8 11 134 profile. When set this way there is minimal corner falloff or color shift. Even without a profile, it works pretty well on an M9. For normal photography and especially for 35mm photography, the optics of this fast ultrawide are superb – so long as you're not comparing to LEICA lenses under the microscope. https://www.kenrockwell.com

https://www.youtube.com/watch?v=hzaBoZASJwk Swiss design. Made in Korea. Used lens with two original caps, ILH-15A Hoos, Warranty Card, Irix Soft Case, Irix Metal Box, Irix Box. https://irixlens.com/photo-lenses/15mm/ Fully tested in excellent condition. S/n: last photo. Perfectly working order! Irix 15mm f/2.4 Firefly Lens for Nikon The Irix 15mm Firefly is a manual, super-wide-angle lens that allows you to include much more of the scene for a greater sense of space and incredible effects. It's the perfect lens for landscape, architectural and even interior photography. This versatile lens will adapt to every situation and the results are impressive, to say the least. Ergonomic focusing ring which incorporates a convenient click-stop for the infinity setting The built-in hyperfocal distance scale gives you precise information about the depth of field for each shot An innovative focus lock lets you easily set the focus anywhere on the scale and keep it there for consistently repeatable results and to help avoid focus drift With a minimum focusing distance of 11.02" (0.28m), you can get in close to your subjects for great wide-angle effects Neutrino coating for minimal ghosting, chromatic aberration and flare, with maximum sharpness and contrast 15 elements in 11 groups for extremely high image quality Focus lock allowing you to lock the chosen setting at any time Weather sealed construction resists the elements for use in the harshest conditions Hyperfocal distance scale for precise information about depth of field Clearly-labeled infinity position for the focus ring with a noticeable "click" to make it easy to find, even in the dark Minimum focus distance of 11.02" (0.28m) Ergonomic focus ring for faster focus 9 rounded diaphragm blades for a beautiful bokeh effect Irix has created the Firefly lens with a weather-resistant exterior and inner seals, so you can use it in all weather conditions. Thanks to this construction, your Firefly lens is protected from accidental water splashes, rain, snow, dust and other airborne particles. This makes it the perfect glass for photographers who need to work in all possible conditions. Perfect for night photography Night photography is not only interesting but also highly rewarding – it allows you to easily create eye-catching images, if you have the right lens. The Irix 15mm f/2.4 is an irreplaceable tool for any astrophotographer – its fast aperture of f/2.4, combined with a short focal length allows you to capture spectacular shots of the night sky and the Milky Way. The night is yours! https://www.youtube.com/watch?v=y7WlAe7-4KE Intelligent Lens Design The Irix 15mm f/2.4 lens has a module that allows you to control the lens’ iris directly from the camera, thanks to which popular semi-automatic modes (PASM) and data recording in EXIF format are available. The use of electronics also enable the lens to be equipped with a focus confirmation system – the camera will announce the correct focus setting (either in the form of an icon in the viewfinder or with a sound), every time you set the focus correctly – it’s easy and convenient! It’s worth noting that Irix lenses have the appropriate correction profiles that are pre-loaded and readable by software (such as Adobe Lightroom and Adobe Photoshop), that will make your shooting experience even more enjoyable. A Build You Can Trust It doesn’t matter if you’re traversing the hot sands of the Sahara or the frigid expanse of Antarctica – Irix lenses never back down from any challenge. The sealing system has been designed to protect the inside of the lens from moisture, dust, and sand. Equally important, the lens does not change its dimensions during focus pulling, eliminating the risk of dirt particles getting swept into the internal structure. These properties not only allow you to work in demanding conditions, but also guarantee the cleanliness of the camera’s mirror chamber sensor. https://www.youtube.com/watch?v=CCgg5tHNSeI Optics that guarantee sharp images Creativity, ideas, and effort put into a photograph would be nothing without the right lens. Thanks to many years of experience in optical design, Irix lenses are characterized by their excellent resolution and minimal distortion (2%) and almost no vignetting. The Irix 15mm f/2.4 lens consists of as many as 15 elements arranged in 11 groups: 4 refractive elements, 2 ED elements and 3 aspherical elements. The focusing distance is only 28cm which, in combination with the f/2.4 light and 9 rounded aperture blades, make the lens stand out with extremely smooth bokeh with an amazing perspective. You compose the frame – we will take care of the rest! Creative Tool It doesn’t matter if you are a professional photographer looking for a lens for your next job, or an amateur looking to expand your focal range – the Irix 15mm f/2.4 is a right choice for every landscape photographer! The Irix 15mm f/2.4 lens is an ultra wide-angle lens created for your full frame (35mm) camera, available in Nikon F, Canon EF, and Pentax K mounts. This lens will allow you to open up to a completely new type of photography – thanks to the 110-degree field of view you will be able to capture eye-catching images, and the excellent optical properties will make the image sharp and full of details. One Lens – Two Versions The Irix 15mm f/2.4 comes in two verisons: Firefly and Blackstone. Firefly – Lightweight composite construction, with an embossed rubber focus ring, allowing for smooth and precise focusing. Included with the lens is a soft pouch. Additional Features Click at infinity – enables precise, easy, and quick focusing. During focusing, you will feel the exact moment when your lens sets to infinity, which is extremely useful when shooting in difficult lighting conditions (i.e. at night). Focus Lock – allows you to lock the focus ring in a specific position, which is extremely beneficial when you want to keep a specific focus plane i.e. in astrophotography, or when using the hyperfocal scale. https://www.youtube.com/watch?v=OfG6jysEL-Q 95mm front filter thread – allows you to use screw-in filters such as Irix Edge UV & Protector, Irix Edge Circular Polarizer, Irix Edge ND, and Irix Edge Light Pollution filter and others. Compatible with Irix Edge IFH-100 Filter Holder – allows you to expand your creativity thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse Rear Gel filter slot – allows the use of Neutral Grey filters mounted on the rear of the lens, which is a unique feature of the Irix 15mm f/2.4 and Irix 11mm f/4.0 lenses. Circular Polariser Adjustment Window – the lens hood is equipped with a sliding window, allowing you to freely rotate the polarizing filter without the risk of getting dirty. Focus Calibration window – due to the specifics of focus detection in DSLR cameras based on phase detection, it may sometimes happen that the lens needs to sync with the camera. Thanks to this special opening, you can easily calibrate the lens at home using basic tools within 5 minutes. Fast, simple and effective! Compatible with filters What makes the Irix 15mm f/2.4 lens unique is the possibility of using both classic 95mm screw-on filters, as well as square filters, thanks to the Irix Edge IFH-100 holder! Every landscape photographer uses filters – they allow a creative approach to photography, which makes them extremely practical. The filters that you can use with the Irix 15mm f/2.4 lens are all 95mm filters, such as the Irix Edge: UV & Protector – protects your lens against damage Circular Polarizer – cuts off unwanted reflections and increase the clarity of the photo Neutral Density – decrease the amount of light reaching the camera sensor, thus allows, for example, creatively to blurs the motion in your photographs. Light Pollution – cuts off the light of cities, making your night photos full of detail without a yellowish haze Irix Edge IFH-100 Filter Holder allows you to expand your camera’s capabilities thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse. By cutting off part of the light from the brightest part of the image, you can shoot even in the most difficult lighting conditions. This manual-focus Irix 15mm f/2.4 lens has superb optics, easily the equal or better than the larger, older and more expensive Zeiss 15mm f/2.8. This is a full frame (FX) lens, and I'll be reviewing it as such. It works great on DX cameras, too, on which you may make the usual inferences, but you're wasting most of this lens' performance shot on a small frame camera. The Nikon version should work great with every FX digital Nikon. It has a chip that should let it work in all metering modes and in all P, S, A, and M exposure modes, just like Nikon's AI-P manual-focus lenses. Wow! Even shot wide-open at f/2.4, it's ultra sharp and contrasty at every focus distance. This lens, like most major-brand lenses introduced since 2010, is ultra sharp. It may be the sharpest fixed ultra-ultrawide lens I've ever tested. It's ultrasharp and contrasty and devoid of spherical aberration and lateral color throughout the whole image even wide-open at f/2.4. The only slight imperfection is that it is slightly softer in the last few millimeters of the full-frame corners at f/2.4, but even there it becomes ultrasharp as soon as stopped down a little. It's so sharp and contrasty that it can incite aliasing on a 50 MP Canon 5DSR, even shot wide-open! More good news is even though it has a rounded diaphragm, the Irix 15mm can make 18-pointed sunstars on brilliant points of light at the smaller apertures. Overall This Irix 15mm has optics as good or better optically than any of expensive lenses and takes normal filters, which most of the other lenses do not. This is a great 15mm lens at a bargain price and much nicer than anything else I've ever seen out of Korea. If you're in the market for a fixed 15mm ultra ultrawide, this is probably your best buy. kenrockwell.com About us Swiss precision and Korean ingenious solutions make a powerful mix. Irix lenses are designed to deliver top optical performance for Full Frame cameras. We offer large apertures whilst maintaining the best image quality. As photographers, we keep an eye on the details. It's not only the picture in front of us that is important, but also its surroundings. Whether it's shooting landscapes, news, sports or capturing architectural curves, we offer lenses that are solid, intuitive, accurate and handy.

Product Description Samyang's 50mm F1.2 AS UMC CS is a wide angle manual focus photo lens for mirrorless cameras with APS-C sensor sizes. With a significantly bright F1.2 aperture, the lens creates bright, crisp images and impressive bokeh even with mirrorless cameras. The 50mm F1.2 is a multi-purpose lens, especially useful for portraits photography. Samyang's 50mm F1.2 AS UMC CS has a low F number (F1.2). allowing you to precisely control the lens when shooting under various exposure environments including relatively dark situations. This lens features 9 elements in 7 groups including 2 glass aspherical lenses (ASP) to offer high resolution throughout the image. Samyang's Ultra Multi Coating (UMC) is used to optimise the light penetration and minimises flare and ghosting. 0.28m minimum focusing distance helps to capture the object in close proximity. The lens features 9 aperture blades which are designed to be almost a full circle when the aperture is closed. This produces starlike rays clearly and beautifully. The solid frame of the lens is constructed from high-strength aluminium alloy which allows the lens to be lightweight, yet strong. A detachable petal-shaped lens hood further minimises flare and ghosting by sheltering the lens from unwanted stray light. Set Contains: Samyang/Rokinon 50mm F1.2 CS Manual Focus Lens for Sony E-Mount, two caps, Hood, User Manual, Box. About this item ● F1.2 aperture creates fantastic image with shallow depth and smooth focus gear ring allows precise adjustment ● Glass Aspherical lens elements reduce chromatic aberration effectively to produce excellent image quality ● UMC technology reduces flare and ghosting as much as possible for clearer brighter images ● 9 aperture blades create almost a full circle when closed